I first encountered the work of Norbert Davis in Ron Goulart's anthology THE HARDBOILED DICKS (one of the most important and influential anthologies of the past fifty years, if you ask me), which included a story featuring Davis's private eye character Max Latin, "Don't Give Your Right Name". Great stuff, and since then I've read many other pulp mystery stories by Davis. He's probably best known for his trio of novels featuring a PI named Doan and a Great Dane known as Carstairs. I have these but haven't gotten around to reading them yet.
I knew Davis had written other things besides mysteries, but I wasn't really aware he had done Westerns until Tom Roberts of Black Dog Books published DEAD MAN'S BRAND, a collection of eight of Davis's stories from various Western pulps. (And that's Tom's artwork on the cover, by the way.) As you might expect if you're familiar with Davis's work, they're all top-notch yarns.
"A Gunsmoke Case for Major Cain" (DIME WESTERN, October 1940) is a frontier legal thriller with an exciting courtroom scene and a neat twist. It was also Davis's lone film sale, serving as the basis for the Wild Bill Elliott vehicle HANDS ACROSS THE ROCKIES, as detailed by Bill Pronzini in his introduction and Ed Hulse in his afterword. "Their Guardian From Hell" (STAR WESTERN, March 1937) is a hardboiled tale featuring a self-loathing gunman who protects a family of settlers from the villains out to steal their land. In "Leetown's One-Man Army" (STAR WESTERN, October 1941), a drifter named California Tracy with a score of his own to settle finds himself in the middle of a war between a cattle baron and some sodbusters, a traditional plot that Davis enlivens with some fine writing and a nice twist. The title story, "Dead Man's Brand", is from the November 1942 issue of STAR WESTERN. In it, drifting cowboy Dave Tully tries to claim an inheritance and finds himself framed for a murder: his own. "The Gunsmoke Banker Rides In" (STAR WESTERN, July 1942) is another well-plotted Western mystery about a banker who's surprisingly fast with a pair of .41 caliber derringers.
This volume also includes three stories from earlier in Davis's career. "Death Creeps" (ACTION STORIES, December 1935) finds troubleshooter Dave Silver being hired to find the Creeper, a mysterious murderer who kills from the darkness. In "Sign of the Sidewinder" (WESTERN ACES, June 1935), Tom Band, an American cowboy framed for a murder he didn't commit, is broken out of a Mexican prison to carry out a mission of vengeance for his benefactor. This is my favorite story in the collection, a great noir adventure yarn. Tom Band returns in the almost as good "Boot-Hill Bait" (WESTERN ACES, November 1935), which finds him on the trail of a fortune in outlaw loot. If there are any more Tom Band stories, I'd love to read them.
In all of these stories, Davis's smooth prose is a joy to read, and he handles humor, emotional torment, and lightning-paced action all with equal ease and effectiveness. These are simply some of the best-written Western tales you'll ever read, and DEAD MAN'S BRAND is a great collection. It gets my highest recommendation.
