Oct 012014
 

Josh Getzler

 

Thanks to everyone for your good wishes while I was out with the shoulder surgery. Still barking a bit after two weeks, and I've got an I-Can't-Shave beard going and am still sleeping upright on the couch. But getting there. Thanks to Danielle Burby and Todd Moss for posting the past two weeks.

 

One of the more exciting things that happened in the past month is that Book Culture, an independent bookstore that lost its lease uptown, announced that it was reopening in one of the retail spaces below my apartment building. And instead of putting up the usual brown butcher's paper to cover the windows during renovation, they put up a happy sign telling the story of the return of a bookstore to the former site of an older store, Endicott Books, which was one of the inspirations for You've Got Mail.

 

This weekend, my wife and I were taking a walk and saw that there were a bunch of brightly colored stickies on the window of the store. Turns out that an anonymous Upper West Sider decided to create an Old School Pinterest board and put out a bunch of sticky pads and Sharpies and asked the neighbors to write notes about the new store, take photos, and post on Twitter with #BOOKCULTURE. And they did. And the neighborhood is truly giddy. More next week, but here are a couple of very happy pictures.

 

Bookstore stickies (2)

 

Bookstore sign (2)

Sep 292014
 

Jeff Cohen

Seriously: Have I ever given you any indication that I know how to get thousands of people to look at a blog piece? On a good day, I get 200 people to visit here.

You're a little ticked off now, right?

But marketing is a necessity to the author. (Don't ask, "The author of what?" Just go with it.) It's not about trickery and it's not about lying to the reader. Do those things and you might get someone to take a look. Once. What are you going to do now that you've annoyed them? What have you accomplished?

I can't claim to have the magical formula that will bring the thundering hordes to your blog post, your Facebook page, your web site or your front door. Anyone who tells you they know for sure is lying or mistaken. But I can tell you what certain DOESN'T work, and I can say so with confidence, since I have tried each one and watched it fail in a spectacular fashion.

  1. Promising a visitor something you can't deliver. This is especially good at getting people mad at you. Because the intelligent ones will realize immediately that you're a fraud, and the less intelligent ones will try what you advocate, fail, and blame you.
  2. Making general statements based only on your experience. If you want to blog about yourself, that's fine. I do it sometimes, and posts about my daughter, my dog and my wife have attracted some of the larger audiences I've gotten here. But don't try to extrapolate your experience and make the reader think it will definitely apply under any circumstance. You don't know, because your experience is just that--yours.
  3. Stating something without doing the research. If you want to make a statement, make it. But be sure you're right. I have gone off on a tear at times here and made statements that, when I was typing them, felt great--only to find out I was astonishingly wrong. Colossally wrong. I mean, wrong. Check first.
  4. Politics, religion--what could go wrong? Everything. Write about the "forbidden" topics if you want. That's your right. But go in knowing for sure that your opinions are definitely going to piss some people off. And maybe you know in your heart they're just wrong, and what the hell--maybe they are. It won't convince them of anything and it won't make them less mad. It's fine to do if that's the kind of blog you want, but don't be naive about it--you're going to annoy. Be prepared to deal with the consequences.
  5. Making your post a flat-out sales pitch for your book. I have done this one (see two weeks ago, sort of) and I promise you I will do so again. That's perfectly fine--this is a forum about crime fiction and I write crime fiction. The reader is always free to click elsewhere. But doing nothing BUT hawking your book is just going to bore and irritate. The fiction you write isn't the only place you have to worry about entertaining an audience. And by the way, I have a Question of Missing Headbook coming out in exactly 16 days.

This week's reminder: The MISSING HEAD CHALLENGE is scheduled for--waddaya know!--16 days from today, on October 8! Buy a copy of THE QUESTION OF THE MISSING HEAD by E.J. Copperman/Jeff Cohen and take a photo of yourself with the book (or title page of the ebook). Post said picture on Facebook or Twitter for all (especially me) to see. For everyone who does that on Pub Day (which you might have heard is October 8), I will donate $3 to ASPEN, the Autism SPectrum Education Network, and our own Josh Getzler's HSG Agency will match the donation. That pledge is good for the first 100 people to post--be one of them! 

Sep 232014
 

Todd Moss

 

This week I’m very pleased to welcome as guest Tuesday Dead Guy author Todd Moss, whose Golden Hour (Putnam) is available at all the usual outlets, plus airports, train stations, Costco, and think tanks everywhere. Todd has been let loose the past few weeks, following publication; but his experiences may have been slightly different from what either he or you might have expected.

