Jan 242013
 

The name of J. J. Connington, whose "The Tau Cross Mystery" is the subject of this week's podcast review, was unfamiliar to me until recently - which is wrong, for so talented and prolific a writer. Born Alfred Walter Stewart, Connington is one of the writers referred to dismissively by too many "serious" scholars of crime fiction as "the humdrums," dismissed too easily as mere "plotters" who allegedly don't have the necessary serious writing skills for their books to be taken as "literature."

In addition to Connington, two other authors, in particular, are classified that way: Cecil John Charles Street, who wrote as Miles Burton, John Rhode and a couple of other names, and Freeman Wills Crofts, the master of the alibi-and-timetable mystery. All are largely forgotten today - which is a pity.

All have written books - many books - that are still great fun and very much worth reading, particularly if you enjoy traditional, puzzle-based mysteries. Many are extremely well-written, too.

One scholar who has most emphatically not been dismissive of the humdrums is Curtis Evans, whose book, Masters of the "Humdrum" Mystery: Cecil John Charles Street, Freeman Wills Crofts, Alfred Walter Stewart and the British Detective Novel, 1920-1961, looks at these masters of the classic mystery and provides good, positive analysis of their strengths, There's an affordable Kindle edition, which is good because the book itself comes from a "scholarly" press, meaning it is pretty costly in its printed form. I'd love to see it stocked in more libraries; the electronic version lives on my Kindle. It is extremely readable and quite entertaining, two adjectives which unfortunately don't always apply to good scholarly research books. If you're at all curious about these masterful authors, you might very much enjoy this book.

I have reviewed a few of the books by these authors - you can find the audio reviews listed on the Backlist page. And I should mention Curt's first-rate blog about (mostly) traditional mysteries, The Passing Tramp.

Dec 242012
 

It is all too possible to have too much of a good thing. Consider the events that took place when Archie Goodwin, concerned that the bank account of his boss, Nero Wolfe, was getting dangerously low, decided to scare up a client. He was successful, all right - but too much so, as entirely too many people started trying to persuade Wolfe to represent their interests in a compicated case, where murder was only one small factor in the equation.

Welcome to "Too Many Clients," another in Rex Stout's marvelous series about the exploits of Nero Wolfe and Archie Goodwin and the rest of the "Thirty-Fifth Street Irregulars" who lived and/or worked at the Wolfe brownstone in New York City. Written in 1960, "Too Many Clients" is the subject of this week's audio review on the Classic Mysteries podcast, and you can listen to the full review by clicking here.

It was the precarious state of Wolfe's bank balance that made Archie open the door to the unprepossessing man on the brownstone's stoop. No problem; the man claimed to be a fabulously wealthy businessman who wanted to hire Archie - yes, Archie, not Wolfe himself - to find out who was following him when he went to a certain address on the upper west side of Manhattan. Certainly it seemed like easy money.

Only it wasn't. Not when the body of a murdered man turned up near that apartment. The victim turned out to be that same fabulously wealthy businessman - only it was not the man who had hired Archie. THAT man had disappeared. That upper west side address turned out to be the site of an elaborate and secret love nest, used by the businessman for his illicit trysts with a surprising number of partners. And, suddenly, potential clients for Nero Wolfe's services were lining up, wanting Wolfe to get involved to keep the secret of that apartment - and find the killer.

It's all great fun - even if some of the 1960-ish attitudes, particularly towards women, sex and domestic violence, are likely to cause raised eyebrows among many modern readers. "Too Many Clients" is still one of Rex Stout's better plots, with some lovely characters and one of Wolfe's greatest duels with Inspector Cramer of Homicide. At the moment, it appears to be out of print, but it is available as an e-book and there are plenty of copies available via the network of used book stores and mystery specialists.

Nov 192012
 

It's always both useful and enjoyable to remind myself (and my readers) that there are still some first-rate authors turning out traditional mysteries. Take Catherine Aird, whose first book appeared in 1966 and whose most recent appeared about a year ago. Her books, set in the fictional English county of Calleshire, feature a police inspector, C. D. Sloane, his hapless assistant, Detective Constable Crosby and his appalling boss, Superintendent Leeyes. They are well-written, funny traditional mysteries, with more than a touch of the police procedural thrown in.

