Joe R. Lansdale

Apr 152013
 

PunchDid you know today is Joe R. Lansdale Appreciation Day? To tie in with Horror Novel Reviews‘ day-long celebration, we’ll be reposting our greatest-of posts about Joe’s work and a few from the legend himself.

Things have changed. The world has evolved. A punch in the mouth ain’t what it used to be.

Once you were more apt to settle your own problems, or have them settled for you, by an angry party. Teeth could be lost, and bones could be broken, but mostly you just got  black eye, a bloody nose, or you might be found temporarily unconscious, face down in a small pool of blood out back of a bar with a shoe missing.

These days, even defending yourself can be tricky. It seems to me a butt-whipping in the name of justice has mutated to three shots from an automatic weapon at close quarters and three frames of bowling with your dead head. There are too many nuts with guns these days, and most of them just think the other guy is nuts. An armed society is a polite society only if those armed are polite. Otherwise, it just makes a fellow nervous.

Still, not wishing back the past. Not exactly. But there are elements of the past I do miss. There are times when I like the idea of settling your own hash—without gunfire. Sometimes the other guy has it coming.

When I was a kid in East Texas, we lived in a home that sat on a hill overlooking what was called a beer joint or honky-tonk. Beyond the tonk was a highway, and beyond that a drive-in theater standing as tall and white as a monstrous slice of Wonder Bread.

104.9 FMYou could see the drive-in from our house, and from that hill my mother and I would watch the drive-in without sound. What I remember best were Warner Bros. cartoons. As we watched, mom would tell me what the cartoon characters were saying. Later, when I saw the cartoons on TV—something we didn’t have at the time—I was shocked to discover Mom had made up the stories out of the visuals. My mom was a dad-burned liar. It was an early introduction to storytelling.

But this isn’t storytelling. This is reporting, and what I’m about to tell you is real, and I was there. It’s one of my first memories. So mixed up was the memory that, years later, when I was a grown man, I had to ask my mother if it was a dream, or fragments of memories shoved together. I had some things out of order, and I had mixed in an item or two, but my mother sorted them out for me. This is what happened.

My mother and I stayed at home nights while my dad was on the road, working on trucks. He was a mechanic and a troubleshooter for a truck company. My entertainment was my mother and that silent drive-in and the fistfights that sometimes occurred in the honky-tonk parking lot, along with the colorful language I filed away for later use.

We were so poor that my dad used to say that if it cost a quarter to crap, we’d have to throw up. There wasn’t money for a lot of toys, nor at that time a TV, which was a fairly newfangled instrument anyway. We listened to the radio when the tubes finally glowed and warmed up enough for us to bring in something.

Dad decided that the drive-in, seen through a window at a great distance, and a static-laden radio with a loose tube that if touched incorrectly would knock you across the room with a flash of light and a hiss like a spitting cobra, were not proper things for a growing boy. He thought I needed a friend.

StojankaBelow, at the tonk, a dog delivered pups. Dad got me one. It was a small, fuzzy ball of dynamite. Dad named him Honky Tonk. I called him Blackie. I loved that dog so dearly that even writing about him now makes me emotional. We were like brothers. We drank out of the same bowl, when mom didn’t catch us; and he slept in my bed, and we shared fleas. We had a large place to play, a small creek out back, and beyond that a junkyard of rusting cars full of broken glass and sharp metal and plenty of tetanus.

And there was the house.

It sat on a hill above the creek, higher than our house, surrounded by glowing red and yellow flowers immersed in dark beds of dirt. It was a beautiful sight, and on a fine spring day those flowers pulled me across that little creek and straight to them as surely as a siren calling to a mariner. Blackie came with me, tongue hanging out, his tail wagging. Life was great. We were as happy as if we had good sense and someone else’s money.

I went up there to look, and Blackie, like any self-respecting dog, went there to dig in the flower bed. I was watching him do it, probably about to join in, when the door opened and a big man came out and snatched my puppy up by the hind legs and hit him across the back of the head with a pipe, or stick, and then, as if my dog were nothing more than a used condom, tossed him into the creek.

Then the man looked at me.

I figured I was next and bolted down the hill and across the creek to tell my mother. She had to use the next-door neighbor’s phone, as this was long before everyone had one in their pocket. It seemed no sooner than she walked back home from making her call than my dad arrived like Mr. Death in our old black car.

He got out wearing greasy work clothes and told me to stay and started toward the House of Flowers. I didn’t stay. I was devastated. I had been crying so hard my mother said I hiccupped when I breathed. I had to see what was about to happen. Dad went across the creek and to the back door and knocked gently, like a Girl Scout selling cookies. The door opened, and there was the Flower Man.

My dad hit him. It was a quick, straight punch and fast as a bee flies. Flower Man went down faster than a duck on a june bug, but without the satisfaction. He was out. He was hit so hard his ancestors in the prehistoric past fell out of a tree.

Dad grabbed him by the ankles and slung him through the flowerbed like a dull weed eater, mowed down all those flowers, even made a mess of the dirt. If Flower Man came awake during this process, he didn’t let on. He knew it was best just to let Dad finish. It was a little bit like when a grizzly bear gets you; you just kind of have to go with it. When the flowers were flat, Dad swung the man by his ankles like a discus, and we watched him sail out and into the shallow creek with a sound akin to someone dropping wet laundry on cement.

We went down in the creek and found Blackie. He was still alive. Flower Man didn’t move. He lay in the shallow water and was at that moment as much a part of that creek as the gravel at its bottom.

Daddy took Blackie home and treated his wound, a good knock on the noggin, and that dog survived until the age of 13. When I was 18, Blackie and I were standing on the edge of the porch watching the sun go down, and Blackie went stiff, flopped over the edge, dead for real this time.

Bless my daddy. We had our differences when I was growing up, and we didn’t see eye to eye on many things. But he was my hero from that day after. Hardly a day goes by that I don’t remember what he did that day, and how he made something so dark and dismal turn bright.

No one sued. Then, events like that were considered personal. To pull a lawyer into it was not only embarrassing, but just plain sissy. Today we’d be sued for the damage my dog did, the damage my dad did, and emotional distress, not to mention bandages and the laundry bill for the wet and dirty clothes.

I know the man loved his flowers. I know my dog did wrong, if not bad. I know I didn’t give a damn at the time and thought about digging there myself. But I was a kid and Blackie was a pup, and if ever there was a little East Texas homespun justice delivered via a fast arm and a hard fist, that was it.

Flower Man, not long after that, moved away, slunk off like a carnival that owed bills. A little later we moved as well, shortly after the drive-in was wadded up by a tornado. That’s another story.

Originally published in the Texas Observer.

