We have arrived in Long Beach for Bouchercon 2014. We'll spend today helping with part of the setup - stuffing bookbags - and then get ready for four days of talking and breathing fine mysteries. We've already seen some of our old friends from prior conferences. I think we're supposed to have about 1500 or so this year. I'll try to post updates as things really get rolling. I'm moderating a panel Thursday afternoon (4:30 PM) about mystery authors who are/were journalists and write about journalists as protagonists, and I'll be part of another panel Friday morning called Collecting 101 (at 8:30 AM), to help readers build a collection of books they want to own. Add in a Wolfe Pack banquet Friday evening and, of course, the Anthony Awards (and others) on Saturday, plus a great many old and new friends, and it should be a great week. Will you be there? If so, please stop by and say hello!
All right, kids. Time to release some news that Rosemarie and I have been keeping under wraps for a few months now. Good news. Big news.
Seriously? That’s the best drumroll we can – you know what, forget it. We’re forging ahead.
Rosemarie and I are hugely excited to announce that our mystery novel Design for Dying, which we wrote under the pen name Renee Patrick, will be published by Macmillan’s Tor/Forge Books in April 2016, with a sequel to follow in April 2017.
|An early Paramount promotional photo of Edith|
We were thrilled when Design won the 2013 William F. Deeck-Malice Domestic Grant for Unpublished Writers. (Reminder: you have until November 15 to submit your application for this year.) We are beside ourselves that the book has found a home with the great people at Tor/Forge, and that Renee Patrick will have the opportunity to write another mystery featuring Lillian and Edith. Rosemarie and I have always envisioned this as a series drawing on real Hollywood history and the astonishing legacy of Edith Head, an enormous talent who dressed everyone, knew everyone, and blazed a trail for women in show business.
Word of Design’s sale broke on Halloween in this post we wrote for the Boucheron 2014 blog. We’ll be in Long Beach for this year’s convention and participating in a Tor/Forge author event at Bouchercon on Friday, November 14. If you see us, come say hi. We’ll be the couple standing around looking dumbstruck at our good fortune.
Today is October 13, which means that Bouchercon 2014: Murder at the Beach will begin officially in Long Beach, CA, one month from today. As I've noted elsewhere, I'll be at Bouchercon (along with my wife) and look forward to meeting, speaking with, learning from and laughing with well over a thousand (maybe closer to two thousand) mystery readers and mystery authors.
While there, I'm scheduled to moderate a panel on Thursday, Nov. 13th, called "Just the Facts: Journalists Solving Crimes," with authors R. G. Belsky, Ellen Crosby, Hank Phillippi Ryan, Susan Union and LynDee Walker. The next morning, Friday, November 14th, I'll be on the panel discussing "Collecting 101: Tips and Tricks from the Experts on Building Your Collection," which will be moderated by Otto Penzler with other panelists including Al Abramson, Bill Gottfried, Tom O'Day and Donus Roberts. In the off chance that you're not coming to Bouchercon primarily to hear me speak - an unlikely thing, I know - rest assured that you will be choosing from well over 100 different panels over the four days of the conference. There are authors you'll know, authors you don't know yet but will want to meet, and a lot of readers who may share your tastes or be willing to debate the advantages of their tastes.
That's not even counting all the extra events, off-site dinners and brunches, charity auctions and, of course, the Anthony Awards. I certainly hope you'll be there. And if so, even if you don't attend my panels, be sure to stop me in the halls and say hello.
The programming gurus for this year's Bouchercon in Long Beach, California have invited me to serve on two of the conference's many great discussion panels this year, both of which sound like a lot of fun.
The first, "Just the Facts: Journalists Solving Crimes," takes place Thursday afternoon, November 13, at 4 PM. I'll be moderating that panel featuring authors Richard Belsky, Ellen Crosby, Hank Phillippi Ryan, Susan Union and LynDee Walker.
The second, "Collecting 101: Tips and Tricks from the Experts on Building Your Collection," will be Friday morning, November 14, at 8:30 AM. This time, I'll be a member of the panel, along with Al Abramson, Bill Gottfried, Tom O'Day and Donus Roberts, and the moderator will be Otto Penzler (who is already complaining vociferously about that 8:30 AM starting time...:-).
I know most of the people on both panels, and I can promise you a good time at both of them. I hope I'll be seeing you there - you west coasters in particular should be there!
Have you ever attended a mystery conference?
No, I'm not talking about one of those business get-togethers and trade shows where you frequently wonder, "Why am I here?" I mean a conference of mystery writers and - most important - the people who read their stories and books.
I'm attending three national events this year, two of which have already happened - Left Coast Crime in March and Malice Domestic last month.
And then there is - or rather will be - Bouchercon.
We're just about five months away from this year's Bouchercon, which will be held in Long Beach, California November 13 - November 16. This will be the 45th annual Bouchercon. It began after the death of mystery writer and critic Anthony Boucher, for whom it is named, and has met every year since then. The last time I talked to the event's chairpeople, they were expecting somewhere between 1500 and 2000 people to attend this year, which makes Bouchercon the largest such gathering in the world.
