IN DEFENSE OF GOD by Lenny Levinson

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Dec 192014
 
IN DEFENSE OF GOD by Lenny Levinson

Let’s face it - God has gone out of style.  Many consider God a delusion, an anachronism, a fallacy, a big scam.

I still believe in God.  How can anyone still believe God in this modern technological age?  I must be stupid, superstitious, unscientific and/or narrow-minded, right?

I believe in God because I’ve been forced by the nature of my mind to confront a certain nagging question:  HOW DID LIFE BEGIN?

Scientists theorize that life began in some warm primordial pool of water in some sleepy lagoon somewhere, aided by natural selection, random mutations and perhaps cosmic rays.  But specifically, how did life actually begin?  Scientists cannot answer that question definitively, or create life itself despite multi-million dollar laboratories filled with the latest gene-splicing and other jazzy equipment.

Modern science believes that nothing simply happens, therefore everything is caused.  Modern science does not believe in spontaneous generation.  

Well folks, if nothing simply happens, and everything is caused, what caused life to begin?  According to the rigorous principles of science and logic, it seems reasonable to postulate that SOMETHING had to jumpstart life, some force, energy, intelligence, spark or imperative.  And that force, energy, intelligence, spark or imperative has been called, by various people at various times, God, Yahweh, Jehovah, Allah, the Dharmakaya of Buddhism, the Great Spirit of the Plains Indians, Yusn the Lifegiver of the Apaches, the Logos of the ancient Greeks, the Force of the Star Wars movies, or the Tao which often is translated as The Way, or the term I prefer, the Process.  Spinoza believed that God and scientific laws were one and the same.  And these are only a sampling of the many names and concepts of God.

In order to explain the God phenomenon, many books have been written such as the Bible, the Koran, the Buddhist sutras, The Tibetan Book of the Dead, etc.  These books were written long ago by people at an earlier stage of human consciousness.  They were trying to describe the indescribable, which produced a language similar to mythology and poetry.  Admittedly, these books are not precise scientific documents, but why should the truth of science always trump the truth of poetry? 

On NPR a few years ago, a renowned scientist atheist was asked the big question:  How did life begin?  He replied:  “Just because I can’t explain how life began - that doesn’t mean I’m going to believe in some kind of god.”

That is the crux of the matter.  Atheists, agnostics and other types of non-believers shrink from confronting the big question, evidently because they’re afraid of where it will lead.  Why, it might cause them to consider the possibility of some kind of Great Spirit or God jumpstarting life, but unfortunately God and religion are so terribly unfashionable these days, and all their friends will stop talking with them, no one will take them seriously anymore, and they will be considered stupid, superstitious, unscientific and/or narrow-minded.

Dec 192014
 
Stephen Dusack has a bit of a problem. After suffering major injuries in a train derailment he is under the care of both doctors and psychiatrists. He has been interviewed multiple times about his life history and each time he tells his story about growing up in South Africa, working for a mining company, and recently leaving that country for England where he hoped to start life anew in the little village of Studdold all the medical staff tend to give the impression that they doubt his veracity. They all think he is David Orme and send Stephen home with Orme's secretary and business associate Howard Downey. Broke and without even having started his new job Dusack reluctantly agrees. At Orme's massive estate protected by electronic gates and a gun toting chauffeur Stephen's identity crisis plunges into a nightmare world of conspiracy, paranoia and murder attempts.

Davies spent most of his writing career riffing on themes of identity confusion and amnesia. He wrote in all genres often blending and hybridizing well known tropes of detective fiction (amnesia victims) and science fiction (mind altering drugs) into a kind of new subgenre of his own invention. Psychogeist (1966) tells of a young man who cannot remember who he is and alternates with his hallucinatory dreams of an alien world that parallel the story of his recovery from amnesia. Or is he actually an alien who crash landed on Earth? Probably his best known crime novel treatment of identity loss is his second novel Who Is Lewis Pinder? (1965), originally titled Man Out of Nowhere in the UK. Give Me Back Myself (1971) belongs with Davies' crime fiction novels. It presents the story of Stephen's search for his true identity as a tale of an unbelievable conspiracy with no introduction of either supernatural or science fiction elements.

