Dec 052012
 

by Gar Anthony Haywood

You know how, when you're playing paintball (if you don't play paintball, just roll with me for a minute and pretend you do) and you're lurking around a corner, sniffing out the enemy, weapon at the ready, and you turn just three inches to your right and . . .

SPLAT!  You're dead.  Shot right between the eyes.  And your first thought is, "Ugh.  They got me."

Well, that just happened to me.  They got me.  Only in this case, it wasn't a paintball game, it was an email from Naomi Hirahara.  Wonderful writer, wonderful friend.  Who could have guessed she would draw me into participating in the latest self-promotional time suck known as "The Next Big Thing"?

By now, you have to know what this is (even though I somehow didn't), because even the lovely Zoe Sharp has done an NBT blog.

Here's the deal: I answer a bunch of questions about myself and my latest work-in-progress, trying to avoid coming off as a self-absorbed drone in the process, and then I point you to the blog sites of some other suckers, er, writers, whom I either honestly believe you should be reading, or simply found to be dumb enough to agree to be named when asked.  I'll let you decide which of the two is the case, respectively.

So enough with the introduction, it's time to get on with the show.  Remember: This wasn't my idea.  I'm just going along because I'm a man of my word, and such a man never knows what will sell a copy or two of his books.

What is the working title of your next book?

GOOD MAN GONE BAD

Where did the idea come from?

This is the long-awaited (well, at least I like to think so) seventh novel in my Aaron Gunner P.I. series, and the genesis of the plot sprang from an epiphany I had while sitting on a crowded Los Angeles freeway listening to a police helicopter drone overhead.  That's essentially how the book opens, with Gunner stuck on that crowded freeway instead of me --- and more than that, I'm not gonna tell ya.

What genre best defines your book?

Hardboiled detective, though I'd like to think the book is a little more complex than that label would suggest.

Which actors would you choose to play your characters in a movie rendition?

As the character of Gunner is over 20 years old, the answer to this question is constantly changing.  But as of this moment, I think the best fit for Gunner would be Idris Elba.

What is the one-sentence synopsis of your book?

In the wake of an apparent murder-suicide that claims the lives of his cousin Del Curry and Curry's wife, and leaves their daughter on the brink of death, Central Los Angeles private investigator Aaron Gunner tries to determine what chain of events led Curry to pull the trigger --- if in fact, he did.

Will your book be self-published or represented by an agency?

That remains to be seen, though it will certainly be shopped by an agent initially.

How long did it take you to write the first draft?

I can only wish I was finished with a first draft.  A completed first draft is probably another five or six months away.

What other books would you compare this story to within your genre?

Can't think of any.  I'm a complete original.

Who or what inspired you to write this book?

It's been over 13 years since I last took Gunner out for a full-length spin, and I miss him.  It was time to spend some quality time with him again.

What else about the book might pique the reader's interest?

Uh, good writing, hopefully?

And there you have it.  My Next Big Thing.  Curious as to what some other fine writers might be doing for their Next Big Thing?  Drop in at the blogs of the following people next Wednesday, December 12, and find out.  And by the way --- I was just pulling your leg earlier.  All of these guys are terrific writers you should be reading right now, if you aren't already.

Bruce DeSilva

http://brucedesilva.wordpress.com/

Paul Bishop

http://bishsbeat.blogspot.com/

Gary Phillips

http://7criminalminds.blogspot.com/

(NOTE: Gary's NBT post won't run until Friday, December 14.  Why?  Because he's a contrarian, and who the hell is gonna argue with him, that's why.)

Aug 212012
 

by Gar Anthony Haywood

My writer Facebook friend Jeff Cohen recently posted a lament regarding a great pet peeve, one to which all but the most successful published authors among us can relate.  He'd recently gone to a party and had some thoughtless dumb-ass ask him The Question.  You know the one I'm talking about, because you've almost certainly heard it yourself:

"So, are you still writing?"

Naturally, Jeff was somewhat irked, as we all are when our choice of career is similarly treated with such disrespect and disdain.  But if we were to give the party guest who'd accosted Jeff the benefit of the doubt, and tried to understand why he (or she) would ask such an asinine question, we might be less ready to condemn.  Because this, in my opinion, is what The Question really breaks down to whenever it's asked, in terms of what the person asking it is actually trying to find out:

"Since your writing hasn't yet made you rich or famous, and you pour so much of your heart and soul and time into doing it, why are you still bothering?"

