Oct 312014
 
Since today is Halloween, it seems appropriate to write something about the longest-running and many would say the best comic book series about a vampire ever published. I'm referring, of course, to Marvel's THE TOMB OF DRACULA, which ran for 70 issues from 1972 to 1979. Recently I've been reading THE ESSENTIAL TOMB OF DRACULA, VOLUME 1, which reprints in black-and-white the first 25 issues of
Oct 292014
 
VanderMeer: I’ve read a lot of fiction on the noir/horror side, and it's very difficult for me to find something new in a novel of this type. Yet even the most horrible things you describe also have an element of unexpected beauty to them.
Beukes: The novel was always about the artistic impulse. It was always about the urge to try and create something beautiful, to try and remake the world in a way where things are malleable, where things can reach their potential. As far as [the antagonist is] concerned, he is looking inside people to try and bring something beautiful out in them, and he just does it in a terrible way.
With The Shining Girls, I wanted to write a real serial killer, which is a loathsome, empty, broken human being. There is nothing admirable about them. They are just scumbags. Impotent scumbags. That is what real serial killers are. They are opportunistic, violent men, and they have no insight into why they do what they do, and they are certainly not outwitting detectives while sipping Chianti and sautéing someone's liver. With this particular killer, I was much more interested in thwarted ambition. The creative urge, being possessed by the creative urge and trying to find your audience and not being overlooked. It's kind of a broken masculinity as well. It's a hungriness that the killer is filled with … He doesn't mean for this to happen the way it does, and I feel a lot of sympathy for him. Which is not to say that the acts aren't atrocious and horrific and awful.
Sep 282014
 


Critically celebrated novelist Scott Spencer—writing as Chase Novak—delivers a Rosemary’s Baby-like novel of gothic horror, set against the backdrop of modern-day Upper East Side Manhattan. You can download the eBook for $2.99 from now until October 6th. Gorge yourself on this chilling tale, and get ready for the sequel, Brood, which lands in bookstores on October 7th.

Google Play | iBooks | Nook | Kobo

Sep 122014
 
I don't remember seeing this horror novel when it came out from Jove in 1989, and Robert Masello's name is only vaguely familiar to me. But BLACK HORIZON turns out to be a pretty entertaining psychological horror yarn. Jack Logan is a musician who plays in the orchestra for a newly opened Broadway show. It's opening night, in fact, when Jack saves the life of an old man who's been hit by a
Aug 072014
 
The Deadly Spring, by J.C. Conaway No month stated, 1976  Leisure Books J.C. Conaway, the man who as “Jake Quinn” gave the world the Shannon series, returns to Leisure Books under his own name and delivers a trashy horror-mystery hybrid that comes off like a proto-version of William W. Johnstone’s The Nursery. Unlike the Shannon books, stuff actually happens here, and it’s all pretty wild
Jul 112014
 
Jean Deslines is worried about losing her identity.  Her father keeps talking about putting her away in a mental institution for her own safety. Jean has been bragging about her flirty seduction of the local clergyman in her Australian home of Katoomba. She's also been reading up on psychology books at the suggestion of her cousin Myrtle who knows a psychosexual aberration when she sees one. Now Jean's head is overloaded with Freudian psychoanalytical jargon and discussions of female hormones, the lack of which she believes is at the root of her troubles. She's also starting to have surreal dreams in which she envisions a female gladiator who takes the form of the goddess Minerva slaughtering her enemies. And every now and then she hears the sounds of bells and an ethereal voice giving her private instructions on carrying out the murderous events in her dreams. Is it any wonder her father is worried about her? Oh, I forgot to mention Jean is only fifteen years old.

To preserve her identity and prevent any tinkering with her mind and soul at the hands of interfering psychiatrists Jean is advised by that Voice to murder her father. And she does so in a lovingly savage way. It's the beginning of her descent into a surreal world of hallucinations, indulgent sexuality and violent murderous attacks. Imagine if you will a most bizarre mix of the selfish child murderess Rhoda Penmark, vindictive pathological liar Mary Tilford, and seductive teen age vixen Lolita and you have only a smidgen of an idea of what Frank Walford has created in Jean Deslines. It's difficult to believe that a fifteen year old girl is narrating this lurid tale of madness, pansexuality and brutal murder. Jean may very well be crime fiction's first bisexual serial killer.  Oh, I forgot to mention that Twisted Clay was published in 1933.

Frank Walford
This week Patti Abbot Asked us to read a book about a femme fatale. Though typically we don't find a femme fatale this young until the pulp writers of the 1950s in books by writers like Gil Brewer, Day Keene and Jonathan Craig and most of them aren't clinically insane Jean Deslines is about as fatal a femme as you can find in the genre fiction of the 1930s. So horrific are the events described in Walford's book it was banned almost immediately upon publication and remained out of print for decades. Modern readers will find so many of what is now considered formulaic in serial killer literature and yet no one was writing about such things in Walford's time. Even Lawrence Block didn't write about a serial killer prostitute until 2012's Getting Off and even then he used his lesbian erotica pseudonym Jill Emerson. Walford was way ahead of his time in creating his surreally intellectual, linguistically gifted and very dangerous teenager. Way, way ahead.

Twisted Clay has been reissued by Australian British indie press Salt Publishing under their horror imprint Remains Classics in a handsomely designed facsimile of the original first edition complete with replication of the original dust jacket. The book comes with a foreward by Remain's editor Johnny Mains as well as a biographical and literary introduction to Frank Walford by critic and supernatural fiction maven Jim Doig. It's a fine reissue of a landmark book in the genre. Highly recommended for literary connoisseurs, genre fiction addicts and anyone curious about those obscure books that sometimes reach legendary status due to their unavailability. This is one instance when the legend cannot even approach the actual content of the book.