In these amnesia novels we are always hoping for the hapless protagonist to find at least one ally who will believe his story, help him uncover the truth and bring the villainy to light. Stephen finds his allies quite by accident when he asks for directions of his next door neighbor Ambrose Kenny. Later Kenny's daughter Fran will stop by for her weekly visit and she will turn out to be both confidante and detective cohort. The manner in which Stephen and his two allies slowly uncover the plot is done with ingenuity and a few startling surprises. You have to credit Davies with a fertile imagination in continually finding new methods to essentially tell the same story repeatedly.

Though his books are out of print copies of nearly every one of Davies' fascinating books are easily found in the used book market at very affordable prices. I'm sure many of his books, not just Give Me Back Myself, can be find both in US and UK libraries as well.

I read this book for both Bev Hankins' Silver Age Vintage Mystery Reading Challenge and Rich Westwood's 1971 Mystery Reading Challenge. For more on L. P. Davies breathtaking displays of variation on the theme of amnesia and identity confusion see Sergio Angelini's reviews of Man Out of Nowhere and The Alien.
 Posted by at 1:52 pm
Dec 192014
 
I will be taking a week or so off here. If someone else wants to collect the links next week, that would be great. If this is incomplete today,  I apologize. 




Sergio Angelini, BLACK ALICE, Thomas S. Disch, John Sladek
Brian Busby, NANCY MCVEIGH OF THE MONK ROAD, Henry Mainer
Bill Crider, SHOOT THE PRESIDENT: ARE YOU MAD?, Frank McAuliffe
Martin Edwards, CASUAL SLAUGHTERS, James Quince
Curt Evans, THE TIN TREE, James Quince
Rick Horton, THE BONDAGE OF BALLINGER, Roswell Fields
Jerry House, QUICK FIXES: TALES OF REPAIRMAN JACK, F. Paul Wilson
Randy Johnson, CALYPSO, Ed McBain
George Kelley, MISTLETOE MYSTERIES, edited by Charlotte MacLeod
Margot Kinberg, THE SNATCH, Bill Pronzini
K.A. Laity, RED HARVEST, Dashiell Hammett
B.V. Lawson, UNDER THE SNOW, Kerstin Ekman
Evan Lewis,  HARD GUY, James Lawson
Todd Mason, FANTASTIC STORIES OF THE WEIrD AND WONDROUS, ed. Martin Greenberg
J.F. Norris, GIVE ME BACK TO MYSELF, L.P. Davies
James Reasoner, Christmas at the Ranch, Elmer Kelton
Richard Robinson, FREDERICK NEBEL
Kevin Tipple, PROTECTORS, ed. Thomas Pluck
TracyK, DEATH IS DISGUISE, Caroline Graham
Prashant Trikannad, BULLET PROOF, Frank Kane
Dec 192014
 
CHRISTMAS AT THE RANCH is a collection of three autobiographical essays by Elmer Kelton that was published in 2003 by McMurry University in Abilene, Texas.  Kelton writes about childhood Christmases spent on the ranch where he grew up and where his father was the foreman, as well as other holiday seasons spent at his grandparents' ranch. The middle section of the book concerns the Christmases
Dec 192014
 
Another holiday season, another Advent Ghosts Day. Loren Eaton who blogs at I Saw Lightning Fall invites writers to dabble in a yuletide drabble each year at this time. It's his way to help honor the Victorian tradition of telling ghost stories at Christmas time and also bringing together the blogging and writing community. Drabble? That's a short short story, a micro story I'd call it, of exactly 100 words. No more, no less. Below is my contribution for this wintry ghostly time of year. It's a twofold tribute to Victorian ghost stories and the cautionary tales that warn children to behave themselves...or else.

"Eyes Full of Tinsel and Fire"

The little boy placed the Yule log on the andirons along with kindling, struck a match and set the log ablaze.  He sat there transfixed by the crackling and popping sounds and the dance of the yellow and orange flames.  It was his private fire, his alone.

