Aug 122013
 

Jeff Cohen

Things I Wouldn't Miss If They Vanished Forever

  1. Alex
    AP_arod_alex_rodriguez_tk_130805_16x9_992Rodriguez
  2. The words "yummy" and "hubby"
  3. "God Bless America" during the 7th inning stretch
  4. Under the Dome
  5. Every reality show ever
  6. Frozen yogurt (yeah, it's real healthy)
  7. "Stronger Than the Storm" and its star
  8. Michael Kay
  9. Snow
  10. Alex Rodriguez

Things I Miss Terribly When They're Away for a Day

  1. My wife, son, and/or daughter
  2. The
    2013-08-09 14.49.31Daily Show
  3. My car (I live in New Jersey)
  4. The sun
  5. My guitar
  6. Diet Coke
  7. Baseball
  8. My reading glasses
  9. Writing
  10. Derek Jeter (that's just to make Alex Rodriguez mad)

                    Things I'm Glad Haven't Gone Away Forever

  1. The Beatles
  2. The Man
    Man-from-uncle-united-network-command-for-law-enforcementFrom U.N.C.L.E. (I own it on DVD)
  3. Bill Cosby
  4. Jeopardy! (although I haven't actually watched it in years)
  5. The Marx Brothers
  6. Mariano Rivera (I can say that for another month and a half)
  7. Star Trek (the new movies don't count)
  8. Readers
  9. Libraries
  10. Books

Things I'm Sorry Are Gone Forever

  1. John Lennon
  2. George
    Sleeping dad Harrison
  3. Phil Rizzuto
  4. Dad
  5. The real Yankee Stadium
  6. My hair's original color
  7. Newsweek
  8. The middle class
  9. Larry Gelbart
  10. Mr. Copper T. Dog

Things I'd Miss If They Left

  1. Newspapers
  2. Saturday mail delivery
  3. Landlines (cell phones
    Unknowndon't sound as good, and I don't care what you say)
  4. Saturday morning cartoons (I don't watch, but in principle)
  5. Birthday cards in the mail (not e-cards)
  6. Polar ice caps
  7. Movie theaters
  8. Sonny's Bagels in South Orange, NJ
  9. Vinyl records
  10. Paper books

Things I'm Glad Are Back

  1. Some Like It Hot-Buttered
  2. It Happened One Knife
  3. A Night at the Operation (coming this Thursday, August 15!)
  4. Jon Stewart (in 22 days and yes, John Oliver is doing a fine job) 

Tune In to Weaponized

 Guest Posts, Mulholland Authors, Music  Comments Off on Tune In to Weaponized
Aug 012013
 

Weaponized by Nicholas Mennuti with David Guggenheim

Nicholas Mennuti and David Guggenheim’s globe-trotting suspense novel about a government contractor in exile went on sale this week, and if you were one of the book’s early readers, you know why Universal Pictures snapped up the film rights so quickly: Weaponized is a lush, rollicking tale, just as much immersed in the exotic cities of Cambodia as it is in the troubling consequences of government surveillance gone awry. It’s a story that begs to be seen as much as read. But what would the soundtrack for that movie be? Here to offer a playlist is none other than Nicholas Mennuti himself. You can listen to some of these songs through the Spotify player above.

Depeche Mode – “Barrel of A Gun”
Depeche Mode has always been one of my top five bands and their Violator album has exalted status on my list of desert island discs. “Barrel of A Gun” actually comes from their Ultra album—which, in my humble opinion, is their best after Violator, and may also be their darkest album overall (which means it’s dark). “Barrel of A Gun” will put you in the right frame of mind for Weaponized before you even crack the spine.

UNKLE – “Lonely Soul”
One of the greatest songs about isolation ever recorded. The beat is all jangly electro and the vocals by The Verve’s Richard Aschroft are haunting. One refrain sums up Weaponized better than I ever could: “I’m gonna die in a place that don’t know my name.”

Planningtorock – “I’m Your Man”
Planningtorock is actually just Janine Rostron, an experimental British musician who distorts the vocals in her songs to play around with gender identity and to better suit the mood of each individual track. It sounds heavy—it isn’t; you can dance to it. She’s done some softer beats, but “I’m Your Man” is pure paranoia all the way. It’s not easy listening, but neither is Kyle’s journey in Weaponized, and this track helped me set the mood for his inner monologues.

