Feb 082015
 
Looks like another fine issue of SHORT STORIES, with a red sun cover by Edgar Franklin Wittmack and stories by H. Bedford-Jones, W.C. Tuttle, Cliff Farrell, James B. Hendryx, William Chamberlain, and Lemuel de Bra. It's hard to imagine that such quality was just an everyday thing during that era.
Feb 072015
 
This issue of FRONTIER STORIES has an eye-catching cover reminiscent of a movie stunt. I can see Yakima Canutt doing something like that. And the line-up of authors can't be beat: Walt Coburn with an installment of his novel BARB WIRE, which truly is an epic and maybe Coburn's best novel, Eugene Cunningham, Harry F. Olmsted, James P. Olsen, and an article about Tombstone by Walter Noble Burns.
Feb 052015
 
The Spider #26: Death Reign Of The Vampire King, by Grant Stockbridge November, 1936  Popular Publications Again I have Zwolf to thank – or should that be blame? Because, thanks to his awesome Spider overview, I’ve gone off the deep end, and within the span of a few weeks have picked up like 60-some installments of this 1933-1943 pulp series. I was only slightly aware of the Spider, one of
Feb 012015
 
That's kind of a goofy cover (what else would you expect from Trojan Publications?), but I like it. And I'm sure the stories inside this issue of HOLLYWOOD DETECTIVE are goofy but fun, too. Robert Leslie Bellem wrote two of them under his own name, Dan Turner yarns, of course, plus the Dan Turner comic strip, plus stories under his pseudonyms Ellery Watson Calder and Harley L. Court. Filling
Jan 312015
 
Stagecoaches show up a lot on Western pulp covers, and there's usually some sort of action going on. This one from the July 1948 issue of EXCITING WESTERN is no exception. Authors responsible for the action inside are Louis L'Amour (with two stories, one under the Jim Mayo pseudonym), my old favorite W.C. Tuttle, Robert J. Hogan of G-8 and His Battle Aces fame, Malcolm Wheeler-Nicholson, and a
Jan 302015
 
I hadn't read a Shadow novel in quite a while and was in the mood for one, so I picked a story that I'd heard was pretty good, THE MAN FROM SCOTLAND YARD, which appeared in the August 1, 1935 issue of THE SHADOW. It turned out to be a decent choice, but before I talk about that, I'm going to wallow a bit in nostalgia. Consider yourself warned. I have a long history with The Shadow. I
Jan 252015
 
I always enjoy Earle Bergey's science fiction pulp covers. This one from the June 1950 issue of THRILLING WONDER STORIES is a good one. My old mentor Sam Merwin Jr. was the editor then, and he filled this issue with stories by Arthur C. Clarke, Raymond Z. Gallun, Mack Reynolds, Cleve Cartmill, Raymond F. Jones, and Margaret St. Clair. That's a fine bunch of authors and shows why TWS under
Jan 212015
 

So what’s this PulpFest thing that has so many people talking? With over two-thousand likes on Facebook and hundreds of followers on Twitter, it certainly has been generating a lot of excitement. But what’s it all about?

AllStory-12-10PulpFest is named for pulp magazines, periodic fiction collections named after the cheap paper on which they were printed. Frank A. Munsey pioneered the format in 1896 with THE ARGOSY. A decade later, pulps began to pick up steam with titles like BLUE BOOK and ADVENTURE, then exploded in 1912 when ALL-STORY printed a little yarn by Edgar Rice Burroughs called “Tarzan of the Apes.” Soon thereafter, genre titles began to flourish, among them DETECTIVE STORY, WESTERN STORY, and LOVE STORY. In the twenties, publishing legends such as BLACK MASK, WEIRD TALES and AMAZING STORIES took hold. The following decade saw the advent of the so-called “hero pulps” with magazines such as THE SHADOW, DOC SAVAGE, and THE SPIDER attracting new readers to the rough-paper format.

By the early fifties, the pulps were gone, killed by competition from paperback books, comic books, radio, and television. But the fiction and artwork that appeared in these everyday consumables of the early twentieth century kept them alive in the hearts and minds of countless individuals. Haunting back-issue magazine shops, flea markets, science-fiction conventions, and other venues, these hearty souls gradually assembled astounding collections of genre fiction, all published in the rough and ragged magazines known as pulps. Eventually, these collectors organized a convention dedicated to the premise that the pulps had a profound effect on American popular culture that reverberated through a wide variety of mediums—comic books, movies, paperbacks and genre fiction, television, men’s adventure magazines, radio drama, and even video and role-playing games. Today, we call this convention, PulpFest.

The summertime destination for fans and collectors of vintage popular fiction and related materials, PulpFest seeks to honor the pulps by drawing attention to the many ways these throwaway articles have inspired writers, artists, film directors, software developers, and other creators over the decades.

Why not come see what it’s all about? PulpFest 2015 will take place at the beautiful Hyatt Regency hotel in downtown Columbus, Ohio beginning on Thursday, August 13th. It will continue through Sunday afternoon, August 16th. Start planning now to attend PulpFest 2015 and join hundreds of pulp fiction fans at the pop-culture center of the universe! You can book a room by clicking here.

Published by the Frank A. Munsey Company, the October 1912 issue of THE ALL-STORY featured Edgar Rice Burroughs’ novel “Tarzan of the Apes,” published in its entirety. Clinton Pettee painted the front cover art for the magazine.

 Posted by at 1:15 pm
Jan 182015
 
I haven't read that many issues of DETECTIVE FICTION WEEKLY, but all the ones I've read have been good. This one sports a cover by Rudolph Belarski, and the line-up of authors includes Richard Sale, Hugh B. Cave, Howard Wandrei, William R. Cox, and Cleve F. Adams. That's a top-notch group, all the way around.