TMoss Cover (2)

I had no idea what to expect from the book tour for my debut thriller THE GOLDEN HOUR, released September 4th. I’d written several nonfiction books and had spoken in front of groups about foreign policy hundreds of times, but this was my first foray into fiction and certainly my first book tour. It’s been strange, nerve-wracking, and pretty cool all at the same time.  Here’s what I think I’ve learned so far.

  Todd sitting (2)

It’s okay to be excited. After all the hours alone in the office and alone in my head, the novel is now, finally, out there. And people who’ve heard about it, want to meet the author. I’ve been really struck at the number of friends (some I haven’t seen since high school!) who are both giddy and gracious about my first novel. Most haven’t even read it yet, yet it’s been tremendously gratifying and humbling to receive the flood of emails, Facebook messages, and even knocks on my front door. I’m a guy who normally shirks away from being the center of attention, so I’ve had to force myself to soak it all in, to take a few moments to just enjoy it. And even at 44 years old, it feels good to make your parents proud. 

  Housto airport 2

Yeah, no one knows you… yet. While friends and family have been pouring it on thick, no debut author has a fan base. This means any “book tour” sounds like a grand affair… but it’s not. I’d assumed that book signings would be at big box bookshops in cities like New York, Los Angeles, perhaps Atlanta and Chicago. Nope. After two launch events in my hometown of Washington DC, my publisher sent me to independent shops in Arizona and Texas. At first, I didn’t quite get it either. Then it was patiently explained what should have been obvious:  “No one knows you yet. No one will show up, especially in the big crowded markets.”  So instead, my stops have been specialty crime and thriller bookshops. Poisoned Pen in Scottsdale organized an intimate discussion about my book and, in an age of ISIS and Ebola, the role of America around the world. Murder by the Book in Houston hosted a reading and Q&A with around forty thriller fans.  Just as importantly as these in-person events, both shops provided a marvelous platform for tapping into their enthusiastic reader networks. Even if you aren’t generating lines around the block, it’s still exhilarating to sign a tall stack of your own books! (Note from JG--This was the best photo we had--it was after Todd had already signed the tall stack, and folks were carrying their own copies to him by then. Because even better than signing the tall stack is SELLING OUT the tall stack...)

  Todd signing (3)

 

Todd and stock of books

A modern tour is much more than bookshops. I keep hearing that the halcyon days oflarge crowds to meet authors are largely over for all but the most famous writers.  So, in addition to a handful of select bookshop appearances, I’m talking about THE GOLDEN HOUR at lots of other venues that can draw interested crowds. Since my thriller revolves around a professor who works inside the U.S. Government, I’m speaking at colleges (Columbia, Pomona, Texas A&M, Tufts, Harvard) and related professional associations (World Affairs Councils, think tanks). I’m also promoting the book through radio, newspaper opeds, social media, and even a few TV shows. Each of these hits relatively small audiences, but they accumulate. These efforts, I hope, will build fan momentum for the next book… and maybe even a more ambitious second tour?

  MSNBC

In the end, that’s the point: lots of small steps toward a fan base who will love your book, tell their friends, and (fingers crossed!) buy the sequel. 

 

Todd Moss, senior fellow and COO at the Center for Global Development in Washington DC and the former top US diplomat for West Africa, is author of THE GOLDEN HOUR, the first in the Judd Ryker series from Penguin’s Putnam Books. Todd is represented by Josh Getzler. 

Sep 162014
 

Danielle Burby 

When Josh asked me to take over his blog for today (because he is still recovering from shoulder surgery), I couldn't, for the life of me, decide what I wanted to write about. Foreign rights? The vote for Scottish independence and the power of the historical narrative to impact life today? Why I love stories that tackle social issues? Nah. But there is something people have been asking me about a lot recently and that I'm never sure quite how to handle. It's something I love discussing, but feel a little bit strange talking about with people who know me in my publishing life. My experience as a junior agent/playwright. 
 
For those who don't know, I am a produced, and agented, playwright. It's a big, crazy, adventure that I never explicitly planned to take, but that brings me some of the greatest pride and joy I've ever felt. 
 