Granted, that's still a rather insensitive inquiry, but I can see how people might wonder.  Why do we authors keep writing when the ultimate rewards we seek --- fame and, if not fortune, a decent living independent of a day job, continue to evade us?  What in the hell keeps us going in the face of all the discouragement and rejection we regularly endure?

The little things, that's what.

Those small, golden moments in which we are made to feel, however fleetingly, like a winner.  Unexpected notes of recognition from surprising corners of the universe that serve to prove we are not, in fact, writing in a vacuum.

Example: Not two weeks after my first novel, FEAR OF THE DARK, was published by St. Martin's Press way back in 1988, the family and I went to pick up some photos we'd dropped off at the local Fotomat.  (Remember them?  Those little drive-thru booths in strip malls just big enough for a cashier and about 100 rolls of film to fit in?  How about film?  Do you remember film?  Nevermind.)  Anyway, I'd paid the old guy behind the window for our developed photos and was about to walk off (yeah, we'd walked up, rather than driven through) when he said, "You aren't Gar Anthony Haywood the novelist, are you?"

Huh?

Turns out he'd found my book in the library, read it, and liked it.  A lot.

I floated on air the rest of the day.

That's a "Little Thing."  And we all experience them, sooner or later.  And this being Wildcard Tuesday, I thought I'd ask some of my other writer friends to share their favorite Little Things with you.

Enjoy.

 

Tess Gerritsen, author of LAST TO DIE

The incident that stands out for me was while flying aboard a British Airways flight from Boston to London. A short time into the flight, the male flight attendant quietly approached and said the crew were all wondering if I was the famous author. I never had such attentive service!

 

Bruce DeSilva, author of CLIFF WALK

Howard Frank Mosher ("Waiting for Teddy Williams") is my favorite living novelist, the closest thing we have today to Mark Twain. So I was stunned to receive an unsolicited email from him shortly after my first crime novel, "Rogue Island," was published. He raved about it, calling the book "a highly serious work of fiction combining a fascinating evocation of a twenty-first American city with a lyrical tribute to the dying newspaper business." When my second novel, "Cliff Walk," was published in June, he got in touch again, saying my protagonist, Liam Mulligan, is "the most human, unpredictable, and anti-authoritarian fictional character I've met since Ranger Gus McCrae of "Lonesome Dove." But that's not even the best part. My hero and I are email buddies now.

 

P.D. Martin, author of HELL'S FURY

I remember when my first novel got published and my 'publicist' rang me to introduce herself and chat. The whole idea of a publicist sounded pretty special and made me feel very much like a celebrity! And then I went to my first event with her, and she was like: "Can I get you a drink? Coffee, wine?" Might be the closest I come to having 'people'!

 

Aaron Philip Clark, author of A HEALTHY FEAR OF MAN

I don't have too many stories about folks recognizing me or any of those cool happenings. However, I did receive an email from a reader who thanked me for "writing a character with a soul" and said she typically didn't read mysteries unless it was something Mosley had written. It put a smile on my face.

 

J.T. Ellison, author of A DEEPER DARKNESS

So many wonderful experiences: Winning the thriller award in New York last summer. It was an insane night – I was dreadfully ill, had laryngitis, a wicked case of nerves, and two of my literary heroes were in the room: John Sandford and Diana Gabaldon. To win a prestigious award in the presence of two of the writers who shaped me was incredible and gratifying. The very first Thrillerfest in Phoenix, 112 degrees and all the people I’ve only ever heard of there in the flesh; meeting Lee Child and having him react with, “Oh yes, I’ve heard your name.” I was floored. What? How? OMG!!! Allison Brennan talking to me like I was a real writer. The moment my agent called to tell me I had my very first deal – and not just for one book, but three. The day my agent called to tell me he wanted to be my agent. The first time I finished a book – Christmas Day, 2003, at my parents’ house in Florida, and the exhausted realization I’d finally done something special. But the very best was the very first sentence I ever wrote with intention to follow it with another, and another. I finished that paragraph and began to cry. There’s true magic in intention.