Joe R. Lansdale is the author of numerous novels and short stories. His work has received the Edgar Award, seven Bram Stoker Awards, a British Fantasy Award, and has twice been named a New York Times Notable Book, among other honors. The film adaptation of his novella “Bubba Ho-tep” was directed by Don Coscarelli and starred Bruce Campbell and Ossie Davis. His novel Vanilla Ride, from Knopf, has just been released in paperback by Vintage. He lives in Nacogdoches, Texas. Mulholland Books will publish EDGE OF DARK WATER in 2012.

Sep 122012
 

The e-book Jim Thompson’s THE KILLER INSIDE ME, the novel Stanley Kubrick deemed “probably the most chilling and believable first-person story of a criminally warped mind I have ever encountered,” is on sale for just $2.99 for the Nook, Kindle, and the iBookstore. Now is the perfect time to introduce yourself to one of the great classics of twentieth century crime fiction–at a bargain price, and including an intro from Stephen King.

Looking for even more of an introduction? Check out the below essay on Thompson from our very own Joe R. Lansdale.

Jim Thompson has been called a dime store Dostoevsky, but an oil field Faulkner might be more accurate. He wrote not only about the common man, he wrote like the common man, with words full of raw truth mixed with sweet and sticky lies; wicked stories written with a glass of whisky at his elbow.

I had never heard of Jim Thompson growing up. And this surprises me. I read all manner of novels by all manner of writers, and a writer like Thompson was just my meat, but it wasn’t until Stephen King commented on him, that he hit my radar.

Not long after that, I saw Thompson’s work everywhere, and I dove in. As a fellow Texan, same as a I had with the work of Robert E. Howard, another Texan, I recognized people I knew. Howard gussied them up in loin cloths and gave them swords, made them melancholy heroes, but Thompson’s characters were contemporary, and though melancholy for the most part, were considerably short on heroics. They were the dregs of society; little people with dreams too large for them to hold; dreams they drove all over the highways of their ambitions like a drunk at the wheel of a muscle car with bad tires.

There is no one quite like Thompson in low or high literature. He was his own man, and stories like THE KILLER INSIDE ME, THE GRIFTERS, and, well pretty much everything he ever wrote, are as unique as the pattern of a snow flake. They are his snow flakes, and they are soiled and stink of cheap liquor, but you will find no other like him. Many have tried to imitate him, but have only brought the literary equivalent of loud horns and dirty laundry to the game.

Thompson was his own man. Sad and dark, oozing rotten sex and rotten dreams, all of it touched with a kind cheap carnival atmosphere; the kind where the bolts on the rides shake and it‘s best to keep your hand on your wallet. A writer primarily confined to the literary back alleys of cheap paperbacks written in bursts as dynamic as the spewing of an oil gusher.

He was, for better or worse, the great and unique, Jim Thompson.

Joe R. Lansdale

Nacogdoches, Texas

Joe R. Lansdale is the author of more than a dozen novels, including THE BOTTOMS, A FINE DARK LINE, and LEATHER MAIDEN. He has received the British Fantasy Award, the American Mystery Award, the Edgar Award, the Grinzane Cavour Prize for Literature, and eight Bram Stoker Awards. He lives with his family in Nacogdoches, Texas. Mulholland Books will publish his next novel, EDGE OF DARK WATER, in March 2012.

Over the next year, Mulholland Books will be publishing Jim Thompson’s entire body of work in e-book format for the first time. THE KILLER INSIDE ME, THE GRIFTERS, AFTER DARK, MY SWEET, A SWELL-LOOKING BABE and THE NOTHING MAN are now available–look for the next batch on Christmas Day.

Aug 292012
 

Echo Railroad Bridge over Sabine River, north of I-10, Orange, Texas 1031091315BWI can’t think about Edgar Allan Poe without thinking about my life, because he was there in dark spirit, in my room and in my head. He was out there in the shadows of the East Texas pines, roaming along the creeks and the Sabine River, a friendly specter with gothic tales to tell. It was a perfect place for him. East Texas. It’s the part of Texas that is behind the pine curtain, down here in the damp dark. It’s Poe country, hands down.

These thoughts were in my mind as I toured the Harry Ransom Center’s current exhibition, From Out That Shadow: The Life and Legacy of Edgar Allan Poe. The Center, at the University of Texas at Austin, is celebrating the bicentennial of Poe’s birth with an exhibition that includes original manuscripts and illustrations. Looking at these artifacts, it occurred to me that Poe reached out from the grave and saved this East Texan from the aluminum chair factory. I know there are those who will say working in an aluminum chair factory is good honest work, and I’m going to agree. But I will say without hesitation and with no concern of insult that it damn sure wasn’t work of my choosing, and that it takes the skill of a trained raccoon and the I.Q. of a can of green beans, minus the label, to get it done.

Like Sisyphus forever rolling his rock uphill, I feared I would spend my time on Earth matching up aluminum runners, or linking chain to be pinned together by hissing and snapping and cutting and crimping machines, which in turn would be forklifted away in shiny piles of bent rods and flexible seats. Something to be sold and brought out on hot days at barbecues, and on hot nights to give mosquito-attacked, beer-drinking drive-in theater patrons a place for their butts to nestle.

Kaiser Office ChairI did all manner of work after that, some of it even less pleasant, actually, but it was that factory, the trapped tedium and uniformity of it all, that has stayed with me like a scar. Again, it’s good honest work like digging a ditch or filling condom machines in gas stations, but even to this day, I have bad dreams of the aluminum chair factory, like some kind of horrid, slinking, saliva-dripping imp, clanging and cutting and crimping, and tugging at my soul. When it tugs, I can feel my spirit move inside my head. I feel it being slowly drawn away, and I awake thinking my life as a writer has all been a dream. That now it’s time for me to get up and pull on my clothes and go to work and make lawn furniture.

But it’s only a dream, because Poe, bless his little crazy heart and messed-up mind, like some kind of superhero came to save me. Climbed up out of the grave and swooped out from the darkness and stuck his shadow in my head and gave me something to hide beneath and something to investigate. His shadow had been with me before, when I was kid, but during my time in the factory I had lost it for a while. When it came back, it came back with a dark, wing-flapping vengeance, and brothers and sisters, glory hallelujah, as the church folks say, I was set free.

Let me explain.

When I was a boy growing up in East Texas, from first grade to fifth, I lived in a town with about 100 people. It was a fun thing for a child in many ways. I lived a kind of Huck Finn existence, except I got to go home to a loving family when I tired of the woods and creeks and bicycle rides. But without those things, I found the world where I lived somewhat empty. It was as if everything was painted gray, and there was very little shading; it was flat gray, like the walls of a prison, inside and out.

But there were little bits of hope. There were comics, bright and shiny and rich in action, all in color for a dime. And there were books, which gave me strange new worlds and all manner of adventure, and then there was Poe.

