Sep 052012
 

By David Corbett

Call a player “Sycamore Flynn” or “Melbourne Trench”
and something begins to happen. He shrinks or grows,
stretches out or puts on muscle. Sprays singles to all fields
or belts them over the wall.

—Robert Coover, The Universal Baseball Association, Inc.,

J. Henry Waugh, Prop.

No, this isn't about outing sock puppets. After the heated debate of yesterday on the issue of fake internet reviews, I thought a little cooling off—a palette cleanser, if you will—was in order.

(Actually, I'd already written the damn thing and I didn't have time to whip up another.)

So, gentle readers, let's turn our beautiful minds to the subject of character names—even though I'm sure some crank out there will read this and think what I'm secretly doing is giving everyone various ways to create pseudonyms for sock puppet villainy.

I'd rather shoot myself, frankly. 

Anyhoo, here goes:

My favorite character name of all time comes from Richard Price’s Clockers: Buddha Hat.

No, he’s not a Zen milliner. He’s a drug enforcer. A bit counter-intuitive? Oh yeah. Ergo, perfect.

Best name I discovered in real life I couldn’t use because, well, a real person already owned it (and not a terribly nice person): Seth Booky.

Most writers will tell you choosing a name is one of the most crucial parts of a character’s depiction. Get the name right, so many other things just seem to fall into place. Get it wrong, everything else is a struggle.

Once you know the character’s name, once you can picture her vividly enough to know that a certain name suits her—or better yet, is intrinsic to her—you’re pretty much home free.

It's sometimes said we grow into our faces, coming to resemble our real selves as we reach our prime. I wonder if we don't also grow into our names: George Clooney. Hillary Clinton. Art Garfunkel.

A name can often substitute for a physical description if chosen wisely—think of the names from the TV series The Wire: Jimmy McNulty, Stringer Bell, Omar Little, “Proposition Joe” Stewart, Snoop Pearson, Bunny Colvin, Cutty Wise, Bunk Moreland, Bubbles.

And returning to Richard Price (who wrote for The Wire), there’s a man with a true knack for picture-ready names: Rocco Klein, Strike Dunham, André the Giant, Shorty Jeeter, Lorenzo Council, Little Dap Williams.

Other memorable character names:

Chili Palmer (Get Shorty)

Baby Suggs (Beloved)

Nurse Ratched (One Flew Over the Cuckoo’s Nest)

Ed Punch and Al Catalog (The Shipping News)

Ree Dolly (Winter’s Bone)

Madeline Dare (A Field of Darkness)

Rooster Cogburn (True Grit)

Jenny Petherbridge (Nightwood) 

That said, there’s an intriguing challenge in a seemingly lackluster name—Jim Williams, Jane Smith, John Harris. Such names, by denying you a unique visual image, force you to remember that the character can’t be confined to such an image. He’s more than that. And he’s going to change, even as his name doesn’t.

But where do I get really good names, I hear you cry.

There is of course every author’s friend, the Random Name Generator, which has the eminently useful “obscurity factor” for increasingly oddball names. (Anything over 5 puts you pretty much in Dickens territory).

There’s the Fake Name Generator, which also provides an address!

There is the Fantasy Name Generator, which doubles as a secret source for baby names among Trekkies:  Pollyever, Belpaw, Untar, Ghal.

There is the Seventh Sanctum Name Generator (prepare to waste a day on this sucker).

And, as they say, so on. Just Google “random name generator” and stand back.

But I invariably find the best sources are those that give you names people really use. A computer can crank out nearly infinite possibilities, but the fact a loving mother actually said—Yep, that’s my baby’s name—makes a subtle, sneaky difference. At least it does for me.

Which is why I’ve sought out real-life sources for interesting names. And what I’ve discovered, quite by accident, is that sports provides some of the strongest or most unique names for both men and women available.

Don’t believe me?

Brandi Chastain. Serena Williams. Dakota Stone.

Jake Stoneburner. Pudge Cotton. Philander Moore (I’m not making that up.)

That’s a mere sample. Let me share with you a few more names of athletes I just found too intriguing not to tuck away for further use. (A gift from me to you.)

Note: You seldom want to steal a name wholesale, so consider this list a set of parts, with interchangeable first and last names.

