May 222013
 

Josh Getzler

Every night, my wife and I record BBC World News and watch during dinner. We find that it’s the only broadcast that actually reports news, rather than hours of political commentary of one stripe or the other.

And every night, after the half hour is over, we look at each other and say “the world is coming to an end.”

Except last night. Last night, there was a long report about Commander Chris Hadfield, a Canadian astronaut who spent five months living on the International Space Station. While he was there, Commander Hadfield, who is 53 and trim and effortlessly charming, Tweeted about life in Space. He didn’t talk only about the elevated scientific experiments he was performing, but how to eat spinach or brush his teeth in zero gravity. It’s amazing, riveting journalism in 140 character chunks.

Commander Hadfield returned from space last week, but before he did, he performed his piece de resistance—he recorded a music video of himself singing a slightly rewritten version of David Bowie’s 1969 song Space Oddity (Major Tom). Of course in the original, Major Tom loses contact with Ground Control and presumably hurtles off into the abyss. It’s brilliant, but ultimately depressing. In this version, Commander Hadfield sings about strapping into his pod and coming home, his time in space complete and successful. The video has been viewed millions of times now. Even David Bowie himself retweeted it, approvingly.  

What’s remarkable about this video is that it is completely, whole-heartedly positive. Space, in HD, is gorgeous. Stunning. Commander Hadfield is not commenting on President Obama’s troubles or chaos in Syria. He’s just making music, in space, floating in his tin can. It’s brilliantly uplifting. And in this time of war, famine, global warming, tornadoes in the Plains, political and religious strife worldwide, the idea of unbridled joy is even more overwhelmingly rejuvenating. Take a look. And enjoy your day.

http://www.youtube.com/watch?v=poZCINzxzrQ

PS--Back to books next week--thanks for the suggestions last week!

Suggestions?

 Josh Getzler  Comments Off
May 142013
 
Josh Getzler

So I was sitting at home last night and my wife was talking about the term papers she was grading, and saying that she wished her students understood better how to write about history with greater authenticity. "Hmm," I thought, "the difference between authentic- and inauthentic-sounding historical fiction would make a great blog post." I wrote it down.

This morning, Assistant Extraordinaire Danielle and I were talking about different times to (or not to) build one's social network. "Hmm," I thought..."another one."

But while I do generate many of these posts organically, through things I read or discuss, I am actively searching for some new topics. So I'm going to open this up a little. What would folks like to hear? It's not a straight Q and A like Ben sometimes does. But rather subjects that seem both consistent with what I typically discuss and what you'd like to hear. Lay em on me! Now I need to go turn into a pumpkin for a couple of days. Have a good week!
May 072013
 

Josh Getzler

This week, I participated in an online conversation with author (and my client) Geoff Rodkey and Putnam editor-in-chief (and Geoff's editor) Jennifer Besser at the marvelous middle-grade-oriented website www.fromthemixedupfiles.com. I think it gives a fun insight into the three perspectives that often go into the creation and publication of a book. We aren't saying exactly the same things, but I think the idea of creativity and collaboration and thought that goes into deciding how to position a book are worth reading. So I will leave you to click onto the site here , though I also will be happy to answer any questions or comments left below.

NewLands (2)

Oh, and if you get the chance, go out and pick up Geoff's new novel, New Lands, which continues the Chronicles of Egg started in Deadweather and Sunrise (out now in paperback!).

 

 

 

 

May 012013
 
Josh Getzler

I realize this is a subject about which many people have written a great deal, but I haven't seen much on it recently, as there seem to be some established conventions. But I've been thinking quite a bit recently about the social conventions of Facebook (mostly) and Twitter (a bit), and in particular about some of the grey areas of virtual friendship.

I know that much of the image I project in my Facebook is pretty consistent. I share my clients' news; am clearly a fan of the Liberty, Knicks and Rangers; play the drums and like prog rock and The Revivalists (not just because my cousin Zack plays guitar for them...); and frequent the a Woodstock Farm Animal Sanctuary. I'm married, and once in a while a photo of my kids shows up, but not often.

Then it gets tricky. I know I discussed civility before the election, and the fact that while I may have strong and passionate feelings about political and social issues, I try to leave them off my social media much of the time. Part of this is because I use social media for business and don't want to alienate current and possible future associates. I know I have friends and associates who have very different views from my own, and would rather be more circumspect than controversial. This is my decision, and obviously it's different from many other folks' way of thinking. And it doesn't take much, just by seeing whom I've chosen to follow or share, or some of the decisions I've made as to whom I've Liked myself, where I stand on most issues. I'm just not terribly vocal (with a few pretty clear exceptions).