My family was a poor one. My father couldn’t read or write and my mother had an 11th-grade education, but she was a reader. And when I was a very young boy, she handed me a book of horror and detective tales by Poe.

That book darkened and shaded the gray around me, gave me velvet shadows that quivered at the bottom of my dreams. They thrilled me so deeply I often awoke with such an intense feeling of excitement and fascination that I would walk about my room for hours in an overstimulated stupor, stopping weak-kneed to grab a pen and paper to try to write down my own stories of wicked doings and dark designs. He was the first author to do that for me. There was something so strange about his work, yet so inviting and satisfying. For a long time, Poe owned me.

At the Ransom Center, I read that he liked the night and dark places. I almost let out a whoop, because I’m much the same way. I live a more balanced life, no drunken forays and drugged nights, and I like the day better than Poe, but when I write during the day, I like it dark. I like the shades drawn. I love sitting in darkness and reading with only one light on. I like rain and grim skies and an atmosphere that creeps with possibilities dark and forlorn.

Perhaps this is because I read Poe at an early age, or perhaps it was because he was a kindred spirit: someone who felt better clothed in shadows and mystery, someone who liked a world of twisted logic and bizarre puzzles, and found it more interesting than day-to-day dealings, discussions of the weather and the position of the Yankees or the Cowboys in the World Series or Super Bowl.

Because Sometimes Prayers Ain't EnoughI’m not one of those who thinks Poe’s drinking, depression and drug use contributed to his writing and made it better. I believe he wrote to escape these personal demons. Poverty was another problem he had, another thing from which he wished to escape, and when I was a kid, and in fact until I was in my middle 20s, it was part of my daily existence as well. Sometimes, to escape the thought of pockets full of lint and no change, it was necessary to enter into a world where anything was possible. A world of one’s own creation. But to do so, others had to show you how to open the doors and give you a bit of furniture here and there. They had to tease you into coming over to their side and looking around inside their house.

Writers as diverse as Kipling, Tennessee Williams and H.P. Lovecraft, his greatest disciple, have acknowledged their debt to Poe. He moved through their writings like an apparition. His shadow is large, and it’s changeable. He wrote detective stories, invented them for that matter. He wrote horror stories, and stories of the psychologically weird and the grotesque, as well as stories of dark humor. He wrote a little bit of everything, including love poems, provided you like your love dark and dank and dead.

As a person, Poe was so acidic and unpopular, even his literary executor tried to destroy his reputation. But his talent remains, vibrant and as influential as ever. Not even his literary executor could drown that. Poe may go down deep for a while, pushed there by fashion and critics, but he floats. He bobs up. He’s always there to remind us of his dark genius. He may be the most influential American writer ever, and maybe one of the most influential in the world. He had such impact on the world of literature that awards are named after him, comics are drawn depicting his work, and there is even an action figure of Poe, minus the kung fu grip. Take that, Dostoevsky!

And this brings me back to the aluminum chair factory and his influence. Yeah, that’s right. I’m never far away from the aluminum chair factory.

I thought of his stories while I worked, carrying rods, or racking links, or holding my foot on a pedal that made a machine hiss, thump and bind. I thought of his stories until I could hear the beating of Poe’s Tell-Tale Heart beneath my feet. See his black cat out of the corner of my eye. Imagine a wall freshly bricked up with a man scratching at it from the other side. He helped me get through my shifts. He was there, and he’s here now, with me most mornings when I write. He is stronger than the aluminum chair factory. He was a fate-changer for me, and I love him for it.

Thank you, Edgar Allan Poe, for saving me from a fate that would have been a premature burial the length of my life.

Thank goodness Poe was correct when he wrote: “the boundaries which divide Life from Death are at best shadowy and vague. Who shall say where the one ends and where the other begins.”

Anyone with a creative spark knows what that means. And anyone of a creative spirit is thankful for it. It gives us a place to go that isn’t contained and bound in the plain gray wrapper of our flesh.

Thank you, Edgar Allan Poe.

Originally published in the Texas Observer.

Joe R. Lansdale is the author of numerous novels and short stories. His work has received the Edgar Award, seven Bram Stoker Awards, a British Fantasy Award, and has twice been named a New York Times Notable Book, among other honors. The film adaptation of his novella “Bubba Ho-tep” was directed by Don Coscarelli and starred Bruce Campbell and Ossie Davis. His novel Vanilla Ride, from Knopf, has just been released in paperback by Vintage. He lives in Nacogdoches, Texas.

Mulholland Books will publish EDGE OF DARK WATER in 2012.

May 252012
 

Listen to Wisdom

A recent, controversial  New York Times article by Stanley Fish uses the results of a 2011 psychological study to argue readers and viewers experience no negative effects from knowing the ending of a story in advance. We asked a few of our friends what they thought–check back regularly today for their responses.

This is the silliest defense for spoiling stories for those of us who don’t want them spoiled that I have ever heard. I have spoiled, accidently, a film and I was almost lynched. They were right. If it’s done to me, I feel the same. This is a case where the writer messed up and spends a new column justifying it instead of just saying, you know, I should have thought that through. There may be those who read the last page of a book, or like the previews for films to be so precise it lets them know how it’s going to turn out, but surprise has a great place, and most of us prefer it, and if we prefer not to have things spoiled for us, a spoiler alert is a nice warning to us who would prefer not to know.  Bad journalist. Bad, dog.

Joe R. Lansdale is the author of more than a dozen novels, including The Bottoms, A Fine Dark Line, and Leather Maiden. He has received the British Fantasy Award, the American Mystery Award, the Edgar Award, the Grinzane Cavour Prize for Literature, and eight Bram Stoker Awards. He lives with his family in Nacogdoches, Texas.

Lansdale’s EDGE OF DARK WATER, called by the Boston Globe “a terrific read [with] an unforgettable cast of characters,” is now available in bookstores everywhere.

Mar 162012
 

Joe R. Lansdale’s EDGE OF DARK WATER is now on its way to bookstores around the country…but we’re so excited to be publishing this amazing book, we’ve decided to share part of it with you now. Read on for more of the novel that had Dan Simmons raving: “the strongest, truest, and most pitch-perfect narration since Huck Finn’s….real genius….a masterpiece.”

Missed the first excerpt? Start reading here.

2

May Lynn didn’t have a mama anymore, cause her mama had drowned herself in the Sabine River. She had gone down with some laundry to soak, and instead wrapped a shirt around her head and walked in until the water went over her. When she came up, she wasn’t alive anymore, but she still had that shirt around her noggin.