WOMEN 

Mao Asada

Seimone Augustus

Susan Butcher

Gina Carano

Swin Cash

Tamika Catchings

Debora Dionicius

Carolina Duer (great name for an assassin)

Vonetta Flowers

Shindo Go

Chevelle Hallback

Christina Hammer (yes, she’s a boxer)

Ronica Jeffrey

Malia Jones

Ava Knight

Lo’eau LaBonta

Kina Malpartida

Misty May-Treanor

Heather Mitts

Carina Moreno

Susie Ramadan

Cat Reddick

Libby Riddles

Carolina Salgado

Ann Marie Saccurato

Briana Scurry

Miesha Tate

Diana Taurasi

Jackie Trivilino

Kaliesha West

Fatima Whitbread

 

MEN

Okay, these are a little more offbeat. I gathered them from an article titled

Coolest Names in College Football 2012.”

OFFENSE

Rob Blanchflower

Blair Bomber

Brandon Bourbon

Bookie Cobbins

Brander Craighead

Duke DeLancellotti

Spiffy Evans

George George

Lynx Hawthorne

Hunter Hollowed

Win Homer

Thor Jozwiak

Jazz King

Munchie Legaux

Fritz Rock

Cayman Shutter

Chase Tenpenney

Sirgregory Thornton

DEFENSE

Xavier Archangel

Zeek Bigger

Chief Brown

Blaze Caponegro

Jose Cheeseborough

Mister Cobble

Fabby Desir

Steele Divitto

Hugs Etienne

Ego Ferguson

Maxx Forde

BooBoo Gates

King Holder

Barkevious Mingo (my absolute favorite)

Wonderful Terrific Monds II

Godspower Offor

Happiness Osunde

Leviticus Payne
 (close second)

Bacarri Rambo 
(my cocktail choice)

Konockus Sashington
 (second runner-up)

Prince Shembo

Fudge Van Hooser (I mean, really)

Tronic Williams

Now, I realize many of those names are "too weird not to be real," and thus problematic as character names, which have to be believable in a way real names don't. Reality always has the upper hand in weirdness, because it doesn't have to make sense.

But for secondary characters or just a walk on the wiggy side, this just might point you in a useful direction.

Oh, and one last thing: If you read an online review by Barkevious Mingo, it's not me. I promise. 

* * * * *

So, Murderateros — what are some of your favorite character names?

What are your favorite sources for names?

Have you grown into your name? Your face?

Do any of the names I’ve listed above suggest characters to you? Describe them for us.

Using mix-and-match, what character names have you been able to create from the above lists?

* * * * *

Jukebox Hero of the Week: Bond. James Bond. Meet the Beatles:

 

 

Jul 052012
 

Two hours before beginning this essay we had yet another encounter with residents of the meth house on the corner, our nearest neighbor to the west. The lead male over there is a cutter, dozens of little slashes have made risen scars on his arms. He has a ponytail, is known well by all cops in town, and never wears a shirt. He accused us of “eyeballing” him as we passed his house, something we have no choice but to do many times a day. The derelict shack has in the past been home to sex criminals, rapists, and pedophiles, other meth users, and some criminals who would have to be called general practitioners—whatever crime looks easiest tonight is what they will be arrested for tomorrow. Meth-heads are the worst to deal with. They are unpredictable and frequently violent after they’ve been sleepless for a few days. We are dedicated to minding our own business about most things, legal or not so much, but cooking meth releases toxins and is a peril to the whole neighborhood. A decade ago there were several houses much like this operating nearby, but they’ve been weeded down to this, the last one, and these tweakers should start packing.

My mother was born less than a hundred yards from my house. She was of the first generation raised in town and played in my yard as a child. I can see the roof of her father’s place from the porch when the leaves are down. Both sides of my family have been in the Ozarks a long time. It was hard from the beginning to eke out a living from thin dirt and wild game, and it stayed hard. The Woodrell side (surnames Mills, Terry, Dunahew, and Profitt) has been here a bit longer than the Daily side (Davidson, DeGeer, Riggs, Shannon). Woodrells arrived on this continent around 1690 and settled in these parts during the 1830s, after Kentucky and Tennessee became too gussied up and easily governed for their taste. The early white settlers came here to avoid the myriad restraints that accompany civilization: sheriffs, taxes, social conformity. They sought isolation. There has never been much belief in the essential fairness of a social order that answers most readily to gold, always assumed the installed powers were corrupt and corruptible, hence to be shunned and avoided, except when you couldn’t and must pay them.