Ultimately, I see my two careers as very different, but complementary, parts of my life. I strongly believe that being a writer myself makes me much more sensitive to the needs of authors, especially when it comes to communication on the editorial side. I, too, have had people tell me, "I love your work, but please tear up the entire thing and rewrite it." I have been given editorial advice I didn't agree with and stood my ground, defended my choices. On the flip side, I have also learned to hear criticism, no matter how painful it may be, and to accept when I need to make changes. I honestly don't want to tell you how many times I rewrote my first play. I actually changed the ending midway through the play's run, if you can believe it! Now, although the play has already been produced and reviewed, I know I'll have to go in and make more changes if I want it to move up in the production ranks, as I hope it does. 
 
What this means for the writers I work with is that I understand exactly what I 'm asking of them when I write a big fat editorial letter and say, "So look...we need to completely rework the structure here," or, "That character that we both love actually doesn't belong in this particular book," or even, "You might want to consider changing genres." I give my notes with all the empathy in the word and I have the battle scars to prove it. 
 
Working on the agenting side also gives me a very clear perspective as to what it's like out there for writers. It shows me how important it is to be polite and professional at all times, whether you're a writer, an editor, or an agent. I've learned the importance of email tone and how to develop relationships. I think every writer should make a real effort to understand the business side of the industry because sometimes, when wrapped up in the creative side, it can be hard to remember that that's just what this is: a business. 
 
However, it is a business that revolves around creativity. One of my favorite parts of my job is looking into the heart of a narrative and figuring out, with the author, how to bring it to the surface. I love talking to authors about their visions and working as a team to strengthen their ideas and take the book another step forward. As a writer, I know that there's only so far you can bring a story on your own. As a publishing professional, I like to be the person, or one of the people, who helps someone take their novel one step farther. 
 
Ultimately, I'm a fiction junkie and I love being part of the conversation, whether as a reader, a writer, or a junior agent/assistant. So yes, I am both a person who writes and a person who works with writers. I love those dual roles because they give me a broader perspective, and by understanding both sides of the same coin, my love for each is cemented and my ability in each is strengthened. I wouldn't have it any other way.
Sep 152014
 

Jeff Cohen

SPOILER ALERT: If you don't want to know E.J. Copperman's true identity (and I'm guessing that category applies to no one at all), don't read any further. I wouldn't want to disillusion a reader. Or a non-reader. Or anybody else. 

So here's the thing: As was discussed in some detail last week, HeadTHE QUESTION OF THE MISSING HEAD, the first Asperger's mystery featuring the fictional Samuel Hoenig, will be published by our very own Terri Bischoff's Midnight Ink in just a hair over three weeks, on October 8. It's a mystery involving and told by a man who has a high-functioning form of an autism related disorder, and it involves, as one might expect from the title, a missing head, in this case a frozen one.

It's also the first official collaboration between myself and E.J. Copperman, and that's sort of an interesting situation.

That's right, friends, it's the first book I ever wrote with myself.

The cover of the book clearly states the authors' names as, "E.J. Copperman/Jeff Cohen," as if that clears anything up. But the fact is I was alone in the room when it was written, although that's hardly a definitive indication that anyone called E.J. Copperman didn't write the book. E.J., after all, is me, and nobody's tried to keep that a secret for quite some time.

In and of itself (which is an expression that doesn't mean anything, but whatever), the fact that both of my names are up on the cover of the book is somewhat irrelevant. If you enjoy the book, it could be written by GruberHans Gruber and it wouldn't matter. If you don't enjoy the book, it could be a work of Pg-02-shakespeare-g_175920tWilliam Shakespeare (who as far as I know never knowingly wrote about Asperger's) and that would be equally unimportant. 

But sitting down to write the book a few years ago (it took a while to find a home, and thankfully Terri liked it), I honestly didn't know if it was going to be a Jeff book or an E.J. book, and I do actually approach the two differently, even if I'm not conscious of the effort at the time. So in writing THE QUESTION OF THE MISSING HEAD (which had another title back in those days), I was sort of channeling the E.J. side of my brain even while the Jeff side was poking his nose into it just to keep things on an even keel. So it really is a product of both.

I got the idea when Evan Hunter and Ed McBain (both of whom were actually Salvatore Lombino) wrote a book together. Now, that seemed like a great idea! You get two author names on the book for followers of either previously published writer, and you don't have to split the royalties! What's not to like?

It does irk me when (as a number of review sites and an online retailer or two) some people consider HeadTHE QUESTION OF THE MISSING HEAD as strictly an E.J. Copperman book and leave my birth name off it entirely. I mean, I worked as hard as E.J. on it--harder even, since I was doing the typing--and I think I deserve a little credit, don't you?