So that leads me to the quandary I've been in recently. Ok, so while I want my own feed to be apolitical, others of my friends--on both sides of the aisle--have chosen to make their feeds bully pulpits. Most of the time I just let it go, but recently I've been seeing some pretty hateful stuff creeping in. My instinct is to unfriend, but I find that hard to do--some of the folks are professional friends, some are longtime real-life friends, some even relatives (and I'm not going to be more specific on this--I'm still not trying to alienate folks!). Some have great material mixed in with the stuff I find distasteful. Some would know if i unfriended them and would be incredibly offended--and i'd care about that. Tough stuff. How do other folks deal with this?

Ultimately, this is a new, interesting offshoot of the incredible, endlessly interesting world we're now inhabiting. Social mores have both broken down and become even more rigid. I think of the rules in Jane Austen or Anne Perry's early Pitt novels, or of Downton Abbey and other stories of manners and etiquette. How would Mr. Darcy deal with Elizabeth's Facebook feed?

In the meantime, I'll keep posting about pub dates and the WNBA. Happily.
Apr 242013
 

Josh Getzler

Twice in the last week, at the end of the workday, I've crossed Broadway and entered the Dublin Inn, where I've met agent-friends for a beer and a talk.

I chose that particular pub, which is dark and narrow and feels smoky--almost like a phantom scent, as an amputee itches on the missing limb--because I just took on an author who wrote a mystery set in Dublin. (It's called A Fine Irish Wine, which is ironic, since I believe the Dublin Inn only pretends to serve wine, and I guarantee it's not Irish.) Also because it's right off the #1 train, and if I'm making my friends schlep uptown, I might as well not make them walk too far. You can have beer at the Dublin. Or, if you wish, a shot and a beer. Food is not in evidence.

I think most writers who've attended conferences or fairs have realized that agents, while occasionally competitors for manuscripts, are generally quite collegial. This makes sense. We all meet and talk to editors; we all receive enormous numbers of queries; we all are discussing terms with contracts departments. The more information we share, the more fully we understand our industry, and the better we will be at our jobs.

Incidentally, this doesn't mean we aren't collegial with editors, and very often mix our drinks with them. I just find it's a different kind of shop talk when I'm with a few agents--yes, it's gossipy, but it's also valuable. In both of my drinks with fellow agents this week I've given and received advice which was put into action within the next day or two. In many ways, drinks with an editor is more like a date, while drinks with a couple of agents is like going out with classmates or fraternity brothers.

The back of The Dublin Inn is a lovely (?) room with tables and an abundance of atmosphere. I'm thinking of the right occasion to hold a Gathering there. Perhaps when I sell A Fine Irish Wine, I'll spot a round of beers. Or perhaps a shot and a beer.

Apr 162013
 

Josh Getzler

Kindle Paperwhite: A Quick Review.

Saturday was my wife Amanda’s birthday, and one of her presents (along with a Vitamix blender she’s apparently leaving me for) was a new Kindle Paperwhite. No frills, just Wifi. She spent a great deal of time playing with it over the weekend, and even let me take the wheel for a few minutes here and there. Verdict: A terrific e-reader, both in the dark and in the light. MUCH easier to read in bed than, say, an iPad, and lighter than any other reader I’ve used.

One unexpected element that was a pro rather than a con: The ads. Somehow having an ad for the Kindle Deal of the Day was no more obtrusive than having Emily Dickinson or James Joyce on it. If it keeps the price down—and could conceivably entice readers to new books (Amanda made her way to the Daily Deal page both weekend days), then both personally and professionally I am for it.

Then this morning we had breakfast with Amanda’s sister, who thought a corollary to the Daily Deal Ad (for higher-end models, perhaps) could be to use the cover of the book a reader is currently reading as the screen saver. Would sure save myself from craning my neck on the subway to see what folks are reading!

 

Hey, There's a Dead Guy on Facebook.

So over the weekend, Hey, There’s A Dead Guy in the Living Room established a Facebook page. It’s here: https://www.facebook.com/HeyDeadGuy. It’s nice, and we’ll be sharing our posts on it. It’s going to be interesting for me to see whether it becomes more than that. Initially, my reaction to the page was “eh, that’s nice. Why do we need a page for a blog? Isn’t that redundant?” The answer, to me, is I don’t Know. It might just turn out to be a way for folks on Facebook to scroll through our archives. It would be more interesting, of course, if it turned out that the page turned into a little community of folks who like to read and/or write, with discussions transcending the particular day’s post. Now, does that make the Comments section on the blog unnecessary? Possibly. But we won’t know till we try, and I’ll be interested in seeing the results.