Then an explosive pop and the log split in two. Smoke poured into the room like a carpet of soot unfurling. Out of the smoke a scaly clawed hand was reaching for something.

And a scratchy snarling voice cried out from the hearth, "Playing with matches again? Here's your coal, you naughty boy!"


For more Christmas themed drabbles please visit Loren's blog where he has collected the links to all the participants' blogs. There are also a few stories posted here for those who don't have blogs. They make for quite a variety of chilling holiday visions and events.
 Posted by at 4:09 am
Dec 192014
 

BARBARA & MAX ALLAN COLLINS – Bombshell. Five Star, hardcover, April 2004; trade paperback, 2005.

   Did you ever hear the story of how Marilyn Monroe saved Nikita Khrushchev’s life while he was making his famous visit to the US in 1959? Me neither, so either (a) it was hushed up really, really well, or (b) could it be? – in this, their latest venture into historical mystery fiction, the Collinses are completely making it all up.

   As a matter of fact, it was in September of that year when I left home for college for the first time, and given that as an understandably overwhelming distraction, I simply did not remember, until reading this book, that Nikkie, as Marilyn fondly begins to call him, even went to California. His outburst of annoyance when he discovered that he was not going to be allowed to visit Disneyland, for example, must have made headlines at the time, but until I checked it out on the Internet, I wasn’t sure if it happened, or if it is only one of the totally misguided urban legends that spring up from time to time. It is not.

   It is Marilyn Monroe herself who is the detective in this book, beginning when she is accidentally visiting one of the men’s room at Fox Studios – don’t ask, read the book – and overhears two plotters discussing their upcoming assassination attempt on the Russian leader’s life.

   And of course she is the book’s star attraction all the way through, although the title may have another interpretation or two as well. The Collinses have done their homework – they always do – and that their leading character is Marilyn Monroe, full in equal measure of self-confidence and self-doubt, well, they certainly convinced me. I don’t think any male of a certain age can read this book without falling in love with her all over again.

— June 2004

 Posted by at 3:44 am
Dec 192014
 

December is winding to a close, and I’m all too conscious of how infrequently I’ve updated the blog this year. 2014 has been hectic if fantastic, what with the sale of the mystery novel Rosemarie and I wrote, and my becoming co-managing editor of the Film Noir Foundation’s magazine Noir City, and a host of other assignments, not to mention my thriving mail-order decorative soap business. Order by today if you want your Christmas orders fulfilled!

ASIDE: The annual Noir City Xmas show was last night, at which the program for the 13th annual film festival was revealed. The theme is marriage and I have something of a proprietary interest in it, considering the idea was hatched by Eddie Muller and me at a late-night dinner in Seattle several years ago. You’ve gotta love that poster. Here’s its sordid backstory. You’ll also notice on the Noir City page a sneak peek of the cover of the next issue of the magazine. Trust me when I tell you it’s a doozy. Support the Film Noir Foundation to have it delivered to your inbox come January.


But as the days dwindle down, I realize that I miss posting. In 2015, I’m going to strive to update the blog on a semi-regular basis. No better time to get started than now, with a whip round of new crime fiction I commend to your attention.

Land of Shadows, by Rachel Howzell Hall. Rosemarie and I had the pleasure of meeting our Tor/Forge labelmate at Bouchercon in Long Beach. Rachel’s novel is a taut L.A. crime story with a tremendous sense of place. Detective Elouise ‘Lou’ Norton’s latest case lands her in all-too-familiar territory. A young woman is found dead on a condo construction site abutting the Jungle, the neighborhood where Lou grew up. More to the point, the site is being developed by the local businessman who might have murdered Lou’s sister decades earlier. As if those old wounds reopening weren’t enough for Lou to handle, her marriage is collapsing, too, and this time a “‘Sorry, baby’ Porsche” won’t cover the damage. You want a strong female character, in the authentic and not buzzword sense? Spend some time in Lou’s company.