May Lynn’s daddy was someone who only came home when he got tired of being any other place. We didn’t even know if he knew his daughter was missing. May Lynn used to say after her mama drowned herself her daddy was never the same. Said she figured it was because the laundry around her mother’s head had been his favorite snap-pocket shirt. That’s true love for you. Worse, her brother, Jake, who she was close to, was dead as of a short time back, and there wasn’t even a family dog to miss her.

The day after we found her, May Lynn was boxed up in a cheap coffin and buried on a warm morning in the pauper section of the Marvel Creek Cemetery next to a dried patch of weeds with seed ticks clinging to them, and I suspect some chiggers too small to see. Her mother and brother were buried in the same graveyard, but they hadn’t ended up next to one another. Up the hill was where the people with money lay. Down here was the free dirt, and even if you was kin to someone, you got scattered—you went in anyplace where there was room to dig a hole. I’d heard there was many a grave on top of another, for need of space.

There were oaks and elms to shade the rest of the graveyard, but May Lynn’s section was a hot stretch of dirt with a bunch of washed-down mounds, a few with markers. Some of the markers were little sticks. Names had once been written on them, but they had been washed white by the sun and rain.

The constable ruled on matters by saying she had been killed by a person or persons unknown, which was something I could have figured out for him. He said it was most likely a drifter or drifters who had come upon her by the river. I guess they had been carrying a sewing machine under their arm.

He didn’t make any effort to search out her murderer or find out why she was down there. For that matter, there wasn’t even a doctor or nobody that looked at her to be sure exactly how she was killed or if she had been fooled with. Nobody cared but me and Terry and Jinx.

The service was conducted by a local preacher. He said a few words that might have sounded just as insincere if they had they been spoken over the body of a distant cousin’s pet mouse that had died of old age.

When he was through talking, a couple of colored men put the plain box down in the ground using ropes, then started shoveling dirt in the hole. Outside of the colored men, and the preacher and the seed ticks, we had been the only ones at the funeral, if you could call it that.

“You’d think they was just taking out the trash, way that preacher hurried up,” Jinx said, after they left.

“Way they saw it,” I said, “that was exactly what they was doing. Taking out the trash.”

Jinx was my age. She had her hair tied in pigtails that stood out from her head like plaited ropes of wire. She had a sweet face, but her eyes seemed older, like she was someone’s ancient grandma stuffed inside a kid. She wore a dyed blue flour-sack dress that had some of the old print faintly poking through, and she was barefoot. Terry had on some new shoes, and he had gotten from somewhere a man’s black tie. It was tied in a big knot and pulled up tight to his neck, making him look like a bag that had been knotted near the top. He had enough oil in his black hair to grease a truck axle, and it still wasn’t quite enough to hold his wild mane down. His face was dark from the sun, and his blue eyes were shiny as chunks of the sky. None of us was happy with what had happened, but he was taking it especially hard; his eyes were red from crying.

“No one will make a concerted effort to discover what happened to her,” Terry said. “I think a search for the truth is out of the question.”

I loved to hear Terry talk, because he didn’t sound like no one else I knew. He hadn’t dropped out of school like me, as I was having problems with it being so far and no way to get there and I didn’t like it much anyhow. My mother, who was pretty good educated, didn’t like that I had quit, but she didn’t get out of bed to make much of a complaint against it; that might have required her putting on her shoes.

Terry liked school. Even the math part. His mother had been a schoolteacher and gave him extra learning. His father had died when he was young, and as of recent his mother had taken up with and married an oilman named Harold Webber. Terry didn’t get along with him even a little bit. Webber made Terry’s mother quit teaching school to be home with the kids, and then she started a seamstress business, but he made her kill that, too, and toss out all her goods, because he believed a husband took care of his wife and she shouldn’t work, even if she liked the work she did. In the end it was all about the same anyhow, as jobs, especially for women, had become as rare as baptized rattlesnakes.

Since that marriage, Terry had a look in his eye like a rabbit that was about to run fast and far.

Jinx could read and write and cipher some, same as me, but she hadn’t learned it in school. Coloreds didn’t have a school in our parts, and she had been taught by her daddy, who had gone up north to work for a while and learned to read there. He said it was better in the north for coloreds in some ways because people acted like they liked you, even if they didn’t. But he come back because he missed his family and being in the South, since he knew right off who the sons of bitches was; there wasn’t as much guesswork involved in figuring who was who.

But when times got bad, that didn’t keep him from heading north again. He hated to do it, he told Jinx, and meant it, but he had to go up there and make some money and mail it back to her and her mother.

None of us was happy in East Texas. We all wanted out, but seemed stuck to our spots like rooted trees. When I thought about getting out I couldn’t imagine much beyond the wetlands and the woods. Except for Hollywood. I could imagine that on account of May Lynn talking about it all the time. She made it sound pretty good, even though she had never been there. Still, that’s where I wished to be. But as I had learned from Jinx, shit in one hand and wish in the other and see which one fills up first. She said the same thing about prayer, but I had never taken it on myself to test the notion.

We decided to go to May Lynn’s house and see if her daddy was there so we could let him know the bad news, tell him he missed the funeral. Our guess was if he was home, he would know by now, but it was something to do, and to tell it true, if he wasn’t home, we wanted to take a look around. I can’t explain it, but I guess we didn’t want to let go of May Lynn just yet, and going where she lived seemed a way to keep her memory warm.

With her dead, a lot of hopes I had were gone. I always figured May Lynn just might go off to Hollywood and be a movie star, and then she’d come home and take us back with her. I never could figure why she would do that, or what we might do out there, but it beat thinking I was just gonna grow up and marry some fellow with tobacco in his cheek and whiskey on his breath who would beat me at least once a week and maybe make me keep my hair up.

None of this kind of thinking mattered, though, because May Lynn didn’t become a star. Truth was, as of late, we hadn’t known her very well ourselves. By the time she showed up in the water wired to that Singer sewing machine, I reckon I hadn’t seen her for a month. I figured it was similar for Terry and Jinx.

Jinx said she thought May Lynn had come of the age to think hanging with colored kids might not lead to stardom. Jinx said she didn’t hold it against her, but I had doubts about that. Jinx could hold a grudge.

As to what happened to May Lynn, I had ideas about that. Nobody loved a picture show the way she did, and she’d hitch a ride with anyone if they’d get her into town on Saturdays to catch a show. Men were always quick to pick her up. Me, I’d have had to lay down in the middle of the road and play dead to have them stop, and even then they might have run over me, same as they would a dead possum. Could be May Lynn got a ride with the wrong person; an angry Singer sewing machine salesman. It was a stretch, but I figured it was better detective work than Constable Higgins had done.

*

To get to May Lynn’s house from our side, you either had to walk ten miles up to the bridge and cross over and walk about ten more on the other side along the edge of the river, or you could cross by boat to the far bank and walk right up to her house. It would save you hours.