A Davidson ancestor did kill a man in the center of town, before many witnesses, and land, livestock, everything that could be sold had to be sold to buy him out of a conviction, which was done. He’d killed his long-time pal, a man who beat him always in the wrestling contests featured at most picnics, then they got drunk on Washington Avenue and decided to wrestle again in the street. Davidson won this time, as the other man could not stand unaided, and is alleged to have pulled his pistol in victory and said as he shot the pal at his feet, “Now I finally whupped you, I might as well kill your ass, too.” Once the money was spent, this became an act of self-defense and he never did a week in jail. That was over a century ago, but we still remember, and the family of the dead man does, too—as late as the 1970s there was friction when my older brother dated a girl with their name.

ClassicI was raised on such stories in exile, and the old stories get rubbed together plenty in the retelling, dates and facts become blended. Did such and such happen in 1885, 1965, or not at all? Is that a DeGeer story or a Dunahew? The violent stories are the first I remember. They are many and fed me as a boy, but now I am more taken with how Grandma Mills lost a slice of nose to disease, how Dad got that patch of skin torn from his leg as a boy when barbed wire snagged him after he’d raided a garden for melons and the gardener spotted him, how Granddad Daily rode a mule to church in the 1920s because he wanted to impress girls. I like trains in the night, dogs baying after coons, the long hours when the wind sings as it channels between hills and hollers and flies along creek beds. I’ve known a thousand plain kindnesses here. It is generally a pleasure to live among so many individuals who refuse to understand even the simplest of social rules if they find them odious. This trait can, of course, raise trouble. I have had a few close relatives do time in the penitentiary, some recently, not for being thieves ever, but always for refusing to take each and every piddling law seriously—trouble is bound to happen once in a while when you love life so wildly.

I believe I became a writer because of my grandmother Woodrell. She was proud that she had attended school to the completion of third grade, but was not quite literate. She worked as a domestic: maid, cook, housekeeper. My grandfather was a drunken bum and fled the family when Dad was tiny. Grandma toted three sons alone, one with leukemia, all hungry, hungry, hungry. At age nine my father became the sole support of the family. Uncle Mills James went off to the Navy, and Uncle Alfred was dying in the main room of the house, so Grandma left work to care for him. Dad carried paper routes, was a rack-boy in a pool hall, where he often slept to avoid hearing his beloved brother fight so hard for breath. On weekends he was given over to a Polish farm family, and he loved them and his days spent there, named me for their son, killed in the war. Dad never turned mean and he never turned criminal, though among his favorite memories from childhood was the one of the night when there was a tapping at his window and the adult Cousin C asked the boy to aid him in escaping the area, for good, and it was done and recounted gleefully. Could scarcely be a rougher upbringing, but Dad found books somehow and dove in deeply, reading whenever still for a moment. War introduced him to the wider world and better libraries, and he liked an awful lot of what he saw and read. It has always been difficult to earn a living in the Ozarks, each generation winnowed as folks depart on the Hillbilly Highway to Detroit, Houston, Cincinnati, Kansas City—Steve Earle sings a great song about this. When I was a toddler Dad took us on the Hillbilly Highway to St Louis so he might earn a decent living there and seek the education he’d dreamed about. He had three sons, a six-hundred-square-foot cracker-box house, with never fewer than five residents, sometimes seven. He worked all day selling metal and for years went to night college at Washington University. I have so many memories of him, a complete grown up, doing homework at the kitchen table, empty beer cans shoved aside as he studied, smoke billowing from his Pall Malls. I always thought homework and school were great privileges. I loved literature young and haven’t been able to kick the habit yet. I think illiterate Grandma put something important into Dad that changed the future for all his sons who cared to notice. At twenty-three I declared that I would be a writer or a nightmare, and he said, “Let’s hope the writing pans out.”

The military is always there for us. I left school at sixteen (I did eventually return and linger there until degrees attached) and joined the marines the week I turned seventeen. I’d been in a little trouble, the kind teenage boys with jaunty attitude problems are wont to find. The Marine Corps was fun—I liked an awful lot of it, was about to be promoted to corporal, but I did sometimes display a peasant reluctance to take orders, which was not well received. Drugs played a part, too, as Vietnam veterans in the barracks introduced me to various dopes, and I liked every flavor I tried. Still do, but I don’t. They called me “profoundly antisocial” on my discharge, but who gives a damn what they think?