 

A word or two on Boston.

I grew up in Manhattan directly across Central Park West from the finish line of the New York City Marathon. During the past 40-odd years, I’ve seen it grow from a small but energetic race to an enormous undertaking. It’s one of the best days of the year in New York, just as Patriot’s Day is in Boston. I hope, after the suffering and damage, that the evil person or people who set the bombs in Boston doesn’t cause cancellations of these and other such mass public gatherings. Then he or they will have won. Sadly, we’ve all seen too many acts of terror these last years. I always hope that This One will be the last. It probably won’t be. But if you want to put your mind into a better place about Humanity and people’s better instincts, read actor Patton Oswalt’s blog post, which is simply beautiful.

http://www.upworthy.com/patton-oswalts-much-needed-love-letter-to-boston-and-the-rest-of-humanity?g=2


Apr 102013
 

Josh Getzler

Last weekend, I was out in New Jersey visiting my in-laws with the family. It was the end of Passover, and including my brother-in-law's family and some friends, there were fifteen people (including seven children) hanging around the house.

My youngest daughter, Ita,  had an English assignment and decided that for her report she was going to read one of the books I represent--Geoff Rodkey's wonderful and clever Deadweather and Sunrise. As something of a treat, and in order for her to get into the rhythm of the story (and because, having read it, oh, ten times already, I was pretty fluent), I agreed to read the beginning to Ita, with the understanding that she'd take over after a reasonable number of pages.

Turns out that "reasonable" meant a hundred and twenty. And it was a pleasure. Beside the actual words of the story, which are funny and at times quite beautiful and poignant (when people aren't hitting each other with rocks), a fascinating thing happened: I acquired an audience. Slowly, over the course of the hour and a half or so that I read, people found their way onto the porch.

They had all read the book already--Deadweather and Sunrise was my go-to book last summer, and my son and wife had read it when it was on submission. But there was something about the whole sociability of sitting together and hearing a story that was magnetic. By the time I got to "and I realized REDACTED (read it yourself!) was trying to kill me" and closed the book, there were eight or nine people in the room.

We spend an enormous amount of time hanging out in front of screens. We write posts and emails and text messages. Particularly when kids aren't around we rarely sit together and read to each other. Heck, the Author Reading as social event at the local bookstore has almost disappeared as publishers have realized that blog tours are generally more efficient and cost effective than sending writers on the road (except--as is the case right now with Geoff Rodkey himself, coincidentally--when they send a group of authors on tour together to visit schools and bookstores en mass).

So it was particularly fun--in a retro, quaint way--to read to Ita and the greater Jersey Shore. It helped that it was a lively book, and on a holiday where we don't use electronics so the audience was somewhat captive. And everyone walked around the house smiling for a few hours at the sheer pleasantness of the experience. Ita has not, in fact, read on this week--the return to school has taken over her free time. But it's almost the weekend, and the days are long, and I think the immediate family is going to NEED to hear how Egg escapes from REDACTED.

Happy Passover!

 Josh Getzler  Comments Off
Apr 022013
 

Josh Getzler

Well, it's the last day of Passover, and I'm undoubtedly savoring my last matzah pizzas as you read this. I couldn't write a full-on post this week on account of the endless celebration of the Exodus, so, too anyone who's reading this: thanks for stopping by Hey, There's A Dead Guy in the Living Room. Check out Jeff and Lynne and Marilyn and Jessy and Ben and Erin, and if you wish my own previous posts. More to come next week.

Mar 262013
 

Josh Getzler

So last week I had the single biggest blog post of the two years of writing on Hey, There’s A Dead Guy—and it was all because my son wrote the post for me. And it was the best feeling I’ve had in years. Thanks to everyone who commented and Liked and retweeted. We’ve managed to keep Joe’s head on his shoulders…but just barely.

I’ve seen some very interesting developments in the publishing industry as far as distribution goes.  On the unfortunate side, we’ve seen the conflict between Simon and Schuster and Barnes and Noble go public, with the reports that B&N is (depending on how you look at it) either making a point about the value of shelf space with one of its biggest clients, or cutting off its nose to spite its face. B&N is cutting its orders of S&S books because S&S is unwilling to participate in certain pieces of its co-op programs. S&S, and its writers in particular, are reacting with justifiable alarm, as they are feeling (again justifiably) like pawns in a battle they did not start.