Having just sent off the draft of the second Samuel book, whose title has not yet been confirmed (and I've learned to keep my mouth shut about such things), I can say the second time around it was more of a total collaboration because now I was aware both names would be on the cover. There was more give-and-take, but either way, I got or gave because there wasn't anyone else there. Except our new dog ImageGizmo, who is adorable but chews things a lot.

So I can tell you something I never knew before: Collaborating with yourself can be fun and rewarding. But the best part, without question, is writing the authors' acknowledgments, when I got to thank myself twice.

 

P.S.: Our sincere wishes for a quick and easy recovery to our own Josh Getzler, just now starting toward getting his shoulder back the way it should be. We want you back here ASAP, sir, so get to work!

P.P.S.: While we're on the subject of Josh, he has informed me that HSG Agency, of which he is the "G", will match my total donation to ASPEN, the Autism Spectrum Education Network, when we tally it all up from the MISSING HEAD CHALLENGE (announced here last week). Remember the rules: Buy a copy of THE QUESTION OF THE MISSING HEAD and have it in your hands on its publication day, October 8. Take a picture of yourself with said book (or e-reader title page thereof). Post said picture on Facebook or Twitter and make sure I see it. I will donate (and now Josh will match) $3 for every picture posted up to 100 pictures that day. Don't miss your chance to donate to a very worthy cause without spending any extra money! And thanks, Josh and everybody at HSG! 

Sep 102014
 

Josh Getzler

Like many of you (I’d guess most of you), I received a very cheerful email from iTunes this morning, letting me know that I was one of the lucky 500 MILLION account holders music lovers who received, free of charge, the new album by U2 in their iTunes library. Then they said the following:

 Never before have this many people owned an album — let alone on the day it was released. This is a big moment in music history. And you're a part of it.

OK, let’s talk about this for real for a minute. What U2 did, fundamentally, was participate in a publicity program not unlike a Kindle free book promotion, only iTunes eliminated the step where you need to get the ebook into your device—it simply put it there. And frankly, that’s fine, if perhaps cheesy. But then to call it “a big moment in music history” where “never before have this many people owned an album” is eye-rollingly disingenuous. What’s more, it speaks to numerous arguments about value/worth/price of a product.

When I began to work in minor league baseball in 1996, I took over an organization in upstate New York which had, for five years, effectively given away its tickets to every game through a (badly thought-out and inefficient) coupon system that made it unnecessary for any fan to pay for a ticket. The previous operators reasoned that they would make their fiscal nut by getting people into the park for free, then having them purchase food, beer, and merchandise. Didn’t work. Going to a game was thought of as, first and foremost, a Cheap Night Out, and fans were not in fact spending more money on hot dogs because they had budgeted a certain amount for the evening and then had more because of the free tickets. Rather, they spent the same amount or less, because everyone knew that the tickets were going to be free—they had no value, so there was no real savings. The first thing we did when we arrived in town was to set a real value for tickets—albeit a very low number—and while fewer people came initially (because they resented paying for something all of a sudden which had previously been free), those who did actually spent more on food and merch because their expectations had shifted from being a Cheap night to a Fun night.

There have been lots of conversations recently, in the Hachette/Amazon fight, over the way Amazon has stated that less expensive ebooks sell more copies, and therefore will pass the break-even point with the current pricing models and make authors more money while charging less to the customer. I think there are legitimate arguments to be made on both sides of this. But there is also a significant danger in basing a policy on lowering prices all the time for all products. Amazon itself saw this a few years ago when WalMart stood up to it, and there was a Race To Free for a number of titles. For one or two instances, a retailer can deal with it (and the authors were receiving full royalties so they didn’t suffer, even as it cost Amazon and WalMart money—much as Apple is losing sales on U2 albums in the interest of a splash and enormous distribution). But as a policy…tough to maintain. Amazon clearly believes it has the winning algorithms to make more money for itself while charging its customers less and paying its authors more. If it emerges victorious, we will have to see.

Which brings me back to U2. I’ve been a fan of this band for more than 30 years (JEEZ!)  I saw them for the first time at 16, and again at 43. I’ve bought all their albums, and worn out many of them. They haven’t been particularly in the forefront of my mind since I saw them at Giants Stadium a few years ago and thought they were…fine. But when I’m on shuffle and Sunday Bloody Sunday or Beautiful Day or Magnificent comes on, I realize that they are the hall of famers they are.