Jerry Goldsmith – “Basic Instinct – Main Title Theme”
After Bernard Herrmann, Jerry Goldsmith—to me—is the greatest Hollywood composer of all time, and Basic Instinct has one of his signature scores. If Robinson ever had theme music, this would be it: slinky, seductive, and dangerous as hell. Also, bonus points to this score for having the second greatest simulated orchestral orgasm after Wagner’s “Tristan and Isolde”.

Chemical Brothers – “Container Park”
Film music has undergone many metamorphoses over the years, but hiring Daft Punk to score Tron:Legacy was a big one. Hollywood has never known what to do with electronic music, even when it embraced the synthesizer in the 80’s, but Daft Punk changed that. Since then, Orbital, Hybrid, M83, and others have made excursions into film scoring—but none with the force of The Chemical Brothers in the score for Joe Wright’s Hanna. Try listening to “Container Park” and not feel the danger.

Muse – “MK Ultra”
I don’t want to call Muse a guilty pleasure, but I kind of have to. It’s the best arena rock of the 2000s. I unabashedly love this song and can’t decide whether it’s because of the song itself or just the title—but either way I listened to it fairly regularly while writing the CIA sections in Weaponized.

David Bowie – “I’m Afraid of Americans”
Earthling was Bowie’s big late-90’s comeback album wherein he fully embraced electro, sort of like Madonna’s William Orbit–stamped “Ray of Light.” No playlist I construct would lack Bowie, but this song’s special even for the master himself and really contributed to the paranoid lost soul quality of Kyle in Weaponized.

John Murphy – “Mercado Nuevo”
In my opinion, Michael Mann’s Miami Vice is the most underrated film of the 2000s, and by extension, so is John Murphy’s propulsive score. Murphy’s done memorable work for Danny Boyle—28 Days Later and Sunshine—but his work for Mann really shines. “Mercado Nuevo” is the perfect music for driving into denied territory, exactly what Kyle and Lara spend a lot of time doing in Weaponized.

Public Image, Ltd – “The Order of Death”
Public Image Ltd was John Lydon’s (Johnny Rotten) first band after the Sex Pistols ended and is considered by many—me included—to be the first and potentially the best “post-rock” band. This particular track may be their crowning achievement and sets the mood for the last few chapters of Weaponized—that’s all I can say.

Tangerine Dream – “Thru Metamorphic Rocks”
I’ve got a serious spot in my heart for 70s and 80s Krautrock, and it doesn’t get much more epic than Tangerine Dream. This track is close to fifteen minutes long—my favorite part comes in at around five minutes in. I listened to it obsessively while writing the first time Kyle and CIA agent Tom Fowler encounter each other in a hotel room. Read the chapter and you’ll see why…

Thievery Corporation – “The Forgotten People”
Choosing a Thievery Corporation track is as much about celebrating how much all their music contributed to Weaponized as it is a public service announcement. No band has gotten me laid more consistently than Thievery Corporation (maybe Massive Attack did, too, I have to think). So listen to this track, which I did, while writing the early Phnom Penh scenes in Weaponized, or just buy the whole album Radio Retaliation and thank me later.

Wang Chung – “City of the Angels”
This is another epic action track, over nine minutes; my favorite part kicks in just over one minute in. This was Lara’s theme music for me, particularly when it came time for her to start shooting people. Also To Live and Die in L.A., directed by William Friedkin, is one of my favorite films ever. Don’t let the 80s prejudice you or the fact it’s by Wang Chung dissuade you—this is film scoring of the highest order.

A Beautiful Summer Day

 Josh Getzler, Music  Comments Off on A Beautiful Summer Day
Jul 312013
 

Josh Getzler

 

Today was the most beautiful day of the summer. It was lucky, then, that I had tickets to see Barenaked Ladies, Ben Folds Five and Guster in Brooklyn. Because you know what? Sometimes it's just too gorgeous to blog about publishing. Back to it next week. Happy Summer! 

 

Photo (4)

 

Best Background Vocals

 Music  Comments Off on Best Background Vocals
Jul 222013
 

Having just seen 20 Feet From Stardom, I began to think about what are the best background vocals I remember. The Pips in Midnight Train to Georgia equal Gladys if not surpass her.

What are some of your favorite background vocals?

