A YANK IN LIBYA. PRC, 1942. Walter Woolf King, Joan Woodbury, H.B. Warner, Parkyarkarkus (Harry Parke), Duncan Renaldo, George Lewis, William Vaughn, Howard Banks, Amarilla Morris. Director: Albert Herman.
There is no movie so bad that someone leaving a review on IMDb won’t call it a Poverty Row Classic. (Check it out.) This isn’t the worst movie I’ve seen, but it’s in the bottom dozen. The only reason I kept watching it — well, two actually — was the presence of two actors whose performances I found far and away above the rest of the cast.
The first was Joan Woodbury, far from being well known, but whose good looks and charm on the screen always delight me, and the second was a veteran radio actor named Parkyarkarkus, aka Harry Einstein, who I’d never see in person before. On radio he played a pseudo-Greek character on several comedy variety programs, including Eddie Cantor’s and Al Jolson’s as well as a short running one of his own called “Meet Me at Parky’s.”
In A Yank in Libya he plays a jovial heavy-set seller of razor blades in a Libyan marketplace, clad in Arab garb as a far-fetched transplant from Brooklyn, added (one presumes) for comedy relief, but as time goes on, he seems to know more and more about what is going on than the hero does.
Which entails a Nazi attempt to incite the Muslim tribal leaders to rebel against the British rule. Walter Woolf King (whose name I don’t ever remember seeing on the screen before) is a reporter who uncovers the plot, a brash sort of know-nothing role, while Duncan Renaldo plays the tribal leader most friendly to the British, and rather unconvincingly, to my eyes.
It occurs to me to add that most of the other players in this film do a better than average job of it. It’s the story that lets them down, a patchwork affair fastened together by good wishes and duct tape, that and the abysmal budget they must have had to work with. The list of cast members is a large one, but if there are more than five people on the screen at any time, the footage was swiped from another movie.
But one last note. If you think you’d be interested in seeing this movie, I’d suggest using the video link embedded above. It’s free, and the sound quality, the small amount I’ve watched of it, is tremendously better than the version on DVD from Alpha Video, which I paid an almost reasonable four dollars for.