Sep 172014
• Today marks 50 years since the London debut of Goldfinger, the third big-screen action film starring Sean Connery as Ian Fleming’s British super-spy, James Bond. As I noted in a previous post--complete with the motion picture’s opening title sequence--“the American release of Goldfinger didn’t come until December 22, 1964.” The HMSS Weblog has a bit more to say about Goldfinger here.

• 2014 year marked the first time contenders for the British Crime Writers’ Association’s Dagger in the Library award were selected by readers on the Web. With the nomination process having now concluded, here’s the longlist of writers who are vying for that prize (plus the names of their usual publishers):

-- M.C. Beaton (Constable & Robinson)
-- Tony Black (Black and White Publishing)
-- Sharon Bolton (Transworld Publishers)
-- Elly Griffiths (Quercus)
-- Mari Hannah (Pan)
-- James Oswald (Michael Joseph)
-- Phil Rickman (Corvus)
-- Leigh Russell (No Exit Press)
-- Mel Sherratt (Thomas & Mercer)
-- Neil White (Sphere)

The CWA explains that “Unlike most other literary prizes, the Dagger in the Library honours an author’s whole body of work to date, rather than a single title.” A shortlist of nominees will be announced on November 3, with the winner slated to be revealed during an event at Foyles Bookshop on Charing Cross Road, London, in late November. (Hat tip to the Euro Crime Blog.)

• Steve Aldous, who in July contributed an interesting and important piece to The Rap Sheet about Ernest Tidyman and the “ghost writers” he employed to create his seven novels about black New York City gumshoe John Shaft, directs our attention toward this interview with David F. Walker. Walker has been hired to write Dynamite Entertainment’s new line of Shaftcomic books. “Some good news,” Aldous says, “in that Walker is a fan of the books and [is] using them as the basis for his writing. He is effectively doing an origins story, setting the [Dynamite] series a year before Tidyman’s novel.” The first Shaft comic produced by Walker and artist Bilquis Evely is due out in December, with a cover by Denys Cowan and Bill Sienkiewicz that you can preview right here. Walker has promised to post updates about his Shaft efforts in his own blog.

• Actress Julia McKenzie will return this coming Sunday evening as Agatha Christie’s popular spinster sleuth in the first of three new episodes of Miss Marple, all set to be broadcast over two weekends as part of PBS-TV’s Masterpiece Mystery! series.

• Scott Adlerberg has a nice piece in the blog Hardboiled Wonderland about the film adaptations of Patricia Highsmith’s novels.

• News from publisher New Pulp Press:
Starting January 1, 2015, Jon Bassoff, [the company’s] founder, will be handing over control and ownership of the award-winning press to Jonathan Woods and Shirrel Rhoades of Key West, Florida. While Jon Bassoff will still be associated with New Pulp Press in an advisory role, Jonathan Woods will be in charge of acquisitions and editorial matters. Shirrel Rhoades will take the lead on business, marketing and distribution.

Jonathan Woods, as a writer, has been associated with New Pulp Press since its early days. New Pulp Press has published three of his books, including the groundbreaking
Bad Juju & Other Tales of Madness and Mayhem. ‘Jonathan shares the same warped sensibilities that I do,” said Jon Bassoff. “I look forward to seeing where he takes this rowdy little press next.”

Shirrel Rhoades has had a long and distinguished career in publishing, including a stint as EVP and Publisher of Marvel Comics. He currently owns and manages an eBook publishing business called Absolutely Amazing eBooks that publishes a broad range of titles from horror to humor, non-fiction to mystery. “Shirrel’s marketing expertise and his existing publishing business will competitively enhance New Pulp Press and bring its writers to a wider audience,” said Bassoff.
• When you need a Mod Squad fix, check out this YouTube page.

• If you haven’t yet noticed, Criminal Element contributor Jake Hinkson has spent early September celebrating the four classic films in which Humphrey Bogart and Lauren Bacall appeared together. Here are the links: To Have and Have Not (1944), The Big Sleep (1946), Dark Passage (1947), and Key Largo (1948).

• Speaking of the late Ms. Bacall, the blog Down These Mean Streets offers a link to an episode of the Lux Radio Theatre from 1946 in which she and Bogie give voice to a “wireless” adaptation of Ernest Hemingway’s To Have and Have Not.

