(This post originally appeared in somewhat different form on December 21, 2007) It’s hard to go wrong with Cary Grant, of course. In this one he plays a Manhattanite born and bred (no one mentions the British accent, naturally), an advertising man who decides to move his wife and two daughters out of the crowded rat race of the city. So he and the always charming Myrna Loy as his wife buy an
(This post originally appeared on August 26, 2007) When I was a kid, I was a fan of boy-and-his-animal yarns, like the horse books by Walter Farley, dog books by Jim Kjelgaard, and even, yes, OLD YELLER. The movie DUMA is clearly in that tradition. Set in Africa and based on actual events, it’s the story of young Xan, who adopts an orphaned cheetah cub and raises it. The usual sort of
(This post originally appeared on April 4, 2009) Those of you who really wanted to see this movie have probably already watched it. Those of you who haven’t and are undecided . . . well, I have a hunch you’ll either love it or hate it. I don’t think there’ll be much middle ground on this film. It opens with a nameless stranger (Clive Owen) sitting at a bus stop munching on raw carrots. A
I barely heard anything about this one when it came out, so I guess that qualifies it as an overlooked movie, overlooked at least by me. It's appropriate that an early scene is set at a drive-in movie theater, because despite being set in the present and based on a video game, in its heart and soul NEED FOR SPEED is a 1950s hot rod movie. You've got a tough but good-hearted protagonist, his
NIGHT PASSAGE is famous as the movie that caused a rift between its star James Stewart and the director who was supposed to helm it, Anthony Mann. Mann quit the picture early on and was replaced by James Neilson. It's not generally regarded as being up to the standard of the earlier Stewart/Mann Western collaborations, but as an hour and a half of entertainment, it's pretty darned good.
(This post originally appeared on July 25, 2009, about another movie from our Tennessee Williams mini-marathon five years ago.) This is one I had seen before, but it’s been close to forty years since I watched it, and on late night TV at that, cut up for commercials and probably shortened to run in a two-hour time slot, as well. So it was almost new to me. There’s not nearly as much Tennessee
(This post originally appeared in slightly different form on July 23, 2009.) Livia’s working on a book with a Tennessee Williams connection (that book, of course, was KILLER ON A HOT TIN ROOF, the second in her Delilah Dickinson series), so we decided to watch some of the movies based on Williams’ plays that we’d either never seen before or hadn’t seen in a long time. I’m certain I’d never
Still cracks me up. I think the guys who made this nailed the style of a certain type of movie.
(This post originally appeared on January 12, 2010.) I’ve been trying to catch up on some older movies, and the plot of this one from 1946 sounded intriguing: a GI comes back from combat in the South Pacific with amnesia, a fact that he conceals from his doctors. Everybody tells him his name is George Taylor. When he gets back to the States he sets out to discover who George Taylor is. His
(This post originally appeared on August 27, 2009.) This is another one of those movies that’s been on TV many, many times, and somehow I never watched it until now. Based on a novel by James Jones, it’s the sort of small town melodrama/soap opera that Hollywood did so well during the Fifties. Frank Sinatra plays Dave Hirsch, a former GI returning to the town where he grew up. He’s also a