The Big Ugly, by Jake Hinkson. Brother Hinkson is a familiar name to Noir City subscribers, one of our constant and most valued contributors. He also writes take-no-prisoners noir novels with a Deep South flavor and a taste of that old-time religion. In his latest, Ellie Bennett walks out at the end of her sentence at Eastgate Penitentiary after years of walking in as a guard. She’s still trying to get her head on straight when a job falls into her lap: find a fellow ex-con who disappeared – and who has ties to both sides in a hotly contested election. A rabbit punch of a book, doing its dirty work in short order.

The Great Pretender, by Craig McDonald. I’ve been a fan of McDonald’s sprawling, wildly ambitious series about Hector Lassiter, the two-fisted novelist who trucks with twentieth century luminaries, from the outset. Pretender finds Hector in pursuit of the Spear of Destiny, last seen in Hellboy and Constantine, and tangling with Nazis, witches and, most contentious of all, Orson Welles. McDonald cagily splits up the action, with Welles in full enfant terrible mode in the first half of the book – much of the story unfolds on the night of the infamous War of the Worlds broadcast in 1938 – while the second takes place in the late 1940s as the filmmaker’s star is already burning out. Another entire Lassiter novel, Roll the Credits, slots in between, and I’ll be tackling that one soon enough.

Angels of the North, by Ray Banks. The publication date says 2014, but yours truly was lucky enough to clap eyes on this book last year. Damn thing left marks that haven’t faded. Now you have the chance to partake of its majesty. A big, bruising tale of Thatcher’s England, about street-level politics and petty power. You know, the kind that matters. Ray weaves three stories together effortlessly, as always finding sympathy for the devil and humor in the darkest of corners. It’s the best thing Ray’s written, which is saying something, and one of the finest novels of the year. Even if I read it in 2013.
 Posted by at 12:05 am
Dec 182014
 
J. Kingston Pierce is the overworked editor of both The Rap Sheet and Killer Covers, the senior editor of January Magazine, and the lead crime-fiction blogger for Kirkus Reviews.

Children of the Revolution, by Peter Robinson (Morrow):
Robinson’s 21st novel starring Detective Chief Inspector Alan Banks (last seen in Watching the Dark) was among the 16 books chosen by Kirkus Reviews critics as the best mysteries and thrillers of 2014. I agree. It starts off with a dead, 59-year-old ex-college lecturer, Gavin Miller, being discovered along a disused length of railway track. We soon learn that Miller hadn’t been doing well for several years, ever since he was dismissed for alleged sexual misconduct with female students. He’d become something of a hermit, drinking himself into forgetfulness. So how did such a loser come to have £5,000 in his pocket? That’s what Banks wants to know, and it will take more than a little rummaging around in Miller’s troubled past to find out. Banks eventually determines that Miller’s murder is connected to events from four decades ago--the days when this future professor was another “young, naïve, privileged intellectual” caught up in political protests and friendly with a woman who has since become a top romance writer, related to a man who’s in line to serve as England’s next home secretary. By the time Banks’ higher-ups start feeling queasy about where this case might be headed, and tell him to put the brakes on, he’s too invested in the outcome to comply. Beyond delivering a compelling story, Robinson does a nice job here of showing how Banks’ subordinates, particularly Detective Sergeant Winsome Jackman, have learned from his rather unconventional but determined example as an investigator.

Darkness, Darkness, by John Harvey (Pegasus):
Introduced in Harvey’s 1989 novel, Lonely Hearts, Charlie Resnick--a Polish-descended, jazz-loving, and stalwart police detective in Nottingham, England--has since seen fictitious service in a dozen sequels as well as one collection of short stories (Now’s the Time, 1999). The redundantly titled Darkness, Darkness supposedly marks Resnick’s last appearance, though we’ve heard such claims before. In these pages we see Harvey’s man retired but still working for the Nottingham force as a civilian advisor. When young Kenyan-born Inspector Catherine Njoroge is served up the case of a woman, Jenny Hardwick, who disappeared during the bitter UK coal miners’ strike of the mid-1980s (and whose skeleton has only just resurfaced), she turns to Resnick for assistance. He, after all, had a hand in police surveillance during that work stoppage and might shed some light on the deceased’s fate. With skills acquired after many years of penning police procedurals, Harvey weaves together Hardwick’s experiences, the story of the long-ago strike--which created fissures between friends and divided whole families--and a secondary plot line about Njoroge’s souring association with an abusive ex-lover to produce a novel that, if it does offer Resnick’s final bow, tops off that series most pleasingly.

