THE MONOLITH MONSTERS. Universal-International, 1957. Grant Williams, Lola Albright, Les Tremayne, Trevor Bardette, Phil Harvey, William Flaherty, Harry Jackson, Richard H. Cutting, Linda Scheley, Dean Cromer, Steve Darrell, William Schallert. Writers: Norman Jolley (screenplay) and Robert M. Fresco (screenplay); Jack Arnold (story) and Robert M. Fresco (story). Director: John Sherwood.
The Monolith Monsters came near the end of the ’50s Giant Stompers film cycle that basically began with The Beast from 20,000 Fathoms (1953; pace, Ray Bradbury) and continued with Them! (1954), Godzilla (1954), Tarantula (1955), The Giant Claw (1957), Beginning of the End (1957; Peter Graves’ salad days), and a host of similar Big Critter films, with most of them escaping from Universal Studios.
What distinguishes The Monolith Monsters from those other movies isn’t the acting (not much there) or the production values (an obviously low budget, signalling the studio’s lack of faith in the project). No, the best part of this film is the sheer inventiveness of the underlying premise.
I can think of only one other science fiction movie that dared to bring novel IDEAS to the audience, namely Forbidden Planet (1956). The concept that ordinary, dumb, and inert ROCKS could constitute a threat to anybody comes perilously close to being a joke — but thanks to writers Jack Arnold and Robert M. Fresco and the straight-faced, earnest underplaying by the actors, the thing works.
The Monolith Monsters is one of those ambitious little movies that you find yourself wishing had a bigger budget — but then upon reflection you realize that more money would have turned it into an empty special effects extravaganza and ruined everything. Note to anybody considering a remake: Keep it small; it works better that way.
Grant Williams’ greatest role was his smallest as The Incredible Shrinking Man (1957), but he did have a regular gig on Hawaiian Eye (1960-63; 49 episodes).
Most of us baby boomers remember Lola Albright for her 84 appearances as Peter Gunn’s steady (1958-61).
Les Tremayne, English by birth, did quite well in American radio, TV, and the movies; science fiction fans know him from his small but memorable role in The War of the Worlds (1953).
Even more ubiquitous in American entertainment from the ’30s through the ’60s was Trevor Bardette, who, as IMDb notes, “took on just about any role offered him,” thus racking up an impressive 239 film and TV credits, including a regular role as Old Man Clanton in The Life and Legend of Wyatt Earp (34 episodes; 1959-61).
If you’ve never seen Monolith Monsters, watch it first and be kind; then resort to IMDb’s “Goofs” page, where more than one of the movie’s shortcomings is adduced.