We used Daddy’s boat, the one with the little hole in the bottom, and while me and Terry rowed, Jinx used a coffee can to bail the water out. After a while, I took a turn and she rowed.

Trees leaned way out over the river and there were long vines and dangles of moss hanging near the surface of the water. There was the usual turtles and water snakes swimming about, long-legged birds diving down to take fish out of the water, and those little bugs that flittered along the water’s surface like dancers.

We had been going along for a ways when Jinx said, “You hear that?”

“Hear what?” Terry said. He was still wearing his knotted tie, but he had slid the knot down so that it was no longer tight against his neck.

“That knocking sound,” Jinx said.

We stopped rowing and listened. I faintly heard it.

“That’s trees striking and rubbing together in the wind,” Terry said. “They’ve grown up too close to one another, and that’s the sound they make. See how brisk the wind is?”

I looked at the trees, and they were blowing right smart. The water was wind–rippled, too.

“It might be the wind doing it,” Jinx said, “but that ain’t trees knocking together. Them’s bones.”

“Bones?” I said.

Jinx pointed toward the riverbank, where briars and brambles twisted tight around the trees. “Somewhere back in the thicket there is where Skunk lives. He hangs out bones on strings, and when the wind blows, they bang together. Human bones. That’s that sound you hear, them bones.”

“There isn’t any Skunk,” Terry said. “That’s an old wives’ tale. Like the goat man that’s supposed to live in the woods. It’s just a tale to scare children.”

Jinx shook her head. “Skunk is real. He’s a big old colored man that’s more red than black, with twisty red hair; he wears it wild, like it’s a bush. They say he keeps a dried-up bluebird hanging in it. He’s got dark eyes as dead and flat as coat buttons. They say he can walk softer than a breeze and can go for days without sleeping. That he can live for weeks sipping water from mud holes and eating roots and such, and that since the only baths he ever had was when he fell in the river, or when he got caught out in the rain, he stinks like a skunk and you can smell him coming a long ways off.”

Terry let out a laugh. “Don’t be ridiculous.”

“He’s part Indian—Seminole or Cherokee or something—and that’s why he’s red-touched. He’s a tracker used to live in the Everglades over in Florida. He’s a stone killer. Ain’t nobody bothers Skunk unless they want someone caught, or dead is more likely. He chops off hands and takes them back to prove he’s done the business he was hired to do.”

“Even if there is a fella with a bird in his hair, and his name is Skunk,” I said, “I don’t think that’s bones from his place rattling. Terry’s right; that’s treetops knocking together. I’ve heard that sound before, and not just in this place.”

“Well,” Jinx said, “he moves his place around. And if that is trees, not bones, it don’t mean Skunk ain’t out there. I know people that have seen him. I know one man told me he hired Skunk because his wife run off and he wanted Skunk to find her. He said Skunk must have misunderstood or didn’t care. All he brought back was her hands, chopped off right at the wrist with a hatchet. Old man told me the story said he didn’t ask where the rest of her was, and he paid up, too. What Skunk wanted from him wasn’t money. He wanted all the man’s blankets and the food he canned for the winter, and his biggest, fattest hunting dog. Old man gave it to him, too. Skunk carried that stuff off in a wheelbarrow, the dog tied to a rope, walking alongside him. Old man said Skunk didn’t use no hunting dogs because he was better than any of them. He figured the dog was for dinner.”

“And he’s got a big blue ox named Babe,” Terry said. “And he can rope a tornado and ride it like a horse.”

Jinx was so mad she almost stood up in the boat.

“He ain’t like no Paul Bunyan or Pecos Bill,” she said. “You’re making me mad. He ain’t no story. He’s real. And you better watch out for him.”

“It wasn’t my intention to make you angry, Jinx,” Terry said.

“Well, you done made me angry,” Jinx said. “Big angry.”

“Sorry,” Terry said.

“Go on, Jinx,” I said, soothing her ruffled feathers. “Finish telling about him.”

“He don’t talk much, unless it’s to who he’s gonna kill. They say then he can’t talk, just makes funny sounds. I know cause Daddy told me he knew a fella had got away from Skunk, just by accident. That Skunk had been hired to get him, found him, tied him to a tree, and was gonna cut his throat and chop off his hands. The tree this fella was tied to was up against the bank next to the river. It was an old tree, and though this fella wasn’t thinking about it on purpose, he was pushing with his feet to get away from Skunk. The tree was more rotten than it looked, because there was ants at the base, and they had gnawed it up. This fella told Daddy he could feel them ants on him, biting, but he didn’t hate them none, because they had made that old tree rotten, and with him pushing with his feet, pressing his back into the trunk, it broke off. He went backward into the water. When he hit, the log floated, spinning him around and around, him snapping breaths every time he was on top of the river. Finally the log come apart altogether, and that loosened the ropes and he swam out to a sandbar and rested, and then he swam across to the other side. Course, none of it done him any good. Daddy said that later, after he told him about it, he wasn’t seen no more. Daddy said it was because he didn’t have sense enough to go up north or out west, but had stuck around. He figured Skunk finally got him. Skunk ain’t no quitter, though he can wander off from a trail for a while if he gets bored. He gets interested again, he comes back. He always comes back, and there ain’t no end to it until he’s got whoever he’s after.”

“Why was Skunk supposed to be after this man?” Terry asked.

“I don’t know,” Jinx said. “Someone hired Skunk to get him, and Skunk got him. Reckon he chopped off his hands and gave them to whoever hired him, or maybe he kept them himself. I don’t know. As for what was left of the fella, I bet he rotted away in the woods somewhere, never to be seen again.”

The boat was drifting lazily toward the bank. We started paddling again.

“He’s in them woods,” Jinx said, not through with her Skunk business. “In the dark shadows. He don’t do nothing but wait till someone wants to hire him. He’s out there somewhere, in his tent made of skins, all them bones hanging around it, rattling in the breeze. He wraps all those bones in that tent and straps it to his back and moves about, sets up camp again. He’s waiting till someone wants him. They got to talk to one of his cousins to go up in there and find him, because he won’t let no one else come close, and they say even his cousins are afraid of him.”

“How did he get the way he is?” I asked her.

“They say his mama couldn’t stand him no more cause he was crazy, and so when he was ten, for his birthday, she took him out in the river and threw him out of the boat and hit him in the head with a paddle. He didn’t die. He just got knocked out good and floated up on shore. He took to living ’long the riverbank, and in the woods. Later, his mama was found with her hands chopped off and her head had been stove in with a boat paddle.”

“How perfect,” Terry said, and he laughed.

“You laugh, you want,” Jinx said. “But you better believe it. Skunk’s out there. And you run up on him, it’s the last running you gonna do.”