Best Album

 Music  Comments Off on Best Album
Jul 102013
 

EW did a best of everything issue and chose REVOLVER as the best album. Would this be your choice?

charliehuston: First time through “Fear Fun” my ears skipped…

 Charlie Huston, Lit, Music, Skinner, theme song  Comments Off on charliehuston: First time through “Fear Fun” my ears skipped…
Jul 032013
 



charliehuston:

First time through “Fear Fun” my ears skipped right past “Now I’m Learning to Love the War.”  It took a few listenings before it hooked me.  Father John Misty is not everyone’s cup of tea.  If the album cover isn’t a dead giveaway, this is some major hippie, funky, folkfest rock.  Shit is lodged in my headphones right now.

Anyway, this song has entered my consciousness as a totally impropable theme song for SKINNER.  You’d need to read the book for that to make sense, but that’s the point here at charliehuston.com.

A blunt weapon of a song, satire again, crushingly dark, with a lovely, and, I’d argue, very funny finish.

Skinner has a theme song, and it’s unlike anything we’ve heard before. Just like Charlie Huston’s new novel is unlike anything we’ve read before…

Born to Run—to Camp Ramah

 Books, Children's Books, Current Affairs, Josh Getzler, Music, Writing  Comments Off on Born to Run—to Camp Ramah
Jun 262013
 

Josh Getzler

Every year on the Friday of Memorial Day Weekend, WPLJ radio
in New York broadcasts its morning show from Jenkinson’s Pier in Point
Pleasant, New Jersey. There are bands playing live, the atmosphere is festive. I
used to listen every year I worked in baseball as I drove from my apartment in
Manhattan to the ballpark in Staten Island. And every year, the highlight of
the broadcast was the same: The traffic guy, Joe Nolan, would get up on stage
and tell a long story about his father taking him out to the shore in the
summer, and how now, as a father himself, he marveled at his own life. Then he
would pause, yell “1, 2, 3, 4!” and bust into a highly emotional, slightly
off-key but marvelous Born to Run. I once found myself feeling oddly choked up
on the New Jersey Turnpike as I yelled along with Joe Nolan.

I feel like every summer I write a blog post about the day
my girls go to camp. It has to do with being a dad of daughters who are still
little but grow more worldy and somewhat more inscrutable by the day, even as
they are still willing to hug me and still cry when they get on the bus. Only
now it’s for seven weeks straight, and that’s a long time.

And every year I talk about what they read, and what they
read on, as technology changes and they become more sophisticated and plugged
in. Which is why it was fascinating to me that this year they went without
e-readers at all, and simply took their books with them the old fashioned way—weighing
down their backpacks and crammed among the lip gloss and the illicit granola
bars and the sunscreen, in hardcover and paperback.

Now this is not a judgment—I’m not proud that they’re
reading print books or disappointed that they aren’t reading on machines (or
vice versa, if that’s even logical). Rather, it was interesting, and I was
thinking about why. And I came up with a couple of answers:

The first is that a couple of years ago, when I first
started chronicling the kids’ adventures in reading, they read shorter books.
Therefore we could load, say, 117 My Weird School books onto the Kindle and
send them on their way. Now that they are older, they read longer books, but
fewer of them, and with more words per page. And they mess around all evening
when they might be reading, doing things like talking to their friends and
(ahem, girls) writing letters to their parents, who miss them. They’ll get
through the books they bring, but don’t need as much of an inventory.

The second (although the first was more than one point), is
that they are fundamentally indifferent to the platform on which they read.
They have so many options at this point, and they are all “normal” now, as
opposed to a couple of years ago when it was cool to read on a tablet, that
they go with the most convenient (and frequently best looking). And in this
case, the one they don’t need to plug in or keep safe from, say, getting wet.

So this morning I stood with a hundred or so other parents
(around a third of whom were crying at any given time), waving vaguely at the
tinted window where we think we saw our particular kid’s face flit by, though
it could be Maya. My son, who just started a writing program and is now going to
have my wife and me to himself for a couple of months, was waving frantically
saying “I’ll miss you, I’ll miss you…heh.” Several of the other parents were
people I went to school with myself, now with dogs on leashes and smaller
children who haven’t yet started day camp holding on to them. I stepped back
for a minute, looked around, and started humming Born to Run.