• I admit, I haven’t watched the USA Network crime drama White Collar lately, and probably not since the delightful Hilarie Burton bowed out of her recurring role on that show as insurance company investigator Sara Ellis. So I was surprised to learn, from Crimespree Magazine’s blog, that the series’ sixth and concluding season will begin on Thursday, November 6. Wow, it seems like only yesterday that White Collar had its premiere

• Happy fourth birthday to The Nick Carter & Carter Brown Blog!

• Interviews worth reading: Libby Fischer Hellmann (Nobody’s Child) answers questions from Omnimystery News; Benjamin Whitmer (Cry Father) chats with MysteryPeople; Reed Farrel Coleman (Robert B. Parker’s Blind Spot) goes a round with Crimespree; and Chelsea Cain (One Kick) responds to queries fielded by LitReactor.

• Crime Fiction Lover continues its “Classics in September” series with remarks on Adam Hall’s The Quiller Memorandum, Ngaio Marsh’s best books, and a critic’s selection of the “20 Greatest Crime Movies of All Time.” Links to the whole series are being collected here.

• The Blogger software has finally forced our list of new crime fiction, due out between now and December 31, off of The Rap Sheet’s front page. (It apparently doesn’t like lengthy posts stacking up for too long.) However, you can still study that catalogue of more than 275 titles here. Prepare to expand your to-be-read pile!

Is this Nero Wolfe’s old Manhattan brownstone?

• We’d heard that new publisher Brash Books would be reprinting W.L. Ripley’s original three novels featuring football player turned troubleshooter Wyatt Storme (who debuted in 1993’s Dreamsicle). But now Brash reports that it will also bring out a brand-new Storme tale, Storme Warning. All four are due in bookstores in early 2015.

• Registration for ThrillerFest 2015, to be held (as usual) in New York City from July 7 to 11 of next year, is now open. Next year’s ThrillerMaster will be Nelson DeMille.

• Patti Abbott’s 2015 debut as a novelist (with Concrete Angel) will be abetted by a very fine-looking book cover.

• Critics At Large writer Nick Coccoma isn’t thrilled with Dennis Lehane’s new big-screen movie. “The Drop has some of the finer performances of American society’s white urban underclass we’ve seen in a long time,” he writes, “maybe even since Brando and his crew. In the end, it adds up to a frustrating, wasteful nothing.”

The Chill remains one of my favorite Ross Macdonald novels.

• And this sounds mildly intriguing. In Reference to Murder reports that “Shondaland productions and Person of Interest co-executive producer David Slack are teaming up for an ensemble [TV] cop drama titled Protect and Survive that centers on the last LAPD precinct fighting to hang on in Los Angeles after a massive disaster.”
Sep 172014
William F. Deeck

C. DALY KING – Obelists at Sea. Knopf, US, hardcover, 1933. Heritage, UK, hardcover, 1932; Penguin Books, UK, paperback, 1938.

   During the bidding for a number in the ship’s pool on distance traveled by day, the lights go out and Victor Smith, either a copper king or a Western railroad magnate, is shot twice in the heart. Only one gun is found to have been fired, and that is proved not to have committed the murder. Smith’s daughter also dies, although of what cause is not known. To add to the complexity, Smith had taken or been given poison almost immediately before he was shot.

   The case is too much for the ship’s detectives, so four gentleman aboard assist in the investigation. Dr. Hayvier, a well-known behaviorist, Dr. Pechs, an equally well-known psychoanalyst, and Dr. Pons, inventor of Integrative Psychology, and Professor Miltie, who had carefully avoided being identified with any of the schools of his “science” — all have their theories, all different, with different suspects.

   Put aside the fact that the Meganaut has ten decks above the water line and a crew of at least a thousand and that Captain Mansfield invariably refers to it as a “boat.” This is still a fascinating, albeit a bit slow, novel.

— Reprinted from The MYSTERY FANcier, Vol. 11, No. 3, Summer 1989.

Editorial Comments: While I do not know if all four of the detective characters in this novel appear in all of the books below, Professor Pons is stated in Hubin to be in each of them.

       The Dr. L. Rees Pons series –

Obelists at Sea. Knopf, 1933.
Obelists en Route. Collins, UK, 1934.
Obelists Fly High . H. Smith 1935.
Careless Corpse. Collins, UK, 1937.
Arrogant Alibi. Appleton, 1939.