Who will be there? Well, there are the author guests of honor: Edward Marston, J. A. Jance, Jeffrey Deaver, Eoin Colfer, with Simon Wood serving as toastmaster. But beside the honorees, there will be literally hundreds of mystery authors mingling with, talking to (and signing autographs for) their fans. Many are quite well known to mystery readers - and then there are newer authors, building their audiences who will be honored guests themselves in future years.
What happens at a Bouchercon? Panels - authors (and the occasional fan) will talk about every aspect of every kind of mystery fiction - opportunities to learn and to laugh. Awards - the Anthony Awards are selected every year by the conference attendees and presented during the event. Free books - every attendee gets a large bag stuffed with the latest mysteries, courtesy of the many publishers who support the event. Autographs - for new and old books, the authors are always most gracious. Mingling - authors are a thirsty lot, and a great many long-time friendships are celebrated at the hotel's bar. Charity - there are live and silent auctions to benefit the Long Beach Public Library Foundation and an organization called WriteGirl. Side events - a lot of other organizations, such as the Private Eye Writers and the Wolfe Pack, sponsor their own events in conjunction with Bouchercon. And, perhaps above all else, the opportunity to make new friends, chat about books and authors, and - I promise you - laugh a lot.
If you've never been to a big mystery conference, I recommend this one heartily. I'll be there - click here to see the latest list of the people attending, both authors and their fans. But you'd better move quickly; the host hotel is already full, and other nearby hotels are filling up quickly. Come meet the people who write the books you enjoy reading.
We are approaching rapidly the end of 2013. And, as we raise our glasses to toast in the New Year, our glasses will not be the only things being raised. A couple of the major mystery conferences set for 2014 will cost you more to attend, as of January 1.
First (in terms of event dates) will be Left Coast Crime, or Calamari Crime, as they call themselves. Price through December: $209; price as of January 1: $239. Hey, it's in beautiful Monterey, California, March 20-23. I'll be there. Will you join me?
Only a few weeks later, from May 2 through May 4, Malice Domestic 26 will open for business - as always, in Bethesda, MD. It's the ideal conference for traditional mystery enthusiasts with hundreds of authors hobnobbing with hundreds more fans. These are the kind of mysteries that Agatha Christie readers enjoyed and still enjoy, and it's quite a lineup of panelists and events. This one costs $295 until midnight December 31st - as of January 1st, it will cost you $320. As an added bonus, sign up by the end of this year and you will have the opportunity to suggest 2013 mysteries for consideration for the Agatha Awards. I wouldn't miss it. Will you join me?
There's still plenty of time to register for Bouchercon 2014, which will be held in Long Beach, California, from November 13-16. However, if you want to be in a hotel near the action, you'd better get moving quickly. Registration is currently $175; it goes up again to $195 after July 31, 2014. It's a marvelous way to spend a few days talking about all kinds of mysteries - in print and on screen. It's looking like a great conference. Will you join me?
Three fine conferences for mystery lovers of all genres. Just walking around these gatherings and talking with (up-until-then) strangers is the best part of the conferences; you're bound to come away with new friends and/or renew acquaintances with favorite authors and fans. I hope to see you there!
Another Bouchercon - number 44 - is in the history books, and my wife and I are home after another glorious long weekend devoted to all kinds of mysteries and the people who write - and read - them. Named for Anthony Boucher, the extraordinary author and mystery critic for the New York Times, the annual event which began in 1970 after Boucher's death has become the largest such convention in the crime fiction world. Organizers say somewhere between 1200 and 1300 people were on hand in Albany, New York, for this weekend.
Most Bouchercons are held in a central venue large enough to hold all the visitors. This year, it wasn't in a large hotel; Albany couldn't shoehorn all of us into a single (or even a few) hotels' ballrooms. Instead, the conference was held in - and under - this rather odd-looking building, the state's convention center, also known as "The Egg," for reasons which the picture probably makes quite clear. We're told that if you fly over Albany and look down, the building looks exactly like a sort of giant fried egg.
Among the guests were a few hundred authors. Most were available at some point during the weekend for book signings - either after participating in public panel discussions or at events (usually with book giveaways) sponsored by publishers and/or bookstores and/or the authors themselves.
Fans and other readers would line up for these signing sessions - this one was one of the "main" sessions which followed the panel discussions, with the authors lined up at tables along the rear wall of the center, waiting to meet their readers. Everyone is very friendly at Bouchercon; as one author once observed, "Of COURSE everyone is friendly. You have hundreds of people here whose business is thinking up untraceable and ingenious ways to kill somebody..."
(There's a lot more below, if you want to read more...)