The arrival of Hurricane Sandy in New Jersey knocked out my electric power for 9 days - and, yes, I was very lucky to have only that as my worst problem; there no significant damage to self, spouse, house or vehicles. It did, however, intrude on my reading. My town's public library, fortunately, stepped in and opened its doors to those of us needing warmth, connectivity - and, of course, books. So I checked out the available mysteries and found, to my pleasure, a Catherine Aird novel I hadn't read, "A Going Concern." That's why it is the subject of this week's audio review on the Classic Mysteries podcast, and you can listen to the entire review by clicking here.

"A Going Concern" begins, as many mysteries do, with an unusual will and some rather peculiar deathbed instructions left by an elderly woman, Octavia Garamond. She chooses a great-niece, Amelia Kennerly, as the executrix of that will, although she has only seen Amelia once in her life. Amelia finds herself struggling to follow her great-aunt's instructions, which include a directive to make certain the police are present at her funeral.

That directive winds up on the desk of Inspector Sloane, who is inclined to dismiss it. He becomes more interested, however, when Octavia Garamond's house is entered and ransacked shortly after her death. He also discovers that the old woman took the trouble to order her doctor to be certain to perform a thorough examination of her body after her death.

Quite clearly, the old woman was afraid of something, a fear which proves to have been very much justified. It all may be centered around her relationship with a chemical company and some mysterious experiments undertaken during World War II.

It's a fascinating story, made even livelier by Aird's marvelous sense of humor. There are plenty of clues, as there should be in a traditional mystery, but there is also a fair amount of police procedure involved, interviewing possible witnesses and suspects and awaiting the results of various scientific tests.

"A Going Concern" was written in 1993 and, I fear, is now out of print, although the link above will take you to some sellers through Amazon who appear to have copies; your favorite used mystery book store most likely can find it for you as well. If you check the backlist page on this blog, you'll find reviews of some of her other, earlier, books as well. Catherine Aird deserves a wider audience in the United States.

Aug 112012
 

There has been an interesting discussion lately among members of the Golden Age of Detection mail group on Yahoo about two particularly fine books by John Dickson Carr, the master of the locked room/impossible crime genre. The debate is about which is better - "The Three Coffins" (known in the UK as "The Hollow Man) or "The Judas Window."

To me, it's like having an argument over which is better - white wine or red. I would have to agree that both books are among Carr's best plotted and written.

For "red wine" lovers, there's "The Three Coffins," a book whose opening paragraph defines the mysteries within and challenges the reader to solve them. The detective is Carr's main series detective, Dr. Gideon Fell. It's also famous for the chapter called "The Locked Room Lecture," in which Dr. Fell expounds on the various ways in which seemingly impossible crimes can be created - and explained. Unfortunately, it is out of print - and getting harder to find.

For those who prefer "white wine," there's "The Judas Window," written by Carr using the name "Carter Dickson," and featuring his other primary series character, Sir Henry Merrivale. This doesn't pose the same direct challenge to the reader, but it is one of the best-plotted mysteries I have ever read - and the reader's nose will be rubbed quite thoroughly in the concept of a "judas window,"  through which murder can be committed in a locked room, before the solution is explained. This one IS still available, thanks to the Rue Morgue Press.

Which is "better"? Both. As a matter of personal preference, I still like "The Three Coffins," because Carr manages to create such a frightening and uncanny atmosphere around the events of the story. On the other hand, "The Judas Window," with some classic Merrivale humor, can be quite funny even as the central character's life and freedom are threatened. But both books are well plotted - and both give the reader all the necessary clues, marvelously hidden. to solve the puzzle - if you can.

White wine? Red wine? Both can complement a meal very nicely, thank you. No need to choose - enjoy them both!