They also release a TON of odds and sods and remixes and dub versions and acoustic demos, so when I got word that they were releasing their new album for free, I figured it was one of those. Which is to say, because it was for free, I figured it had (virtually) no value. It was just going to be a gimmick, and would be worthy of the eye rolling, and would take U2 further out of the middle of my consciousness.

Then I actually listened to it, and thought it was terrific. It’s new, but hearkens back to The Old Stuff I Love, and feels like a real ALBUM, with an overarching theme (albeit a possibly pretentious one, but hey, it’s Bono) and soaring choruses etc. And I suspect, that by simply spamming it to half a billion people, they’ve actually UNDERSOLD it. How about that?

 

Quick Note: I’m going to be going on the Disabled List for a couple of weeks for shoulder surgery. This slot will be taken by some terrific guests—Danielle Burby will write next week, and author Todd Moss (The Golden Hour) the week after. See you down the line! 

 

Sep 032014
 

Josh Getzler

I’ve been having the funny feeling the last couple of weeks that I’ve been regressing back to high school. It’s not simply that I ALWAYS feel nostalgic this time of year, as the kids get ready to return from the summer. But this summer vacation has been filled with reminders of my days with big hair and long overcoats and bright yellow Walkmen.

  Sony-walkman

 

 

  Photo (9)

First I read Eleanor and Park on the advice of the 12 YO, and it took me back to the Smiths and the Replacements and XTC (and bright yellow Walkmen); then last night we watched The Breakfast Club with the kids, and between the layers and overcoats and the Molly Ringwald Dance and Simple Minds I was back to Junior Year, wondering if I would also lose my soul when I grew up.

https://www.youtube.com/watch?v=aZINZmN1_GM

  EleanorPark_cover2-300x450

Tomorrow I’m going to Washington, DC for a couple of days of meetings and the launch of Todd Moss’s Golden Hour (had to get that in!), and I’m back to being a Congressional Page at 17, watching Live Aid and running around the Capitol Building in the roastingly hot DC summer. Then in the fall I’ll be seeing Sting’s new musical The Last Ship, and I’ll be back in my very enthusiastic high school band trying (enthusiastically!) to play So Lonely. And I just looked through the musical offerings in DC Thursday night. The Buzzcocks are playing a little club. The last time I saw them it was around 1988, and I was in college. And I just got my 25th Reunion notice. My son just finished watching Weird Science while my daughter was listening to Marlene On The Wall.

  9780399168604.jpg Solonely Liveaid


All we’re missing is a Soviet Premier threatening to use Nukes…oh.

Vlad-putin-wink
 

Aug 262014
 

 

Josh Getzler

So, have YOU been challenged yet?

Wait! Wait! Don’t click off. I realize that between summer and shoulders I’ve not been that active recently, and I missed the initial rosy glow of the ALS Ice Bucket Challenge. Now, when I want to write something supporting it, I look around and see the Backlash. Money being raised will take away from other charities. Less funding will be available to use for developing cures for diseases with more victims. Why are we pouring ice on our heads when there are water shortages? When ALS uses genomes? When scientists test on animals? When we should be thinking about ISIS and Gaza and Ferguson and Ukraine and Ebola and…

Stop it. Pull back for a minute.

A few weeks ago, ALS—Lou Gehrig’s Disease—was mostly known about by friends and relatives and colleagues of people who have, or more likely died, of the disease. My wife’s aunt, the incorrigible, powerful Carol Kaufman, was my link. She died several years ago after a terrible, painful illness where the humiliation was only lessened by the incredible love and dedication of her family. But beside Carol, I have never been affected by ALS directly, as opposed to cancer or Parkinson’s or MS or many other illnesses. There are only (only…) a few thousand people suffering from ALS at any time. There is no cure, and researchers are not overly well-funded. Last year, at this time, the ALS Association had raised somewhere around $2.5 million.

And then someone dumped a bucket of ice over his head, made a donation, posted it on Facebook, and challenged some friends to do the same. And all of a sudden the game had changed. It was 50 Shades of Grey or Gangnam Style, but trying to help eradicate a disease. And it’s all done by taking a video, talking for a minute, dumping some cold liquid on your head, and paying it forward. And what is wrong with that? It’s been absolutely rejuvenating for my Facebook surfing (and by the way, it’s been fascinating to see, as in the article here (http://digiday.com/platforms/facbeook-twitter-ferguson/), how users are staying of Facebook for this, while tweeting the aftermath of the killing of Michael Brown.) And it’s raised more than $80 MILLION in real money for ALS. And what’s wrong with THAT?