 

David Corbett, author of KILLING YOURSELF TO SURVIVE

Do They Know I'm Running? produced some of the most generous and heartfelt communications from readers I ever received in my career. I was deeply touched by many of the comments people shared, this one in particular:

"My father-in-law was finishing your book when I got home tonight. When I mentioned I met you, he right away asked, 'Is he a cholo with a white boy's name?'

I said nope, a white boy.

He got quiet for a second, then said, 'He is a poet of my people.'"

 

Pari Noskin Taichert, author of THE BELEN HITCH

I was at a party the other night. It had nothing to do with my writing or writing at all, just a social gathering mostly of people I didn’t know. I introduced myself.  A woman in the group recognized my name, squealed loudly and said, “I can’t believe this! I’ve been waiting and waiting and waiting for you to get me another book! When are you going to write one?” Then she gushed about my books to me and to the group.  It was a small moment and an utter surprise. And it made my evening.

 

Brad Parks, author of THE GIRL NEXT DOOR

I was at a doctor's office, doing some routine intake stuff with my wife, who has a different last name than me (and who, of course, carries our insurance, because her husband is a ne'er-do-well writer). Anyhow, the doctor got through asking my wife all the questions she needed to ask, then turned to me. "And what's your name?" she asked. "Brad Parks," I said. The doctor gasped and blurted, "The author?!?" She then launched on a 90-second rave about the great pleasure of reading my books and the tremendous admiration she had for me as a writer. I loved it and try to visit that doctor whenever possible. Strangely, my wife doesn't use her anymore.

 

Zoë Sharp, author of FIFTH VICTIM

I’m constantly both humbled and honoured when I hear from readers who have enjoyed the Charlie Fox books. I try not to read reviews, so when people make a point of getting in touch directly it really means something special. It’s hard to pick out individual occasions, but three relatively recent ones spring to mind.

I have a fan in New Zealand, Karen, who is a huge champion of Charlie on Goodreads. She is always making sure the book covers and the details are correct, and she is an absolute wonder.

The second is reviewer and blogger Judith Baxter, who has done some wonderful posts about the books, and even about her surprise that I would get in touch to thank her for her kind words.

And thirdly is US singer/songwriter Beth Rudetsky, who wrote an amazing song for FIFTH VICTIM: Charlie Fox book nine called ‘The Victim Won’t Be Me’. I am just so moved by this.

 

Alexandra Sokoloff, author of HUNTRESS MOON

I was thrilled that Shelfari's mystery and suspense group picked Huntress Moon as their August read, and the incredible discussion questions they're coming up with are making all the work worthwhile.

 

Brett Battles, author of THE DESTROYED

When my first book (THE CLEANER) came out, I was still working at E! Entertainment Television. Every summer we would have this big party with a top named musical artist...can’t remember for sure, but think LL Cool J might have been that year. I had given a copy of my book to Ted Harbert, President of the network and he read and loved it. I had heard that he might say something when he was up on stage talking to everyone. He did...unfortunately I was in the bathroom at the time and never heard it. But I did have several folks later come up and congratulate me.

 

Robert Gregory Browne, author of TRIAL JUNKIES

I remember a young aspiring writer approached me at a conference and was so nervous he could barely stop shaking. I assured him that there was nothing to be nervous about—I mean, for godsakes, I'm NOBODY—but to think that someone was as nervous around me as I would be around, say, Stephen King or Donald Westlake, certainly got me to reflect for a moment on how I see myself. I rarely take time to realize that I'm doing what others only dream of and I'm a very lucky man, indeed.

 

Bill Crider, author of MURDER OF A BEAUTY SHOP QUEEN

In 1980 I attended Bouchercon for the first time.  It was a very small convention in those days, and I hadn't published a novel yet.  (My first one, a book in the Nick Carter series, came out in January 1981.)  I was, however, writing reviews and articles for a number of fanzines like Paperback Quarterly, The Mystery FANcier, The Poisoned Pen, and The Armchair Detective.  I was looking at paperbacks at a dealer's table and found one I wanted: The Case of the Phantom Fingerprints by Kendall Foster Crossen.  I can't remember the price, but it was more than I wanted to pay.  I asked the dealer if he'd take less, and he looked at my name tag.  "Bill Crider," he said.  "Are you THE Bill Crider?"  I told him I was the only one at the convention as far as I knew, and he told me how much he'd enjoyed reading my articles in Paperback Quarterly.  Then he said, "I've enjoyed them so much, I want to give you the book."  This was particularly gratifying because the publishers PQ were standing there beside me, amazed.  I thought that as soon as my Nick Carter novel was published, things like that would happen all the time, but of course nothing like that's ever happened to me again.