For more wicked women, amoral temptresses, and literary femme fatales in forgotten books of the past visit Patti Abbot's blog.
 Posted by at 5:00 am
Jun 272014
 
Today marks the centenary celebration of "strange story" writer Robert Aickman who was born June 27, 1914.  As part of the celebration of what would have been Aickman's 100th birthday Faber & Faber has reprinted several of his story collections including the two featured in the post today. Dark Entries (1964) was Aickman's second collection and his first book of stories written solely by him. Cold Hand in Mine (1975) is his fifth collection and is well known to book collectors for the US first edition (Scribner, 1975) has a DJ illustrated by Edward Gorey.

I've written previously about the strange stories (his preferred term) of Aickman in my post on Powers of Darkness. But re-reading these tales in their new editions brought forth some interesting recurrent themes in his writing. Aickman doesn't really write traditional supernatural stories though some of them incorporate tropes of ghost story fiction and horror fiction. There is always an ambiguity pervading the stories, a ghost may not be a ghost at all but the fervent imagining of a disturbed mind. There are some instances of outright horror as in his chilling tale of the walking dead in "Ringing the Changes" found in Dark Entries or the thing that lives in the lake in "Niemandswasser" or the grisly and nightmarish true purpose of "The Hospice" both in Cold Hand in Mine. But more often than not the odd and bizarre events tend to be shrouded in a haze of the characters' twisted perceptions of reality and enhanced by their personal quirks and eccentricities.

In my current reading of the stories I discovered something else. The men in Aickman's stories are often the victims of glamour. Contemporary connotations include glamor as a synonym for stunning beauty but it original connotation hinted at a supernatural power, mostly of the fairy world, to bewitch and hypnotize and control a human. Whether this inclusion of glamor and spell casting is intentional or not on Aickman's part I cannot say, but in at least five of the stories I read the male protagonists make mention of the captivating beauty of a woman they encounter and they almost immediately fall under her spell. Take for example Carfax, the renaissance man and traveler in "The View." His attraction to the bewitching woman he dubs Ariel leads to him to friendship, romance and an unfortunate fate. He finds himself not only under her glamorous spell, but the spell of the home in which she lives. His room affords him a view that is ever changing in its scenery and by the end of the story he realizes that he has spent not a few days with Ariel but several years.

There are six long stories in Dark Entries and eight in Cold Hand in Mine. Most of them run between 30 and 50 pages. Aickman takes his time telling his tale, like a patient artist at work on a canvas he paints landscapes with carefully chosen words that evoke a sublime atmosphere blending dread and anticipation of the characters' inevitable doom. No one really escapes unscathed in an Aickman story. If they are lucky enough to survive their encounters they will carry with them a haunting memory of the world of the macabre and the weird. Many of Aickman's characters are forever changed and scarred by their inexplicable adventures. And the reader taking in Aickman's narratives cannot help but be affected as well.

For more about Faber & Faber's paperback reprints of Robert Aickman's books visit this page at their website. They plan to release a total of six of his books. It is also worth noting that Tartarus Press, an independent UK publisher of supernatural fiction, has reprinted all of Aickman's books in hardcover editions. All of them are still available. As part of the centenary of Aickman's birth Tartarus has also published this month The River Runs Uphill, an autobiographical volume originally published in 1967. Read more at the Tarturus Press website.
 Posted by at 2:06 pm
Jun 132014
 
In honor of tonight's "honey moon" and its rare occurrence on Friday the 13th I dug into the archives for this brief overview of a fitting book. Leslie Whitten's book makes a modern use of the phrase "when the wolfsbane blooms/And the moon and is full and bright.".

Whitten wrote one of the most interesting takes on the werewolf legend with his Southern Gothic novel Moon of the Wolf (1967). In it we get a combination of a murder mystery and an exploration of lycanthropy from a psychologist's perspective. A series of murders seem to be the work of a savage animal. Whitten sets his novel in the 1930s so when the first murder victim also turns out to be a black woman we get the additional layer of social criticism of racism in the south. The police sheriff's investigation leads him to a wealthy white family of plantation owners and whispers of illicit sexual relations.

Angry locals insist the girl was attacked by a pack of wild dogs and set out like a posse of Transylvanian villagers to kill them all. But the skeptical sheriff is not convinced. Medical evidence points to violence by a human hand even amid the signs of an animal attack. His questioning of the locals uncovers their superstitious beliefs, the curious practice of hoodoo with its bottle tree and other witchcraft-like talismans, and an odd reference to "Loup Garou." A psychologist enters the picture and begins to explain the legend of the werewolf and lycanthropy as a legitimate mental illness.

Guy Endore treated the werewolf legend as a mental illness in Werewolf of Paris decades earlier, but Whitten makes his approach more accessible and tells the story in such a way that one never really knows if the werewolf is real or imagined. The finale, of course, will settle all that ambiguity with a somewhat startling revelation.

Moon of the Wolf was made into a TV movie (almost faithful to the book) in the 1970s with David Janssen as the sheriff and Bradford Dillman as the primary murder suspect. You can find several versions of the full movie at YouTube. The best quality version I found is here.

 Posted by at 2:30 pm
May 142014
 
SCREAM QUEEN AND OTHER TALES OF MENACE is the latest collection of Ed Gorman's short fiction from the great Perfect Crime Books. As you'd expect, this is a fine bunch of stories that cross over into a number of genres, although given the title of the collection there's a thread of fear that runs through all of them. "Cages", "Duty", and "The Brasher Girl" (a novella that served as the