Well, folks are saying that it’s taking away discretionary charitable donation money away from other charities, and this is going to be a giant money suck away from other places that need it. Here’s the thing, though. The Challenge isn’t necessarily forcing anyone to give, or even suggest an amount. People are giving because they feel like doing good. It has felt to me (non-scientifically, so you can roll your eyes if you wish—but I suspect if you’ve read this far you likely aren’t going to do so) that this is the charity version of the impulse buy—the pack of gum or Us magazine at the checkout counter, where you aren’t going to stop buying bread (or, I suppose, the New Yorker, so stretch a metaphor until it screams) because one day you saw Oprah or Benedict Cumberbatch being shown doing something and feel like getting involved. I’m not going to give less to the American Cancer Society or my synagogue or my animal rights charities or my alma mater because I made a small donation to fight ALS because everyone else is doing it and it feels good.

Finally, another thing that’s happening is that people are starting to read about and understand ALS; and whether they are directly impacted by it or not in the future, they might have a little more understanding the next time they read about it or see a tv news story about it.

So that’s it. The ALS Challenge was a great, simple idea that took off unexpectedly. It has done good for the world. And it almost singlehandedly justified Facebook’s existence. There’s enough tragedy and despair in the world; let’s enjoy something good. OK?

https://www.facebook.com/photo.php?v=10203357743158771&set=vb.1066944049&type=2&theater

  

 

On the DL

 Josh Getzler  Comments Off
Aug 202014
 

Josh Getzler

So today it's going to be short, since I'm finding typing pretty painful. I've got something in common with the following people:

 

  Tommy-John

  NjJujtFB

Matt-Harvey-today

Yep, I'm a pitcher.

No, no. Rotator cuff issues. They suck. but make it hurt to throw a ball, sleep, hail a taxi, and type. Going to see an orthopedist Thursday, and hope not to be on the DL as long as these guys. In the meantime, enjoy your end-of-summer and join Jeff Cohen's email list! Or EJ Copperman's. Doesn't matter to me. or him. I mean them. :)

Aug 062014
 

Josh Getzler

 

Today was one of those where the astonishing range of the writers I work with came out in force. It reminded me why this job, with its stress and never-shrinking inbox (Summer Slowdown? HA!) is so consistently fascinating.

 

Today, over the course of nine hours, I dealt with the following people and events:

 

1)      A new author, who wrote a wonderful young adult novel filled with angst, poetry, and first love, agreed to let me represent her. When Danielle gets back from vacation she will dance, since she put this novel on my desk and said “READ THIS.” It’s called My Pablo Neruda Summer. Watch out.

 

 

2)      While I was on the phone with New Client, I was handed an envelope from Putnam, with a first copy, hot off the presses, of Todd Moss’s The Golden Hour. It’s always such a thrill to hold a first copy, and this one stands to MOVE.

 Embedded image permalink

 

 

3)      Once off with New Client, and done tweeting the picture above, it was time to go to a meeting at Oxford University Press with a client, Professor Jenna Weissman Joselit, whose examination of America’s fascination with the image of the Ten Commandments is going to come out in 2016. I was not simply the least intelligent person in the editor’s office; I felt rather that I was the least intelligent person in the building. On the way out I stopped for a moment at Tim Bent’s office. Tim, who’s now been editing at Oxford for many years, was a classmate of mine at the Radcliffe (now Columbia) Publishing Course in the summer of 1990. We realized that there might not be more than one other member of our class (Random House editor Jordan Pavlin) who made publishing his or her career. And I took a 13 year sabbatical!

 

4)         On my return I had meetings with our summer interns, one of whom was updating our editor database (editors change houses a LOT!) and was getting started on a new project to track foreign sales of Geoff Rodkey’s new, hysterical middle grade series The Tapper Twins, whose imagery is slightly less elevated at times than Jenna’s (dead fish in knapsacks, half-eaten cronuts…). Coincidentally, that was followed by a call from Geoff himself, with some questions about the second in the series.

 

 

5)      Finally I had a chance to work on some emails. It was 4:30. These ranged from confirming a visit from the talented young writers from Writopia, to organizing a drop-in from Dead Guy Guru Jeff (“EJ Copperman’s CLOSE PERSONAL FRIEND”) Cohen, to downloading a new contract to asking for a new author to send me her debut Young Adult novel about teenage angst and love in 18th Century France. A lovely bookend to an always-interesting day.

 

And the inbox remains full.