Mar 092012
 

Joe R. Lansdale’s EDGE OF DARK WATER will be in bookstores later this month…but we’re so excited to be publishing this amazing book, we’ve decided to share part of it with you now. Read on for one of the best first sentences you’ll ever read, the beginning of the novel that had Dan Simmons raving: “the strongest, truest, and most pitch-perfect narration since Huck Finn’s….real genius….a masterpiece.”

 

Part One

Of Ash and Dreams

1

That summer, Daddy went from telephoning and dynamiting fish to poisoning them with green walnuts. The dynamite was messy, and a couple years before he’d somehow got two fingers blown off, and the side of his face had a burn spot that at first glance looked like a lipstick kiss and at second glance looked like some kind of rash.

Telephoning for fish worked all right, though not as good as dynamite, but Daddy didn’t like cranking that telephone to hot up the wire that went into the water to ’lectrocute the fish. He said he was always afraid one of the little colored boys that lived up from us might be out there swimming and get a dose of ’lectricity that would kill him deader than a cypress stump, or at best do something to his brain and make him retarded as his cousin Ronnie, who didn’t have enough sense to get in out of the rain and might hesitate in a hailstorm.

My grandma, the nasty old bag, who, fortunately, is dead now, claimed Daddy has what she called the Sight. She said he was gifted and could see the future some. I reckon if that was so, he’d have thought ahead enough not to get drunk when he was handling explosives and got his fingers blown off.

And I hadn’t ever seen that much sympathy from him concerning colored folk, so I didn’t buy his excuse for not cranking the phone. He didn’t like my friend Jinx Smith, who was colored, and he tried to make out we was better than her and her family, even though they had a small but clean house, and we had a large dirty house with a sagging porch and the chimney propped up on one side with a two-by-four and there were a couple of hogs wallowing out holes in the yard. As for his cousin Ronnie, I don’t think Daddy cared for him one way or the other, and often made fun of him and imitated him by pretending to bang into walls and slobber about. Of course, when he was good and drunk, this wasn’t an imitation, just a similarity.

Then again, maybe Daddy could see the future, but was just too stupid to do anything about it.

Anyway, Daddy had these tow sacks—about ten of them—and he and Uncle Gene had them full of green walnuts and some rocks to heavy them up, and they had them fastened on ropes and thrown out in the water, the ropes tied off to roots and trees on the shore.

Me and my friend Terry Thomas had gone down there to watch and help, because we didn’t have nothing else we wanted to do. Terry didn’t want to go when I told him what I wanted to do and where we were going and that I wanted him there with me, but he broke down finally and went and helped me toss bags and pull up fish. He was real nervous about the whole thing because he didn’t like either my daddy or my uncle. I didn’t like them, either, but I liked being outside and doing things that men do, though I think I would have been more happy with a line and a hook than bags of walnut poison. Still, I liked the river and the outdoors better than I liked being at the house with a mop in my hand.

My grandma on Daddy’s side always said I didn’t act like a girl at all, and I ought to stay home learning how to keep a garden and shell peas and do women’s work. Grandma would lean forward in her rocker, look at me with no love in her gooey eyes, and say, “Sue Ellen, how you gonna get a husband you can’t cook or clean worth a flip and don’t never do your hair up?”

Course, she wasn’t being fair. I’d already been doing woman’s work for long as I could remember. I just wasn’t no good at it. And if you’ve ever done any of it, you know it ain’t any fun at all. I liked doing what the boys and men did. What my daddy did. Which, when you got right down to it, didn’t seem like all that much, just fishing and trapping for skins to sell, shooting squirrels out of trees, and bragging about it like he’d done killed tigers. Most of that bragging took place after he got liquored up good. I’d had me a taste of liquor once, and I didn’t like it. I can say the same for chewing tobacco and cigarettes and anything that’s got lettuce in it.

As for putting my hair up, she was really talking about certain religious ways, and I couldn’t figure that God, with all he had to worry about, would be all that concerned with hairdos.

This day I’m telling you about, Daddy and Uncle Gene was drinking a little and tossing those sacks, and the water was turning dark brown where the walnuts went in. After a while, sure enough, a bunch of brim and sun perch come floating belly up.

Me and Terry stood on the shore and watched while Daddy and Uncle Gene got in the rowboat and pushed off and went out there with nets and gathered them fish like pecans that had fell on the ground. There was so many I knew we’d be eating fried fish not only tonight, but tomorrow night, and after that we’d be eating dried fish, which is another thing I forgot to put on my list of stuff I don’t like. Jinx says dried fish tastes like stained shorts smell, and she won’t get an argument from me. If they were smoked proper, that was all right, but dried fish are a lot like trying to chew on a dead dog’s tit.

Walnuts didn’t really poison the fish to death, but it stunned them up a mite and made them float to the surface, white bellies showing, working their gills. Daddy and Gene gathered them up with nets on a stick and put them in a wet tow sack for gutting and cleaning.

The sacks was tied to the shore with ropes, and me and Terry went down there to start pulling them in. The walnuts still had enough green in them they could be used downriver to stun more fish, so we was supposed to save them. We got hold of a rope and started pulling, but it was real heavy and we couldn’t do it.

“We’ll be there d’rectly to help out,” Daddy called from the boat.

“I think we should cut this one loose,” Terry said to me. “No use straining our guts out.”

“I don’t quit that easy,” I said, and looked up to see what was going on with the boat. It had a hole in the bottom, so Daddy and Uncle Gene couldn’t stay out long. Uncle Gene had to bail it out with a coffee can while Daddy paddled the boat back to the bank. When they had it pulled out of the water, they came over to help us.

“Damn,” Daddy said, “either them walnuts has got heavy as a Ford or I’ve gotten weak.”

“You’ve gotten weak,” Uncle Gene said. “You ain’t the man you once was. You ain’t the strapping example of prime manhood I am.”

Daddy grinned at him. “Hell, you’re older than me.”

“Yeah,” said Uncle Gene, “but I’ve took care of myself.”

Daddy let out with a hooting sound, said, “Ha!”

Uncle Gene was fat as a hog, but without the personality. Still, he was a big man in height and had broad shoulders and arms about the size of a horse’s neck. Daddy didn’t even look kin to him. He was a skinny peckerwood with a potbelly, and if you ever saw him without a cap it was cause it had rotted off his head. He and Uncle Gene had about eighteen teeth between them, and Daddy had most of them. Mama said it was because they didn’t brush their teeth enough and they chewed tobacco. There were times when I looked at their sunken faces and was reminded of an old pumpkin rotting in the field. I know it’s a sad thing to be so repulsed by your own kin, but there you have it, straight out and in the open.