Jul 022012
 

Let's face it. Most of us read - and re-read - the Nero Wolfe books for reasons that have little to do with the plots of the stories. We read them for the interplay between Wolfe - the often-insufferable genius who rarely moves at all - and Archie Goodwin, who acts as his arms, legs and eyes, as well as being the wisecracking narrator of the stories. We read them for the regular characters, for Fritz and Theodore and Saul, Fred, Orrie, Inspector Cramer, Purley Stebbins, even the despised Lt. Rowcliff. We want to know what Fritz is serving for dinner tonight in the brownstone, or whether Cramer will finally light that cigar, or how Archie will be able to goad Wolfe back into action after the detective relapses into inactivity.

But the plots? Not so much. We enjoy the climactic office confrontations, to be sure. But very often, the plots themselves are on the thin side.

Which brings me to a glaring exception to the rule. I think the plot of "Plot It Yourself" is among the strongest of any Wolfe book - at least in its initial setup and exposition. "Plot It Yourself," by Rex Stout, is the subject of this week's audio review on the Classic Mysteries podcast, and you can listen to that review in its entirety by clicking here.

The plot of "Plot It Yourself" revolves around charges of plagiarism - charges, apparently brought by unsuccessful writers against very successful ones. It appears to be a racket - a very lucrative racket indeed, and the successful authors and their publishers want it stopped.

The best part of "Plot It Yourself" is found in the first several chapters, where Nero Wolfe analyzes the claims of perjury and proves - to his satisfaction and ours - that all the claims must have been made by the same villainous writer. But then the murders begin - and Wolfe becomes so enraged that he takes an oath to stop eating meat and stop drinking beer until he has caught the killer (and plagiarist). Regular readers of Rex Stout's books will understand what an earth-shattering step that is for Wolfe to take.

No need to "Plot It Yourself"; Rex Stout has provided a wonderful plot indeed, and I think it's one of the stronger entries in the series. At the moment, it seems to be out of print again - but it is available (at the link above) in an electronic edition for the Amazon Kindle, and it is most likely available for other e-readers as well.

Apr 162012
 

The murder of an Australian drifter - an itinerant laborer, called a "swagman" - might very well have gone unsolved, had it not been for the sharp eye of Detective Inspector Napoleon Bonaparte, known to his friends as "Bony." He saw, in a photo of the murder scene, a cryptic clue that nobody else had noticed. And the result is the story of "Death of a Swagman," by Arthur W. Upfield, featuring this most unusual of detectives. It is the subject of this week's audio review on the Classic Mysteries podcast, and you can listen to the entire review by clicking here.

Between 1928 and 1966, Upfield wrote 29 books featuring Bony, whose amazing mix of skills inherited from his white father and his Aborigine mother have made him a detective with a perfect record at "finalizing" difficult cases. Bony picks up clues that other detectives have missed - as he does in this case. He delights in working in unusual ways. In "Death of a Swagman," for instance, he arrives in the small town where his investigation will take place and immediately gets himself arrested by insulting the local police sergeant. After his very public arrest, he reveals his identity to the sergeant and arranges to have himself locked up in jail for 14 days - assigned to paint the fence around the jail. As a result, he is able to sit outside painting, as a simple itinerant laborer himself who has run afoul of those nasty police - so, as Bony explains it to the sergeant, "instead of everyone holding their horses in the presence of Detective Inspector Napoleon Bonaparte, they will talk quite freely with poor old Bony, the latest victim of the ber-lasted per-leece."

"Death of a Swagman" finds Bony solving a couple of murders - and interacting with some memorable characters; he is thoroughly charmed by the police sergeant's eight-year-old daughter, Rose Marie, who plays a critical role in solving the case. It is also fair to say that the motive for murder here is one of the most unusual in any mystery I have ever read.

Bony is a fascinating character and a perennial favorite of mine. He's my entry in the "Heroes & Villains" [Updated to add link] Theme Week tournament under way this week at the Jen's Book Thoughts blog. Later this week, I'll have a more detailed post here providing more background about Detective Inspector Napoleon Bonaparte - who he is, how he got that way, and how he works. Most of the books featuring Bony, alas, are out of print, but some - including "Death of a Swagman" - are available as audio books from Audible. If you have never met him, you should do so. He's one of the most memorable, and, I think, likeable detectives in mystery fiction.