    Also of interest, I believe, is the following quote taken from author Martin Edwards in his review on his blog of C Daly King’s mystery output in general:

    “‘Obelist’ was a word that King made up. He defined it in Obelists at Sea as ‘a person of little or no value’ and then re-defined it in Obelists en Route as ‘one who harbours suspicion’. Why on earth you would invent a word, use it in your book titles, and then change your mind about what it means?”

For more on C. Daly King, the mystery writer, may I also direct you to Mike Grost’s comments about his work on his website.

 Posted by at 10:19 pm
Sep 172014

So here is something really cool that is also a prime example of lemonade being made from lemons: earlier this month, Sara Paretsky — who kindly read and blurbed Troubled Daughters and has been a real champion of the anthology since — noticed that her local independent bookstore, 57th Street Books in Chicago, had a front window display devoted to noir books, film, and music. Of the thirty or so choices, none of them were by a woman. Angry, Paretsky went into the store, spoke with a clerk at the front counter, and inserted the anthology in the store display. More to the point, as she wrote on Facebook, “after thirty-plus years of working to support women’s voices, it’s exhausting to see that we are still so often in the margin, that it surprised a bookstore employee to know that it was a problem, that we still exist as the object of a femme fatale sensibility, not the subject and not the actor.”

The larger issue still has a long way to go – witness the ultra-male-heavy nonfiction longlist for the National Book Awards, announced today. But the aforementioned lemonade? 57th Street Books will host a book club discussion on Troubled Daughters on the evening of Tuesday December 2, led by none other than Paretsky herself.  I know it will be an excellent discussion, and I cannot even thank Sara enough for her efforts here.

Sep 172014


Snapshots from Broken Monsters - Lauren Beukes’s Detroit research photographs

‘Detective?’ the uniform says. Because she’s just standing there staring down at the kid in the deep shadow of the tunnel, her hands jammed in the pockets of her jacket. She left her damn gloves in the car and her fingers are numb from the chill wind sneaking in off the river. Winter baring its teeth even though it’s only gone November. ‘Are you—’

‘Yeah, okay,’ she cuts him off, reading the name on his badge. ‘I’m thinking about the adhesive, Officer Jones.’ Because mere superglue wouldn’t do it. Holding the pieces together while the body was moved. This isn’t where the kid died. There’s not enough blood on the scene. And there’s no sign of his missing half. 

- Broken Monsters

Not only is Lauren Beukes on a whirlwind tour supporting the publication of her new novel, Broken Monsters—she’s also posting photos from her research trips to Detroit.

Lauren is a force of nature.

Sep 172014

I’m a sucker for a good hero. I don’t mean the carbon copy type that can do no wrong. I like heroes with flaws, and those who’ve grown and learned from their mistakes. I especially like heroes, protagonists if you will, who do not fit the typical literary mold. Block has made a career of crafting such heroes. You’ve already met Tanner. There’s also Matthew Scudder, a private investigator and recovering alcoholic, Bernie Rhodenbar, a cat burglar and used bookstore owner (his sidekicks include a dirty cop as well as a lesbian dog groomer), and Keller (John Paul Keller), an assassin who also happens to be an avid stamp collector. These are not cookie cutter heroes. They are about as unlikely as an assassin who collects stamps. Still, somehow, Block makes it work. To be honest, I’m not crazy about the Keller stories. The Tanner novels are fun, the Rhodenbar ones are absolutely brilliant, and Matthew Scudder is one of my all-time favorite characters. His character arc, which now spans almost forty years and is perhaps partially autobiographical, is a true masterpiece. Block is a masterpiece as well. Grab a copy of Tanner’s Virgin, or any of his other books. You won’t be disappointed.

Click here to read the full review


Sep 172014
Philip Calvert, a ruthless agent for Britain's secret service, outwits a gang of modern pirates operating on the Irish Sea.

Secret agent Phillip Calvert is sent to investigate the hijacking of five cargo ships in the Irish Sea Phillip manages to track the latest hijacked ship, the Nantesville, to the Scottish Highlands and the sleepy port town of Torbay. The cargo ship was carrying £8 million in gold bullion. He boards the ship under cover of night and finds that two agents planted aboard have been murdered. The chief suspect is shipping magnate Sir Anthony Skouros. His yacht is anchored in Torbay. Operating out of his own yacht Firecrest, Calvert is joined by Skouros's wife, Charlotte, and by his boss Sir Arthur Arnford-Jason, known as "Uncle Arthur". Calvert's frantic search for the hijackers and for the hostages they hold takes him over the remote isles and sea lochs and forces him to make allies of some unlikely locals.