We all pulled on the rope, and finally, just about the time I thought I was going to strain my guts out, up come that bag. Only it wasn’t just the bag. There was something caught up in it, all swole up and white, and dangling long strands of wet grass.

“Now, wait a minute here,” Daddy said, and kept pulling.

Then I seen it wasn’t grass at all. It was hair. And under that hair was a face big around as the moon and white as a sheet and puffy-looking as a feather pillow. I didn’t know who it was right off, till I seen the dress. It was the only dress I’d ever seen May Lynn Baxter wear. A dress spotted with blue flowers and so faded you could barely tell what color the flowers had been in the first place, and it had gone a might short on her as she had grown tall.

Only time I’d seen her not wearing it that I could remember was when me and her and Terry and Jinx slipped out one night and went to the swimming hole for a dip. I had thought she was so pretty there in the moonlight. Not a stitch on, well formed, with moon-blond hair to her waist, and that dress hanging on a limb next to the river. She moved like she was hearing music we couldn’t. I knew then she was gonna be the kind of girl that made single men turn their heads and take a deep breath and married men wish their wives would catch on fire. Fact was, she already was that kind of girl.

Terry didn’t pay her no mind, and I think it’s because he might be a sissy. There’s a rumor he is, and part of the rumor has to do with a boy from the far end of the river that come up one summer to visit relatives. I don’t know if it’s true, but I don’t care one way or the other. I’ve known Terry since we was babies, and from what I’ve seen of man-and-woman love, it mostly has to do with Daddy lying around and not doing much, getting drunk, and hitting Mama in the eye. One time, after he’d beat her up pretty good and went out fishing, a rainstorm come up, and I lay on my bed hoping a bolt of lightning would shoot out of the sky and hit him in the top of the head, knock them few teeth out of his skull and kill him, leaving nothing behind but his cap. I know that’s mean, but that’s how I was thinking.

I didn’t like that Mama thought she deserved that ass-whipping. She thought a man was the one ran things and had the say. She said it was in the Bible. That put me off reading it right away.

So there lay May Lynn, partway on the shore, that dress having grown smaller on her over the years, and smaller yet on account of how she had puffed up.

“Her eyes is swole shut,” Uncle Gene said. “She’s been in the water a bit.”

“It don’t take no time at all to look like that,” Daddy said. “You get drowned and don’t float up overnight, that’s how you get.”

All of a sudden May Lynn started to flutter and leak. Gas coming out of her, and it smelled real bad, like a giant fart. Her hands was tied behind her, twisted up in rusty wire, and so were her feet, which was pulled up to meet her hands. Her skin had swelled around the wire—the wire that had gotten tangled up in our bag.

When we pulled her completely up and laid her out, we seen there was a Singer sewing machine fastened around her feet with more wire, several pieces of it twisted together to make it strong. The wire had gone deep into her wet flesh, all the way to the bone. The weight of that Singer was why all four of us was needed to pull her up.

“Ain’t that May Lynn Baxter?” Daddy said.

He had just figured who it was, his ability to see into the future dragging its feet until the future had arrived. He turned to me for an answer.

I could hardly get the words out of my mouth. “I reckon that’s her.”

“She was only a girl,” Terry said. “She was our age.”

“Age ain’t got nothing to do with living or dying,” Uncle Gene said. “But no doubt about it, she’s twisted her hips for the last time.”

“I reckon we ought to do something,” Daddy said.

“I think we ought to cut our rope free and push her back in,” Uncle Gene said. “She ain’t gonna get no deader if she ain’t found, and her daddy won’t have to know she’s dead. He can think she run off to Hollywood or something. Wasn’t that what she was always saying she was gonna do? I mean, it’s like a dog dies and you don’t tell the kid, and they think the dog is living with someone else, or something like that.”

“She doesn’t have any real family,” Terry said, not looking at her, but looking out at the river. “We were her only friends, me and Sue Ellen and Jinx. She isn’t a dog.”

Daddy and Uncle Gene didn’t look at him. It was like he hadn’t said a thing.

“We could do that,” Daddy said. “We could push her back. She wasn’t known to be of much account anyhow. And they’re right. She ain’t got no real family, with her mama and brother dead, and her daddy in love with the bottle. It wouldn’t do no harm to just let her sink. Hell, he didn’t miss her much when she was alive, and with her dead, he still won’t miss her.”

“You ain’t pushing her back,” I said.

Daddy took note of that. He turned and looked at me. “Who you talking to, little girl? You ain’t talking to your elders like that, are you?”

I knew it might mean I was going to get a thrashing, but I stood by my guns.

“You ain’t pushing her back in.”

“She was our friend,” Terry said, and I saw tears in his eyes.

Daddy reached out and slapped me on top of the head with the palm of his hand. It hurt. It made me a little dizzy.

“I’ll make the decisions around here,” Daddy said, and leaned his face close to me. I could smell the tobacco and onions on his breath.

“You didn’t have any reason to strike her,” Terry said.

Daddy glared at Terry. “Don’t be talking above your raising.”

“You aren’t my daddy,” Terry said, stepping out of range, “and if you push May Lynn back in the water, I’ll tell about it.”

Daddy studied Terry for a moment. Probably judging distance, wondering how fast he could reach him. It would have required too much work, I reckon, because the tension drained out of him. Daddy Don Wilson wasn’t one for expending energy if he didn’t have to, and sometimes even if he had to.

Daddy twisted his withered mouth a little, said, “We was just funning. We ain’t going put her back, are we, Gene?”

Uncle Gene looked Terry over, then me.

“I suppose not,” he said, but the words sounded to me as if they had been burned real good and were mostly charred.

[LI_SB]

Daddy sent Terry into town to get the constable, but didn’t let him take the truck. He made him walk. It would have been easy enough to have loaded the body in the back of the truck and driven us all into town, but that would have been too damn convenient, and that wasn’t Daddy’s way. And he didn’t like Terry on account of he figured he wasn’t the way he thought a man ought to be. Uncle Gene had a truck, too, but he didn’t offer it, either. I think he just didn’t want a dead gal in the back of it.

I sat on the shore and looked at May Lynn’s body. It was gathering flies and starting to smell and all I could think of was how she was always clean and pretty, and this wasn’t a thing that should have happened to her. It wasn’t like in the books I had read, and the times I had been to the picture show and people died. They always looked pretty much like they were when they were alive, except sleepy. I saw now that’s not how things were. It wasn’t any different for a dead person than a shot-dead squirrel or a hog with a cut throat hanging over the scalding pot.

Shadows came tumbling through the trees and over the water and you could see a bit of the moon shining on the river; it looked like a huge face floating up from the bottom. The crickets had started to saw at their legs pretty seriously, and there was a louder gathering of frogs that came with the dark. If I hadn’t been staring mostly at a dead body, it would have been kind of pleasant. As it was, I felt numb, the way your arm will get if you sleep on it, but I felt like that all over.