The Devil in the Marshalsea,
by Antonia Hodgson (Mariner):

This debut historical novel from Antonia Hodgson, the editor in chief of publisher Little, Brown UK, won the Endeavour Historical Dagger from the British Crime Writers’ Association and found a spot on Publishers Weekly’s list of favorite mystery and thriller novels from 2014. It deserves those and other accolades. The story builds around Tom Hawkins, an almost professional good-for-nothing in 18th-century London. Finally convicted for failure to pay his debts, Hawkins is tossed unceremoniously into Marshalsea prison, a much-feared institution in Southwark, a district distinguished at the time by its disgraceful pleasures: “bear fights and cock fights; theatre and gambling; acrobats and fortune tellers; cheap beer and even cheaper Flemish whores.” He winds up bunking with one Samuel Fleet, a thoroughly eccentric gent--viewed by many in the gaol as the devil incarnate--who may or may not have slain his previous roomie. Not surprisingly, Hawkins wants out of this nightmare post haste. But his only hope of early liberation might be to solve the recent murder of a previous Marshalsea inmate, Captain John Roberts, whose comely wife has been pushing for an investigation into his demise, and whose ghost has allegedly taken to roaming the prison grounds. Hodgson is unsparing in her evocation of Georgian-era penitentiary life, complete with whippings, cruel restraining devices (at one point, Hawkins finds his head locked into a metal skull cap and the rest of him chained in a rat-infested chamber), and an unusual in-house economy that allows better-off jailbirds to enjoy treats such as taverns and coffeehouses. A sequel, The Last Confession of Thomas Hawkins, is due out in the UK next July.

An Officer and a Spy,
by Robert Harris (Knopf):

Twenty-four years after France’s crushing defeat in the Franco-Prussian War, the 1895 conviction of Alfred Dreyfus, an obscure French artillery officer of Jewish descent, on charges of feeding military secrets to the German Empire became an international outrage and an opportunity for French intelligence officials to get back at their nation’s old adversary. However, the Dreyfus case may be less straightforward than it appears. Not long after Colonel Georges Picquart, one of Dreyfus’ teachers, reluctantly accepts a promotion to lead the French military’s Statistical Section--which had been instrumental in gathering the feeble evidence used to exile Dreyfus to Devil’ Island in French Guiana--he becomes convinced that another highly placed turncoat was actually behind those treasonous endeavors (“[H]ow easily I am slipping into the clichés of the spying world …,” he muses early on. “Already I trust no one”). Picquart’s superiors want him to curtail his probing, but the colonel--an ambitious gent who, despite his cool demeanor, is something of a ladies’ man--won’t give up so easily, his persistence eventually landing him in an African purgatory from which he must escape if he’s ever to act as whistle-blower in the Dreyfus affair. This is not the first novel to tackle the Dreyfus case; Michael Hardwick’s Prisoner of the Devil (1979), a lackluster work in which Sherlock Holmes sticks his nose into the scandal (at Queen Victoria’s behest, no less) covered much of the same ground. But An Officer and Spy, though slow-paced at times, is a much more engaging take on one of history’s most notorious subversions of justice.

Sundance, by David Fuller (Riverhead):
Finally, let me diverge from the theme to take in a work of speculative historical/Western fiction. Although we’ve been told that Harry Longabaugh, aka the Sundance Kid, perished during a November 1908 shootout in Bolivia, accompanied by fellow outlaw Butch Cassidy, David Fuller imagines an alternative scenario. As Sundance opens, we see Longabaugh--or Longbaugh, as this author prefers to spell it--being released from a Wyoming prison, where he’d spent 12 years under an assumed name, for a crime unrelated to bank or train robbing. 1913 presents the Kid with a vastly different world from the one he’d known during his misspent youth (he’d now be in his mid-40s), but he hasn’t lost his determination to reunite with wife Etta Place, who’d stayed in contact with him through most of his incarceration, but has now disappeared into the concrete wilds of New York City. Following clue after vague clue (might he be reading too much into the signs Etta allegedly left behind?), Longbaugh cuts a fascinating, dangerous path through Manhattan, encountering old friends and new foes as he struggles to find his beloved, hoping time hasn’t sapped her desire for his company. The end of Sundance is a bit too neat, but given how things might have turned out, it’s also satisfying as hell. This is David Fuller’s second novel, following 2008’s Sweetsmoke, and if I enjoy that one as much as I did Sundance, you can be I’ll be hoping for more from this author.