Apr 162012
 

"How did you manage to rise so high in your Police Department? I am not being impertinent, I do assure you. You must have met many obstacles, extraordinary hurdles, and I sense a story far more irresistible than that of errand boy to millionaire."

"My beginning was subordinate to that of the errand boy," replied Bony. "I was found beneath a sandalwood tree, found in the arms of my mother, who had been clubbed to death for breaking a law. Subsequently, the matron of the Mission Station to which I was taken and reared found me eating the pages of Abbotts's Life of Napoleon Bonaparte. The matron possessed a peculiar sense of humour. The result - my name."

                --The Battling Prophet, by Arthur W. Upfield (1956)

I can think of few characters in 20th century detective fiction who are quite as original as Detective Inspector Napoleon Bonaparte of the Queensland, Australia, Police Department. As my contribution to the "Heroes & Villains" theme week under way at Jen's Book Thoughts blog, I'd like to introduce him more fully.

Heroes_Villains_buttonWhat sets this Australian detective apart from so many other fictional detectives? To begin, he is half-white, half-Aborigine, combining the best talents and skills of both races. From his unknown white father, he inherits the logic and other skills that enable him to excel at the formal requirements of police work. From his mother's people (and he is a full initiate in her tribe), he inherits his knowledge of the bush, the Australian outback, and the ability to read the virtually invisible clues left by man and nature that allow him to survive and to track his quarry over the countless miles of brush and desert that make up inland Australia. According to his author, Arthur W. Upfield, Bony, as he is known to his friends, was modeled after a real person, a half-Aborigine named Tracker Leon, who served as a highly skilled tracker for the police.

If Bony's mixed-race heritage contributes to his success as a detective, it is viewed with suspicion by some readers today, who feel that Upfield was far too condescending to the Aborigine people. I think this is unfair. Much of what Upfield wrote about Bony and about other Aboriginal characters during the middle third of the twentieth century shows the author's tremendous respect and affection for that ancient culture. The occasional bigot who shows up in these stories is usually put down quite successfully by Bony and others.

According to Kees de Hoog's book, When Bony Was There (2011), some time before finishing college (where he received a Master's degree), "A grave disappointment in love sent Bony back to the bush. For a year he ran wild among the aborigines of his mother's tribe." Undoubtedly, that interlude also gave him a chance to perfect the tracking and bush skills that would stand him in such good stead when he became a detective. Bony later married a young woman named Marie, who, like him, was half white and half Aborigine, and the couple had three sons. In his early days, Bony also spent a great deal of time working as an itinerant laborer on various ranches and stations in the outback - a background which makes it easy for him, as a detective, to disguise himself among working men and women as an ordinary laborer, which allows him to carry on conversations with witnesses who would normally never dream of talking to the police.

It's worth noting, also, that Bony - and Upfield - share a belief in the reality of certain kinds of magic, such as the ability of Aboriginal chiefs and shamans to communicate over long distances telepathically, and in the mental spell-casting which could cause offenders to wither and die, a ritual called "pointing the bone." One of the best of the Bony books is called The Bone is Pointed, in which Bony himself narrowly escapes what I suppose can only be called death by witchcraft. (I reviewed that one for the Classic Mysteries podcast a few years back, and you can listen to that review by clicking here.)

Yet in this exotic atmosphere, Bony flourishes. For the most part, he gets to choose his own cases, showing disdain for common murders. He prefers the cold cases, the ones, often set in the bush, where there are no apparent clues, where the trail has gone cold over a period of months. To Bony, his greatest ally is time, his greatest virtue, patience. He infuriates his boss in the police, Colonel Spender, but the colonel knows that Bony is probably his most valuable investigator, a man who has never failed to "finalize" a case. The colonel puts up with a great deal from Bony - but his faith in his star detective is always vindicated.

In every book, Detective Inspector Napoleon Bonaparte makes it a point to invite almost everyone he meets to call him "Bony," as all of his friends, his boss, his wife, even his sons do. I think any of us would have been honored to call Bony our friend.

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