Printing History
Written by Alistair Stuart MacLean (1922-1987)

HarperCollins (UK)1966
Doubleday (USA) 1966
Fontana (UK) 1967

The Film

 Directed by Etienne Perier

Anthony Hopkins as Philip Calvert
Robert Morley as Uncle Arthur
Nathalie Delon as Charlotte
Jack Hawkins as Sir Anthony Skouras
Corin Redgrave as Hunslett
Derek Bond as Lord Charnley

 Posted by at 4:05 pm
Sep 172014

Warm sunshine and beautiful places to sit and enjoy it; good wine, good food, and the occasional bad-for-me-but-what-the-hell treat; an outing or three to interesting places; and books stacked high enough to last the entire fortnight. What more could anyone ask of a holiday? Or vacation, depending which language you’re speaking?

On which subject, I even spoke a little French, and was told I spoke it very well. It probably isn’t true; I think people were being kind because I tried to speak it at all, and I certainly didn’t make a great fist of understanding what was said back to me, but we got by.

It wasn’t just sunshine, wine and time to read. We visited a domaine which produced pineau des Charentes (another name for nectar of the gods); tasted wine and wobbled down steep cobbled streets in St Emilion, not necessarily in that order; got lost outside Bordeaux; gazed at the harbour and walked round the aquarium in Saint Rochelle; and even caught up with an old friend who upped sticks and moved to the Charente Valley a few years ago and has never regretted it for a moment.

But mostly there was a lot of sunshine, not a little wine and books, books, books.

First up, my lovely daughter, who volunteers in a charity secondhand bookshop once a week, had unearthed a rare copy of a YA book by my very dear and sadly departed friend Douglas Hill, but he wrote fantasy, not crime, so I’ll just say it was great fun and I shall treasure it.

Then I decided I’d better stop hogging The Thrill of the Haunt, the most recent Haunted Guesthouse Mystery by your friend and mine, E J Copperman, since it was much in demand by two of my fellow vacationers. Reading that took a couple of days; I like to savour E J’s wit and neat hand with a turn of phrase. When I’d finished it and passed it on, lovely daughter came up trumps again, with An Open Spook, an eBook novella in the series which she’d stowed on one of those dinky little mini-computer things which we non-techies don’t know how to switch on. (No, it’s not a K*****. It’s MUCH cleverer than that, and even got us out of trouble when Bordeaux threatened to turn adventure into nightmare – see above. Besides, she feels much as I do on the K***** score.)

After that box, or possibly electronic device, of delights, I embarked on The Critic, by an author I’d never sampled before, though he’s been out there for years: one Peter May, who seems to have settled in a wine-producing area of France, and in this case had written about... a wine-producing area of France. And since we were staying in, yes, you guessed, it all felt quite cosy. Not that the book was in the least cosy; there were elaborate and occasionally gory murders, code-cracking, a great protagonist and a lot of detailed wine-related research by the author, which enriched the background and didn’t hold the action up at all. So of course I felt I owed it to him to do some wine-related research of my own, and it didn’t hold up my reading pace either.

A week or so before we set out, my good friend Zoë Sharp had filled a gap on the S shelf of my extensive book collection with Die Easy, the latest full-length adventure for her brilliant kick-ass heroine Charlie Fox, and another not-too-slim volume containing six short stories and a novella called Absence of Light, all also featuring the mettlesome Ms Fox. They kept me on the edge of my seat, and lasted – just – till the night before we arrived home.

So if you still have holidays, or even vacations, to come, and are looking for reading matter to fill the free hours, I strongly recommend each and every one of the above. Preferably the print editions where available, to maintain a centuries-old tradition that really shouldn’t be allowed to die. Thanks, Zoë, E J, Peter and Douglas – a real collection of treats.

Thanks also to my good friend Chris Nickson, who had far more important things to do while I was away, but still found time to post in my place last week. Not only is he permanently writing, reworking and gestating about five projects at once; he also organized a hugely popular launch event last week, for the first in his new series.

And now, three days after we returned, it’s business as usual, and feels as if I’ve never been away.