On the upside, I’ve now had three experiences with the power of online reach. Two of the books I represent made big moves in the last month. One was a Kindle Deal of the Day; the other was a screen saver on the Kindles with ads. A third made a splash based on the authors’ combined 250,000 Twitter followers and enormous general online following.  The pushes came from different places, but now were based on physical bookshelf placement. Rather, by rising on the Amazon digital charts, these books appeared on more landing pages on their retail outlets—if you went to Historical Fiction, Historical Romance, Historical Mystery, General Fiction, and top new sellers and hot sellers (in all those areas), you’d find The Fifth Knight. It’s opportunity after opportunity to click through and purchase, and it dominos in on itself like a digital self-fulfilling prophecy. Fascinating stuff.

The juxtaposition of these two examples could lead you to think that I’m simply telling another version of the Print Is Dead story. And that’s not the case. It’s actually cautionary. I think that it’s terribly vital for the parties to resolve their issues. I’ve talked to editors and authors and other agents like a broken record about the fact that the publishing industry is out of whack, far away from equilibrium. This is not a zero sum game. There can be multiple winners. But staying out of equilibrium, whether in royalty rates for e-books, co-op dollars spent in different markets, or not having any kind of industry standard for what constitutes a recoverable expense for an author to need to return to a publisher (and there should be very few of these, by the way, but that’s a different column), will only create a negative spiral. Markets hate chaos and uncertainty—it’s bad for business. And our market is, at this point—despite terrific books being written and an explosion in distribution opportunities—both uncertain and chaotic.

Mar 202013
 

Note from Josh: My son Joe is off from eighth grade this week for Spring Break. He saw me sitting down to write the blog this evening, and asked if he could do it for me. He said he’d been thinking about character, and wanted to explore it. He shooed me off my computer, patted me on the head, and yelled a bit later that he was done and could I have a look. I tell you—sometimes good advice comes through experience and deep, thought-provoking examples. And sometimes it’s through Loony Tunes, Enjoy.

 

Guest Post by Joe Newman-Getzler  

                What’s the first thing that draws your attention to something? Color? Size? Overall flashiness? Whatever the case, these first impressions help leave an important mark, whether positive or negative. When you write a book, however, these cannot help you. Unless you’re writing a picture book, you must rely on your own writing to draw peoples’ attention to something—give an image in peoples’ minds about what this thing looks like. In terms of characters, you must look to personality, which can be incredibly difficult for many writers.

                You see, whether the character is good or villainous, something about him/her must rope you in. Some key facet must intrigue you or interest you. At best, these characters transcend the written word; knowing how they feel or what they’re doing is a major matter of importance to you, and you want to see what happens next. In the hero/heroine’s case, you want to see them defeat the bad guy and escape safely without dying (which, leave us be frank, is rare for literary characters these days). In the villain’s case, you want to see how they meet their doom, or how they are put off until the next encounter. If a character is poorly written, you couldn’t care less about what they do or what happens to them. They strike you as having no personality whatsoever.

                A prime example of personality lifting a character to superstardom is that of Bugs Bunny. Not a literary character, I know, but bear with me. The rabbit we know and love actually began life as a screwy bunny known unofficially as “Happy Rabbit”. Even his creators admitted that he was little more than Daffy Duck in a rabbit suit, with some elements of Goofy and Woody Woodpecker for good measure. Viewers couldn’t care less what happened to this irritating screwball; some may have preferred to see the rabbit hastily shot. Basically, he had no personality. He was all cartoon and no character. But, through revisions, directors began changing the bunny. Director Tex Avery completely revised Bugs, and even after that, directors added more, and within less than ten years, Bugs Bunny, as we know him and love him, reached complete fruition. And why did they not simply abandon him after his early failures? As some directors put it, while they were drawing Bugs’ misadventures, they became Bugs. If something happened to Bugs, it de facto happened to them, and they needed to be as clever as the character they drew to get out of it.

                This is an important key to giving a character a personality: you need to care about the character yourself before you get everyone else to. If a writer gets completely roped into the story-where he or she, as said before, experiences what the character experiences through their writing—they put the emotions of the character right onto the paper. You can imagine some writers catching their breath after writing a swordfight, or sighing with happiness after writing a happier scene. And this literary form of method acting pays: you care, your readers care, and the book is a success.

                Sherlock Holmes, Dorothy Gale, Peter Pan, Atticus Finch: if you’ve read the books these characters have starred in, you basically have been them for all the time you’ve read the book. They grip you and instill a bit of themselves in you. The best writers do this effortlessly, but no fear: the more trying, the better you get, even if you’re an established author. And always remember: there is no such thing as too much personality. Even a little makes a huge difference.

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