Richland Christian Cemetery 10.24.2006Two blocks from my home there is a big old cemetery, and in its acres many relatives are at rest. I walk through often. Sometimes in an odd corner I find kinfolk I hadn’t known were buried there. A Davidson murdered and left in a cave, never solved. A Mills dead in a horrible wreck that we don’t believe was an accident—no proof, but we know the name. Dead babies, flu victims, all that sorrow. I think about the carts pulled by hand across Appalachia, kids and hogs trailing, the years of scratching a subsistence living from ruined dirt. The dirt was always thin but became thinner with the arrival of progress. When the timber barons came to the Ozarks they cut the great forests down to stump and mud, and the mud thinned more with every rainfall. They took all the timber. They left us the stumps. This is the Ozarks I needed to know, and know to the bloody root, in order to write as I do.

Five of Daniel Woodrell’s eight novels were selected as New York Times Notable Books of the Year. A recipient of the PEN West Award, Woodrell lives in the Ozarks near the Arkansas line with his wife, Katie Estill.

Mulholland Books will publish THE BAYOU TRILOGY: Under the Bright Lights, Muscle for the Wing and The Ones You Do in April 2011.

Mar 072012
 

By David Corbett


Daniel Woodrell goes in for surgery today to repair a shoulder that never healed right after a nasty accident while gigging for suckers on the Current River with celebrity gourmand Anthony Bourdain.

Reports are varied and contradictory, but from what I can piece together from reports I’ve heard or read, it appears that, while in the boat at night on the river, Bourdain went for a fish and his spear caught in a low-hanging branch that snapped back with thunder-crack velocity, knocking out the boat’s lights and generator and planting Daniel face-first in the bottom of the boat. In the darkness, calling out for Daniel but getting no response, everyone feared he’d been thrown overboard—worse, that he was drowning somewhere under the tumbling current. When the lights came back on the film crew spotted Daniel helpless at their feet, unconscious with a broken shoulder, and sped him to a hospital.

The repair work proved inadequate, shall we say. Daniel now faces a bi-planar osteotomy at the Mayo Clinic, to be followed by two months in an immobilizer and rehab for the rest of the year. How far has Anthony Bourdain set back the progress of American letters? We shall see. Apparently he felt terrible about the accident at the time—Daniel is one of his favorite writers, he says—but those TV personalities move swiftly on, running to the next gig, as it were. (Shortly after the accident, Bourdain was in Naples, where he was having “a very good time.”)

If for some reason you don’t know who Daniel Woodrell is—shudder the thought—let me introduce you to one of the finest writers of our generation. I doubt I can say anything of general interest that isn’t said better in this interview with Craig McDonald for the Mulholland Books website.

For a taste of Daniel’s writing, you can start with this remarkable short story, “Night Stand,” that appeared in Esquire. It’s included in the collection The Outlaw Album that came out last year. I’d say I recommend it, but that doesn’t get halfway near how I feel about the matter. Daniel is one of very few writers I can honestly say that I’ll read anything to which he’s attached his name, and I routinely hand over my dog-eared copy of Tomato Red to friends who’ve yet to enjoy his work, saying, “Trust me, you’ll love this,” and they always do.

Two of his books have been made into films: Woe to Live On, perhaps my favorite of Daniel’s novels, adapted by Ang Lee into Ride with the Devil; and Winter’s Bone, a remarkable film based on a breathtaking novel, each unique in its own way, each unforgettable.

Saul Bellow is rumored to have said that a writer is a reader inspired to emulation. Well, I can attest that reading Daniel’s work has driven me to be a better scribbler. I know I can’t equal his language—Daniel is a stylist of the first order, by which I mean the prose serves story perfectly, exquisitely—but I can strive to match his honesty, his attention to detail, his sense of rhythm and his knowledge of the human animal. I want to reach within and write from the place where his words have landed and lingered. In a way, I think I need to. I’ll feel small somehow if I don’t.

Here’s to a successful surgery and a quick convalescense. May the bones set right and the healing begin. Somebody bring the whiskey.

If you'd like to wish Daniel well, or let him know how much you enjoy his books, please leave a comment. I'll be passing this link along for him to enjoy once the anaesthesia wears off.

And if you'd like to share a story of a wonderful outing gone wickedly wrong, that might put a smile on his face. Misery loving company and all that.

* * * * *

Jukebox Hero of the Week: Seems appropriate that we should tap into the old-time music that appeared on the Winter’s Bone soundtrack, particularly this haunting number, “Hardscrabble Elegy,” by Dickon Hinchliffe:

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