 

Gary Phillips, author of VIOLENT SPRING

One of my biggest thrills early on was being on a panel with Ross Thomas at the downtown main library.  We both talked about having worked for the same national union -- AFSCME- and among his books he signed for me was the Seersucker Whipsaw, his novel about, among other things, union shenanigans.

 

Timothy Hallinan, author of THE FEAR ARTIST

Aside from the thrill of getting on a plane a few times and seeing someone reading one of my books (rocked my world) my biggest thrills come from fan mail.  My hero, Poke Rafferty, and his Thai wife, Rose, have adopted a little street child, Miaow, as their daughter.  Once or twice a year I get email from people who have become cross-cultural adoptive parents who want to say how accurately my books describe the joys and pitfalls of bringing someone into your family who has different beliefs, experiences, and expectations.  The emails practically paralyze me with pleasure--not only because the books mean something to these people but also because I blithely wrote the relationships in Poke's little family without giving a thought to the possibility that I'd get it all wrong.  The best of these letters arrive with photos of the children.  The VERY best of them came from a 15-year-old Korean-American adoptee whose father wrote me in 2006 and now, six years later, she was old enough to read the book (A Nail Through the Heart) that had prompted his letter.  She wrote to say that I'd told aspects of her story so accurately that parts of the book had almost seemed to be about her.

 

Stephen Jay Schwartz, author of BEAT

The very best "shout-out" I got was when I stood in the back of a Michael Connelly signing at Mysterious Galaxy - a room packed with almost 200 people - and a woman in front of me asked Michael what authors he liked to read.  He answered that he didn't always read in the genre in which he writes, but occasionally someone will send him the work of a new author.  "Like the author behind you," he said, "Stephen Jay Schwartz's work is exceptional."  At that point every one of his fans turned around to look at me and my face went completely white.  I nodded to him, thanking him for his kindness.  That was an amazing thing for him to do, at his own signing.  I really love him for that.

 

Questions for the Class: Writers: What Little Things motivate you to keep writing?  And readers, have you ever done a Little Thing that may have inspired a favorite author to keep on writing?

May 232012
 

by Gar Anthony Haywood

The movie was a big disappointment, but the idea at the heart of PAY IT FORWARD was a sound one.  In the 2007 film, a young boy (played by Haley Joel Osment) is inspired by a social studies teacher (Kevin Spacey) to try changing the world for the better by passing every good deed done to him on to three other people.  He calls this "paying it forward," and because this is Hollywood, his demonstration of it changes the lives not only of the boy himself, but the lives of his mother, his physically and emotionally scarred teacher, and an ever-widening circle of people completely unknown to him.

I believe some bestsellers are born just this way.

You read a book and love it so much, you pass word on to several friends.  Some of those friends, in turn, alert others to the book, those people do the same, and before you know it, awareness of the book has spread like wildfire.

This is what's supposed to happen to truly great books.  It's the fate their authors, by virtue of their skillful writing, most deserve.

But this word-of-mouth chain-reaction doesn't always happen.  Sometimes, we love a book enough to shout its praises from the rooftops, all right, but we don't bother.  We either keep our enthusiasm to ourselves, or share it with a mere one or two people, usually by way of a casual reply to the question, "Read any good books lately?" that can all too easily go ignored or be forgotten.

In other words, as readers, we drop the ball.  We fail to do our part to make sure that something terrific we've read does not go unrecognized or underappreciated.  We leave it to others to talk the book up and create an audience for it, as if it's their job and not ours.

I'm as guilty of this as anyone, but not any more.  From now on, I'm going to practice "Reading It Forward": When I encounter an extraordinarily good book, I'm going to mention it here and elsewhere, and hope the positive word-of-mouth tsunami takes off from there.

