On Saturday, August 9th, at 8 PM, celebrate the 75th anniversary of the publication considered the best fantasy magazine of all time, Street & Smith’s Unknown. Join acclaimed lecturer on the history of pulp magazines, Professor Tom Krabacher of California State University, Sacramento; commentator Walker Martin, who writes about pulp collecting on Pulpmags and Mystery*File; and Professor Garyn G. Roberts, editor of The Prentice Hall Anthology of Science Fiction and Fantasy, as they revisit the magazine’s highlights.
Debuting in February 1939 and publishing a complete novel in each issue, Unknown featured many works now considered classics of the fantasy genre—Anthony Boucher’s “The Compleat Werewolf,” L. Sprague DeCamp’s “Lest Darkness Fall,” L. Ron Hubbard’s “Fear” and “Typewriter in the Sky,” Fritz Leiber’s “Conjure Wife” and the early Fafhrd and the Gray Mouser stories, Norvell W. Page’s Prester John stories “Flame Wind” and “Sons of the Bear-God,” Theodore Sturgeon’s “It,” Jack Williamson’s “Darker Than You Think,” and many others.
Over its 39-issue run, the magazine went through a variety of permutations including the elimination of cover art beginning with the July 1940 number. The magazine would get a new name in late 1941. Despite the changes, Unknown Worlds would be cancelled following the issue dated October 1943.
Krabacher’s, Martin’s, and Robert’s presentation, “Unknown: The Best in Fantasy Fiction,” accompanied by selected cover art, is yet another reason to make PulpFest your “must-see” convention of 2014!
To learn more about the image used in this post, click on the illustration.
In the February 1939 Astounding Science-Fiction, John W. Campbell announced, “. . . the second Friday of every month, a new magazine will appear. Unknown will be to fantasy what Astounding has made itself represent to science fiction. It will offer fantasy of a quality so far different from that which has appeared in the past as to change your entire understanding of the term.”
Debuting in February 1939 and publishing a complete novel in each issue, Unknown featured many works now considered classics of the fantasy genre—Anthony Boucher’s “The Compleat Werewolf,” L. Sprague DeCamp’s “Lest Darkness Fall,” L. Ron Hubbard’s “Fear” and “Typewriter in the Sky,” Fritz Leiber’s “Conjure Wife” and the early Fafhrd and the Gray Mouser stories, Norvell W. Page’s Prester John stories “Flame Wind” and “Sons of the Bear-God,” ” Theodore Sturgeon’s “It,” Jack Williamson’s “Darker Than You Think,” and many others.
Over its 39-issue run, the magazine went through a variety of permutations including the elimination of cover art beginning with the July 1940 number. “We’ve made the July cover look very dignified. We’re going to ask your news dealer to display it with magazines of general class—not with the newsprints . . . . It is unique and appeals to adult minds . . . . I feel most would enjoy Unknown if given a chance to try it.” The magazine would be enlarged to letter-size and get a new name in late 1941 as Street & Smith sought better display space. Despite the changes, the renamed Unknown Worlds would be cancelled following the issue dated October 1943. Although a letter-sized magazine reprint anthology entitled From Unknown Worlds was issued in 1948, no additional issues of the publication considered the best fantasy magazine of all time would appear.
To learn more about the images used in this post, click on the illustrations. Click here for references consulted for this article.
|Tam Tam Books ed., English translation|
Currently in its 3rd printing
Foam of the Daze is an unapologetic romance, a surreal fairy tale, and a literary satire all wrapped up in one delightful package. The story, however, is not all hearts and flowers though those two images feature heavily in the story. Vian scales the heights of delirious newfound love and plummets into the depths of despair when a mysterious illness threatens to end the ecstasy of a young couple’s honeymoon.
Wide eyed jazz lover Colin lives a carefree life enjoying cocktails and playing Duke Ellington records with his musician friend Chick who quickly meets and falls in love with the beautiful Alise. Colin is immediately jealous and longs for his own Alise. No sooner does he make his wish then he meets Chloe, as equally wide-eyed and optimistic as he is. It’s no coincidence that she bears the same name as a popular Duke Ellington song. There are no real coincidences at all in Vian’s world. Every action, every word of dialog has a purpose and is interconnected to every object and character in the story.
|Boris Vian, circa 1940s|
Filled with a soundtrack of Ellington’s music, multiple references to New Orleans and Memphis style jazz, and a subplot involving a satirical jibe at Vian’s good friend Jean-Paul Sartre who appears in the book as pop sensation Jean-Sol Partre, author of Vomit and other works of existentialist bestseller-dom, Foam of the Daze is like no other book I have ever read. Practically unclassifiable in the way it absorbs so many genres Vian's novel is bewitching and strange and hysterical and ultimately deeply moving. It’s an assault on the senses and the intellect. Imagine entering a floral shop crammed full of exotic plants and breathing in the mix of heady scents, taking in the wide array of colors and shapes, all while drinking an unnameable, rainbow hued cocktail with an indescribable yet utterly intoxicating flavor. This is what it’s like to read Vian’s novel.
|Graphic novel adapted by Benoît Preteseille|
L’Ecume des Jours has been adapted into a movie by French director Michel Gondry and retitled aptly enough Mood Indigo, after the Ellington jazz standard, starring Audrey Tatou and Romain Duris as Chloe and Colin. The movie has already appeared throughout Europe at a variety of film festivals and will be shown at the Music Box Theater here in Chicago Sunday, May 11, 2014 as part of the Chicago Film Critics Film Festival. The movie has been picked up by Drafthouse Films and should appear in a limited release at art house cinemas sometime in the summer and eventually be released on DVD. A paperback tie-in edition is being released in the summer under the movie’s title. Anyone too impatient to wait for that edition can order Foam of the Daze directly from Tam Tam Books or any on-line retailer right now.
Title: Satan's Child
Author: Peter Saxon
Cover artist: Jeff Jones (Jeffrey Catherine Jones)
Yours for: $15
Best things about this cover:
- Can't a girl rub her naked bottom on dandelions in peace around here!
- No need for pepper spray or a handgun when you've got Smoke-jaguar.
- Is that behelmeted guy out walking his Smoke-jaguar or shape-shifting into a Smoke-jaguar?
- It's like Rosemary's Baby. Only with more orange. And a Smoke-jaguar.
- One of my all-time favorite fantasy paperback covers, despite/because of its looniness. Love the orange, love the enigmatic man/jaguar/smoke hybrid, love the not-all-that-worried sunbather.
- Only just learned that Jeff Jones was (later in life) Jeffrey Catherine Jones (a trans woman). Fascinating story. She died in 2011. Comics Journal obit here.
Best things about this back cover:
- That is a pretty great use of empty space—like a womb holding the embryonic "Seedling From Hell."
- Ooh, terrible vengeance! That's my favorite kind!
- You're gonna have a hard time finding a greater name in all of literature than "Pricker Gill.
"All of it!" Finlay cried hoarsely. "I wager it all."
Silently his companions met his wager—and threw down their hands. They were identical—and identical to his own.
Finlay's mouth dried and he gave a little groan of despair. "I … I thought I must win."
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