Much of the fun and (occasional) educational value comes from the panels. Each day, there are up to a half-dozen time slots, beginning as early as 9 in the morning and running throughout the day - and in each time slot, up to six panels are competing for attention. The one pictured here was called "That's Not Her (His) Style: Mystery writers who didn't want to be remembered primarily for mysteries." The panelists, left to right, were Parnell Hall, Dorothy Cannell, Margaret Maron, Art Taylor and the moderator, Steven Steinbock.
There were special sessions with the various guests of honor - hour-long interviews. Anne Perry (on the right), the International Guest of Honor, was interviewed by Caroline Todd (half of the mother-son team that writes as Charles Todd).
The American Guest of Honor, Tess Gerritsen, was interviewed by Joseph Finder. There were also sessions with the Lifetime Achievement Award honoree, Sue Grafton, the toastmaster for the event, author Steve Hamilton, and the Fan Guests of Honor, Chris Aldrich and Lynn Kaczmarek (the latter's flight was cancelled at the last minute, unfortunately!).
The conference also presented the annual Anthony Awards, which are chosen by the registered attendees at the conference who vote to select the winners.
There's so much more to a Bouchercon: the pleasure of just walking the halls, bumping into favorite authors, finding other attendees whom you have met at earlier events, and all the socializing at the various receptions (and hotel bars; this is generally a thirsty crew). If you've never been...well, Bouchercon 2014: Murder at the Beach will be held November 13-16, 2014 in Long Beach, California - and the registration is open now (with a remarkably low price if you sign up before November 1, 2013). See you there?
Marcia Clark at her signing table
We had an amazing time at Bouchercon 2013: making new friends, hanging outwith our authors, and exploring Albany. Can’t wait for next year!
Well, since I'm currently in Albany, NY for Bouchercon, which despite the strangeness of Albany (if you've been here recently, you'll understand what I mean) is tons of fun I have decided to run a post that I wrote about a year and a half ago. It was advice I gave to so many aspiring authors this weekend and I figure if they had to hear it...well, I guess you get to hear it, too.
Finishing What You Start
Almost everyone I know loves to begin a new project. Whether it is a novel, a short story, knitting a scarf or building some cool new thing for the house – beginnings are exciting. Everything is bright and new and shiny. Kind of like a new toy on Christmas Day. There are endless possibilities as you imagine the fun you will have.
Beginnings are awesome.
Too bad beginnings can’t last forever. But they don’t and the bright and new and shiny wears off and you are left with something that no longer feels like fun. Instead, it feels like work.
Whether you are a third of the way through knitting a sweater, rebuilding a car engine or writing your manuscript—getting past the point where the activity feels like work can be tough. This is probably why so many people talk about wanting to write a book or knit a blanket, but never have a finished product to show anyone. They get distracted by an exciting new idea or a nifty knitting pattern and suddenly they have ditched the old one so they can have the “new toy” feeling again.
When new writers ask me what I think is the most important step they can take to becoming a published author my answer is always the same. Finish a book. It doesn’t matter if you realize halfway through that your midget werewolf, time travel, erotic mystery is not what the market is looking for. I don’t care if you say that you’ve realized your story has a huge hole in it. I don’t care about any of the reasons you have for not finishing the book. You need to keep going and finish the damn book!
Why finish something that won’t have a chance in hell of selling? Because finishing a project teaches you something very important. It teaches you that you actually can finish..
Why is that important? I mean, if the book will never sell, who cares. It doesn’t matter that you’ve finished the book. Right?
I know lots of aspiring authors who have been typing furiously for years and have never gotten to THE END. And while they keep blaming the story or the lack of time to write or the worry that the market isn’t going to want to buy what they are writing – they are just making excuses. With every new beginning comes the bright and shiny new toy moment. But for those that have never finished what they have begun that bright and shiny moment is laced with fear and uncertainty.
Uncertainty because you have never finished a project.
Fear that you never will.
Trust me when I say the first book I wrote will NEVER see the light of day. It sucked. Oh – there were good moments in it. It would be hard to write that many words without a few gems in the bunch. But I hadn’t a clue how to really construct a story. I didn’t have a feel for pacing or for keeping a scene focused. Face it—I didn’t have a flippin’ clue. The only thing I did right was I finished the sucker. All 134,000 words of it. (Yeah – now you can see why that book had problems…right?)
But that book taught me something very important. It taught me that I could sit down every day and fill the pages with words. Even though the story was less than perfect, it had a beginning, middle and most important it had an end. I learned that I could finish a book. Which meant when I started the next project, I KNEW that project would have an end, too.
I currently have two books on the shelves of your local bookstore with eight more under contract—only 3 of which are written. If I hadn’t proven over and over again to myself that I could reach the end of those as yet unwritten books I would be cowering under my bed. Instead, I sit at the computer every day and know that I will reach THE END of all of those books not just because I have to, but because I have proven to myself that I can.
We all like to talk about voice and sentence structure, pacing and characters, but so often we forget the most important milestone of a writer’s life is finishing that first book and banishing the fear. And when you are fearless, anything is possible.