Sadly, I can't do this good deed for friends.  Because --- just to cite one example --- if I were to tell you Zoë Sharp's KILLER INSTINCT is one of the best thrillers I've ever read, the skeptic in you would think I was only saying that because she's a fellow Murderati.  And the Read It Forward experiment only works if the person offering the endorsement can be trusted to tell the truth, unvarnished by personal interest or bias.

So as much as I love and admire the works of Zoë and Stephen, David and Alex and Phillipa, etc., the book I'm going to "forward" today was not written by anyone I know particularly well:

It's CLIFF WALK by Bruce DeSilva.

CLIFF WALK is a sequel to DeSilva's Edgar Award-winning first mystery, ROGUE ISLAND, and it's one hell of a read.  I happened to read it as part of the research I had to do for the panel I moderated at this year's Left Coast Crime Conference, and I enjoyed every minute of it.  DeSilva worked as a journalist for over 40 years before he turned to crime writing, and his experience in the field makes his two books about Liam Mulligan, a reporter at a dying Providence newspaper, both rich in detail and highly credible.  CLIFF WALK is as dead-on realistic as contemporary crime fiction ever gets, and DeSilva's dialogue, in particular, is as good as any I've ever read.  That's no joke.

Bruce DeSilva may not get rich and famous writing this stuff --- but he should.

Questions for the Class: How about you?  What book would you like to "Read Forward" for the benefit of the author who wrote it and those of us who --- in your opinion, anyway --- would be well advised not to miss it?

May 182012
 
We asked Hardboiled Collective member Bruce DeSilva all about his newest novel, Cliff Walk.

Tell us what the novel is about.

Cliff Walk is the second novel in my hardboiled series featuring Liam Mulligan, an investigative reporter at a dying Providence, R.I. newspaper. The tale begins two years ago when prostitution was legal in the state (true story.) Politicians are making a lot of speeches about the shame of it, but they aren't doing anything about it. Mulligan suspects that's because they are being paid off. As he investigates, a child's severed arm is discovered in a pile of garbage at a local pig farm. Then the body of an internet pornographer turns up at the bottom of

the famous Cliff Walk in nearby Newport. At first the killings seem random, but as Mulligan keeps digging, strange connections begin to emerge. Promised free sex with hookers if he minds his own business--and a savage beating if he doesn't--Mulligan enlists the help of Thanks-Dad, the newspaper publisher's son, and Attila the Nun, the state's colorful attorney general, in his quest for the truth. What he learns will lead him to question his long-held beliefs about sexual morality, shake his tenuous religious faith, and leave him wondering who his real friends are. Cliff Walk is at once a hardboiled mystery and a serious exploration of sex and religion in the age of pornography.

How long did it take you to write the novel?

I began writing the book shortly after my first Mulligan novel, Rogue Island, winner of both the Edgar and the Macavity Awards, was published; and I finished it in six months. The third Mulligan novel, Providence Rag, is also finished and will be published sometime next year.

Did it take a lot of research?

Yes and no. In a sense, the Mulligan novels took forty years to research because they draw on everything I learned about Rhode Island's cops, street thugs, journalists, corrupt politics, and organized crime figures during my 40-year journalism career, about a third of it spent at The Providence Journal, the state's largest paper. I was well prepared to write these books. But when I started Cliff Walk, I did not know much about the inner workings of the state's sex trade. So I spent many dreary evenings hanging out at Cheaters, the Cadillac Lounge and several of the state's other strip clubs where prostitution was openly practiced, discretely questioning bartenders, bouncers, and naked hookers who kept climbing into my lap. Since I'm a married man, that could have had serious consequences. Lucky for me, my wife found my research hilarious.

Where did you come up with the plot; what inspired you?

