WHY DIDN’T THEY ASK EVANS? ITV, UK, 30 March 1980. PBS: Mobil Showcase, US, 21 May 1981, Three hours. Francesca Annis, John Gielgud, Bernard Miles, Eric Porter,Leigh Lawson, James Warwick, Madeline Smith, Connie Booth, Robert Longden. Based on the novel by Agatha Christie (also known as The Boomerang Clue). Directors: John Davies & Tony Wharmby.
I read and reviewed The Boomerang Clue, the US title of the novel this long three-hour British TV movie was based on not too long ago. And since the TV version so closely follows the book version, I’m going to make it easy on myself and simply summarize the plot by repeating four paragraphs from that earlier review:
“This one begins with a young Bobby Jones (not the famous one) hitting a golf ball and doing dreadfully at it, trying mightily several swings in succession, but hearing a cry, discovers a dying man lying at the bottom of cliff. He had fallen perhaps, as Bobby and his golfing partner believe, not to mention the police and the coroner’s jury, but we the reader know better.
“Before he dies, though, the man utters a dying question: ‘Why didn’t they ask Evans?’ We are at page 9 and the end of Chapter One, and anyone who can stop here is a better person than I.
“Assisting Bobby in his quest for the truth, especially after surviving being poisoned by eight grains of morphia, is his childhood friend, Lady Frances Derwent, whom he calls Frankie. Together they make a great pair of amateur detectives, continuing to investigate the case even after the authorities have written the man’s death off as an accident.
“The tone is light and witty, as if investigating a murder is a lark, but this intrepid pair of detectives do an excellent job of it, even to the extent of faking an automobile accident and inserting an “invalid” Frankie into their primary suspect’s home.”
There are a couple of changes that where made in translating the book into film, but only one maybe matters. It is as good as a direct scene-for-scene production as you could ever hope for. (A later British telecast in 2011 wrote Miss Marple into the story and changed all kinds of other things around. From what I’ve read about it, it sounds horrible.)
On the other hand, while scene-for-scene may sound ideal, it does make for a long production, three hours worth, and viewing it on DVD, I found that watching it over the course of two evening was possible but making it very difficult to remember by the end what had happened at the beginning. Luckily I had read the book only a few months earlier.
Before pointing out the biggest change, I’d like to say that in the movie version I didn’t get the same light-hearted “let’s solve a murder” feeling the two young sleuths seemed to have in the opening half of the book. They tried, but it just didn’t seem to be there. But many scenes were just as I’d imagined them, especially the opening one, with a body being found on the rocks beneath a tall cliff along the shoreline of Wales.
The major difference between the book and the movie comes at the end, when the killer (in the book) writes a long letter to Frankie explaining how the murder was carried out and tying up the loose ends.
In the movie, the two — the killer and Frankie — have a direct confrontation in an empty house. The set-up for this didn’t make sense while I was watching it, but later on I realized that doing it as it was done in the book, reading a letter aloud on a TV screen would have bored everyone, including me.
I believe but am not positive that this movie was shown in its entirety in one evening. (The video above is only Part 1 of 3.) If it did, the attention span necessary would have to have been even greater, but commercials (in the UK) would have helped considerably in terms of snacks, bathroom breaks and whatever else that would have been needed to get through what was, all-in-all, a very nicely done piece of entertainment.