Let me draw attention, too, to three non-fiction books I was fond of this year, and that other crime-fiction fans should also enjoy:

The Art of Robert E. McGinnis, by Robert E. McGinnis and Art Scott (Titan): A beautifully illustrated overview of McGinnis’ 60-year career, during which he painted the covers for myriad paperback works by Erle Stanley Gardner, John D. MacDonald, Carter Brown, and others. Read more about this volume here and here.

Goodis: A Life in Black and White, by Philippe Garnier (Black Pool): Although it was published in France way back in 1984, this book about David Goodis, one of the 20th century’s finest authors of paperback thriller fiction (his 1946 novel, Dark Passage, became a film noir classic) was unavailable in English until now. Learn more here.

Roy Huggins: Creator of Maverick, 77 Sunset Strip, The Fugitive and The Rockford Files, by Paul Green (McFarland): Huggins’ sometimes controversial, usually successful life as an author and developer of TV shows is explored in great depth here, though anyone who knows Huggins’ career well is sure to be frustrated by not having all of their questions about his work answered.
Dec 182014
 

THE DRUMS OF JEOPARDY. Tiffany Productions, 1931. Warner Oland, June Collyer, Lloyd Hughes, Clara Blandick, Hale Hamilton, Wallace MacDonald, George Fawcett, Florence Lake, Mischa Auer. Based on the novel by Harold MacGrath. Director: George B. Seitz.

   One of the oddest things about this film, a small gem in its own way, is the name of the villain played by Warner Oland: Dr. Boris Karlov. From what I gather from Wikipedia, and what the heck, I might as well quote:

    “The name ‘Boris Karlov’ was used from MacGrath’s book and for the 1922 Broadway play, but by 1923 with actor Boris Karloff using the similar sounding variation, the film version renamed the character, played by Wallace Beery, ‘Gregor Karlov.’ In the 1931 film version, however, with Warner Oland playing the character, the mad scientist’s name is restored to ‘Boris Karlov,’ less than a year before Frankenstein would make Boris Karloff a household word for generations.”

   The reason Dr. Karlov is the villain is because of his totally irrational and demented hatred of the men of the Petroff family, one of whom seduced his daughter, leading directly to her death by suicide. Not knowing which one, father and three sons, he vows vengeance on all of them, even to the extent of following them from Russia to the US in his determined quest for revenge.

   The drums, by the way, come into play in a strange fashion. In the dead girl’s hand was found a necklace with charms in the shape of drums, with legend having it that if anyone is given one of the drums, that person will die within 24 hours.

   It is a good premise for a story, and the cast goes all out with it, especially Warner Oland in an early pre-Charlie Chan role, and June Collyer as art student Kitty Conover and Clara Blandick as her aunt Abbie, whose Manhattan apartment two of the Petroff brothers have sought a safe haven in.

   Fleeing further, but not out of the reach of the crazed Dr. Karlov, the fugitives head for a secluded cottage and nearby boathouse filled with spooky rooms and staircases, dank cellars and dangerous trap doors. And of course, as I recall, it was dark and stormy night.

   Perhaps I should not tell you this, but the villain of piece certainly gets what’s coming to him, and more. The acting is somewhat of a drag at times, as was common in talking movies produced as early as this one, but the action is always fast and furious.

   One could only wish for a better print than the one from Alpha Video that I watched, in terms of both picture and sound quality, but who’s going to spend money in restoring an old forgotten movie such as this one, no matter how fun it is to watch?

 Posted by at 10:38 pm