Unlike Rogue Island, which is entirely made up, Cliff Walk was inspired by real events in our smallest state, a quirky place with a legacy of corruption that goes all the way back to one of the first colonial governors dining with Captain Kidd. In 1978, COYTE, a national organization representing sex workers, sued the state in federal court, alleging that its antiquated prostitution law was so vague that it could be interpreted as prohibiting sex between married couples. The suit was dismissed in 1980 after the state legislature rewrote the law, redefining the crime and reducing it from a felony to a misdemeanor. As it turned out, however, a key section of the new law was left out, supposedly by accident, when the legislature voted on it. Amazingly, however, more than a decade passed before anyone seemed to notice. Finally, in 1993, a lawyer representing several women arrested for prostitution at a local "spa" did something remarkable. He actually read the statute. The only word used to define the crime, he discovered, was "streetwalking." Therefore, he argued, sex for pay was legal in Rhode Island as long as the transaction occurred indoors. When the courts agreed, the state's strip clubs turned into brothels, and a whole bunch of new strip clubs and "massage parlors" opened up. Soon, tour buses full of eager customers began arriving from all over New England. At the height of the state's legal sex trade, 30 brothels were operating openly. Rhode Island didn't get around to fixing the law until a couple of years ago.

Which scenes did you enjoy writing the most?

When I sat down to write the novel, the first thing I typed was this: "Attila the nun thunked her can of Bud on the cracked Formica tabletop, stuck a Marlboro in her mouth, sucked in a lungful, and said 'Fuck this shit.'" That sentence, which ended up as the opening to chapter five, had the hardboiled feel I wanted and gave me the confidence to keep writing. But the short final chapter, which portrays a weary Mulligan's inner turmoil about the soul-wrenching things he witnessed during his investigation, is my favorite part of the book.

Who is your favorite among the characters in the novel?

I'm tempted to say Mulligan because he's a lot like me--except that he's 25 years younger and eight inches taller. He's an investigative reporter; I used to be. He's got a smart mouth; I get a lot of complaints about the same thing. Like me, he's got a shifting sense of justice that allows him to work with bad people to bring worse people down. But I have a special fondness for Attila the Nun, a former Little Sisters of the Poor nun who forsakes her religious calling for the rough-and-tumble arena of Rhode Island politics.

I noticed places in the novel where your own life or interests end up in some scenes, like the appearance of your wife Patricia, and a dog with the same name as yours. You also included an appearance by Andrew Vachss and often mention crime writers you personally like. Could you tell us a bit about why you enjoy including these little nuggets?



I want my characters to be real people, and that means giving them interests beyond the job of investigating crimes. Since Mulligan is so much like me, it makes sense to give him similar tastes. So he's a fan of the blues (The Tommy Castro Band, Jimmy Thackery and the Drivers, Buddy Guy.) He reads crime novels (Vachss, Michal Connelly, Ace Atkins.) He drinks beer (Killians.) He smokes cigars. He loves dogs, although his landlord won't allow him to have one. Unlike me, he's no fan of poetry, but his girlfriend is. So when she tries to read poetry to him or takes him to a poetry reading, I toss in a few lines. I suppose I could have tried to write a bit of poetry myself, but I'm no poet. I could have chosen a passage from another poet and then spent weeks trying to get permission to use it, but why go through all that trouble when I've got my own live-in poet? So I included a bit of writing from my wife, Patricia Smith, who is one of America's finest poets.

Is there anything else you'd like to say about the novel?

The early notices have been gratifying, with both Publishers Weekly and Booklist giving Cliff Walk starred reviews. Publishers Weekly said, "Look for this one to garner more award nominations." Booklist called the plot "exquisite" and added that the novel is "terrific on every level." I just hope people enjoy reading it as much as I enjoyed writing it.

May 092012
 
Liam Mulligan, Rhode Island's hardboiled reporter is back in this great new novel by Hardboiled Collective member Bruce DeSilva.
A child's severed arm shows up on a pig farm... An internet pornographer is killed... A politicial battle is fought over legalisation of prostitution...
These ingredients are enough to keep Mulligan very busy. Add to that some vigilante killings on pedophiles, a new love interest and a gangster boss interested in hiring Mulligan and you end up with a very exciting crime novel.
What makes this novel so great is not just the many interesting plotlines however, but the character of Mulligan and the sharp writing. Mulligan is such a great self-depreceating character and the writing such an effective continuation of Chandler and Parker's hardboiled voices this should be textbook writing for anyone attempting to write a hardboiled crime story.
It worried me that the paper Mulligan works for is going through some bad times, endangering his job. Luckily, it seems there's enough people interested in Mulligan's investigation skills to keep him busy even if he ends up sacked. I wouldn't want to miss this guy, his troubles with his ex-wife, his clumsiness, his interest in crime fiction and his attitude. Looking forward to the third in the series!

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