Daddy built a fire a ways from the body to sit by while we waited on Terry and the law, and Uncle Gene gathered up the fish and carried them up to his truck. He took them to be split up with us, and to take the rest over to his house and his wife. Since he and Daddy had gone to pulling at a jug before he left, he was lit up good, and I figured if he didn’t wrap the pickup around a tree in the dark, when he got home he’d make his wife, Evy, clean the fish, and then he’d give her a beating. Uncle Gene said he liked to give her one a day when he could, and one a week when he was busy, just to let her know her place. He had even offered to give me one a couple of times, and Daddy thought it might be a good idea. But either Mama was there stop it, and ended up getting beat on by Daddy instead of him beating on me, or he eventually played out on the idea because it got in the way of his drinking.

Anyway, Uncle Gene decided it was best to go home, and left Daddy to his business.

Daddy tried to get me to come over and sit by him near the fire, but I stayed where I was. In dark places he liked to touch, and it made me feel strange and uncomfortable. He said it was a thing fathers did with daughters. Jinx told me that wasn’t true, but I didn’t need her to explain it to me, because I could tell inside of me it wasn’t good. I sat away from the fire, and though it was a warm enough night, the fire did look inviting. But all I could think about was how Daddy was. How his breath smelled of whiskey and tobacco most of the time. How when he was really drunk, the whites of his eyes would roll up from the bottom like a frightened horse. How if he tried to touch me he’d start breathing faster, so I just kept my place in the shadows, even when the mosquitoes started to show up.

“You and that sissy boy going to stir things up don’t need stirring,” Daddy said. “We’d pushed her back in the water, we’d be home by now. Most things you decide to deal with you could skip.”

I didn’t say anything to that.

“We should have kept a fish or two to fry on the fire,” he said, like maybe it was my fault Uncle Gene had packed them all up and toted them off. There were still a few that had washed up to the bank, but he wasn’t willing to leave the fire and go get one to clean and cook. And I wasn’t about to do it. All I could do was think about May Lynn and feel sick, and I had to keep my eye on Daddy cause the drunker he got the bolder he got, and the harder he talked. You never knew when he might do something stupid or scary. That’s how he was. He could be laughing and having a good time, and the next thing you knew he’d pull a pocketknife and threaten to cut you. He didn’t look like much, but he was a known hothead and knife fighter, and was supposed to be good with his fist, and not just when he was hitting women and children. He was also known to tire out quick and start looking for a place to nest.

“You think you got it hard, don’t you, baby girl?”

“Hard enough,” I said.

“I tell you what hard is, that’s when your own father sets you out the door and locks it and won’t let you come back for a night or two. And when he does, it’s just because cows needed milking and eggs needed gathering, and he wanted someone to hit.”

“Well, now,” I said. “The apple didn’t fall far from the tree, did it?”

“You ain’t never milked a cow in your life,” he said.

“We ain’t never had one.”

“I’m going to get one, and when I do, you’ll milk it. You’ll do same as I did.”

“It’s a thing to look forward to,” I said, and then I shut up. The way he twisted his head and turned the jug of hooch in his hand told me it was time to be quiet. Next thing I knew that jug would be flying through the air, and he’d be on me, his fist swinging. I just sat there and kept watch and let him suck his liquor.

The moon was high and the night was settled in heavy as stone by the time we seen a light coming over the hill on the trail that split down between the thick woods that led to the river. Along with the light came the rumble of a truck, the crackling of tires over a pocked road, and the swish of close-hanging limbs dragging alongside of it.

When the truck was down the hill and still a good ways from the water, it stopped, and I could hear Constable Sy Higgins pulling on the parking brake. He left the motor running and the lights on. He got out of the truck like a man climbing down from a tall tree with a fear he might fall. Terry got out of the other door and came down quickly. When he was close to me, he said so no one else could hear, “He’s drunk. I had to get him out of bed, and he didn’t want to come. He said it wouldn’t have hurt to just push her back in the water.”

“That’s the law for you,” I said. “Now if we could get the clergy here and the mayor, we’d have the perfect pile to smell.”

Constable Sy sauntered down the hill with a flashlight shining in front of him, even though the headlights on the truck were bright enough to see how to thread a needle. He made toward the fire, his belly bouncing before him like a dog leaping up to greet him. Daddy got to his feet, staggering a little. They were drunks together.

“Where is she?” Higgins said, pushing his fedora up on his head. When he did, I could see his hard face and the patch over his eye. Way the shadows fell, it made that eye look like a black tunnel. Rumor was he’d had it scratched out by a black woman he raped. The holster that held his gun was said to be made out of an Indian’s hide, and had been passed on to him by Indian-fighter relatives. It was probably just a story.

Constable Sy hadn’t even bothered to look around and find May Lynn. It wasn’t like she was hidden in the woods under a tarpaulin. All you needed was one good eye to find her. A blind man would have noticed her right off.

Daddy led him over to the body while me and Terry watched. Constable Sy shined the light around on her and the sewing machine lying nearby. He said, “She’s squatted to pee for the last time, but I think maybe the sewing machine can be salvaged.”

Daddy and Constable Sy snickered together.

“Wasn’t nothing wrong with her,” I said. “She’s the one murdered. She’s the one that’s had something done to her. There ain’t a thing funny about it.”

The constable shined his flashlight on my face. “Girl, you ought to know children ain’t supposed to speak unless spoken to.”

“That’s what I tell her,” Daddy said.

“I ain’t a child,” I said, dipping my head and squinting my eyes against the light. “I’m sixteen.”

“Yeah, well,” the constable said, moving the light from my head to my toes. “I can see you ain’t as much a kid as I remember.”

I don’t know how to explain it, but that light running up and down me wasn’t any different than a hot yellow tongue; it made me feel kind of sick.

“Why don’t you and your girlfriend there go sit down out of the way?” Daddy said.

That made Constable Sy snicker, and Daddy liked that. I could tell the way he stood a little straighter and his chest went out. There wasn’t nothing made him feel better than belittling somebody, unless it was hitting somebody upside the head that didn’t expect it.

Terry sighed, and me and him went over and sat down on the ground by the fire. Constable Sy went to his truck and got an old blanket out of the bed, and then he and Daddy, using the toes of their boots, sort of kicked poor May Lynn onto it, wrapped her up, carried her, and put her in the constable’s truck bed. When they dropped her back there, it sounded like someone tossing a big dead fish on a smooth flat rock.

“You could have done this yourself,” Constable Sy said. “You could have brung her in and we could have looked at her in the morning.”

“I’d rather your truck stank than mine,” Daddy said.

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