Joelle Charbonneau

Aug 122012
 

by: Joelle Charbonneau

I am the worst parent in the world.  Okay, maybe that’s overstating.  I mean, I’ve only been parenting for a mere four and a half years.  There are lots of folks out there who have been doing this for a lot longer, which means they have had more opportunities to screw things up.  Right?

My son is four. He’s my first and after the scares he’s given me he might be my last.  Like any parent, I try to keep him safe.  The thing is, my best efforts to be a responsible parent seem to end in tragedy.  Kind of like the time I took him to the park and he wanted to go on the big slide.  He was a large nineteen-month-old, but the really big slide looked – well, really big.  It seemed irresponsible of me to let him go down alone.  I mean, what parent would let their kid go down a really big slide all alone when they were only 19 months? He could fall off or worse.  So, I did the only responsible, safe thing I could think of – I went down the side with him. 

And he broke his leg.

No, I didn’t fall on him, although in retrospect that would have made far more sense than what did happen.  My son squealed with delight, kicked his left foot out and caught the edge of the slide for just a moment – long enough for him to twist it perfectly and cause a tiny break. All because of my desire to have perfect parenting skills.

Since then the tot’s head had made impact with the corner of the coffee table, taken I don’t know how many dives to the concrete from his bike and had had his chin broken open because of a close encounter with metal steps on the playground slide.  (Hint...when metal steps and chin collide, metal steps win every time.)  Yep, despite my best efforts, I seem to be doing everything wrong.

Or am I? 

I admit that I have started to look for guidance for my parenting life in my publishing journey.  The first four manuscripts I wrote I did with careful consideration for the subject matter and the tone.  I tried to do them perfectly.  None of them sold.  In fact, despite my best “parenting” of those they weren’t and still aren’t publishable.  However, the fifth book I wrote I did without worrying about being perfect or even selling.  I sat down at the keyboard, let my goofiest ideas take over and had a blast.  I wrote for myself and forgot about the need to be perfect.  That book, as wild and wacky as it was, sold.  And somehow when I wasn’t looking I wrote a young adult novel without understanding any of the young adult novel rules.  It, too, sold.  I understood the rules, put them away and just wrote.  By doing so, things seemed to work out.

So, now that I’ve learned a lot of rules about parents, I guess I’m working on learning how to stop trying to be the perfect parent.  But I need help.  If you have any tricks you’d like to share about how to survive the parenting experience, please do!  I have a lot to learn, but the one thing I know is that like my books, the kid is going to have some rough patches and he’s going to have some fabulous moments and I hope that when I go back and look at my whole parenting story I will find that my son and I both enjoyed the ride.  

And in case you hadn't heard, our very own Dave White has joined the ranks of parenting.  Congratulations to the entire family.  I wish you all lots of sleep and great future!
Aug 052012
 
by: Joelle Charbonneau


I love debate.  Even if I agree with someone, I am happy to debate the other side of the argument just because it allows me to look at something from a new point of view.  That may not change my mind, but seeing an issue from all sides is the best way to understand it.  Personally, I think that the more information I have, the better I can make a decision.

Unfortunately, no matter what the issue – self-publishing, which books should be eligible for what awards, politics, fast-food CEOs and their religious beliefs—I have found that a great number of people do not take care with the words they use when discussing the topic at hand.  I have seen US political leaders likened to Hitler (which—yes, we have problems, but NO none of our current US leaders are killing millions in gas chambers) and publishers referred to as the devil.  The employees at the polarizing fast food chain (and if you’ve lived in a bubble this past week and don’t know which one I mean – I’m jealous!) have been called evil for needing their paycheck and have been praised by some patrons for beliefs that they do not support.  And up and down my Facebook newsfeed I see messages that bash those who do not hold the same political or social ideals.

YIKES!

Technology is wonderful.  It puts information at our fingertips.  We get to communicate via Skype and social media with people we might otherwise forget to pick up the phone to call.  However, technology—specifically social media, websites and blogs, have given many the impression that because they are communicating to the masses via a screen that their message doesn’t not do damage.  They throw around highly charged words like “Hilter and “Against God” and call people who hold certain beliefs names all the while not believing that they are doing anything wrong.

And maybe you don’t believe they are because—hey—the first amendment says that we all have the freedom of speech.  Do I believe in free speech?  Hell, yes!  But I would argue that much of the discourse I have seen could be considered a form of bullying.  It is one thing to say “I support this idea.”  It is quite another to say that anyone who supports something else is ignorant or evil.  Saying that there are questions you have about publishing or self-publishing is valid.  Saying that anyone who makes a choice to traditionally publish is an idiot and is a traitor to their creativity is just silly.  And let’s not get me started on what people were saying this week about those who supported the fast food chain and those who protested it.

People!  Yes, there is free speech.  Yes, I believe in it.  People I know and love have gone to war and fought for our right to have that privilege.  But they didn’t put their lives on the line just so people on Facebook could browbeat and bully their friends who dare not agree with their stance on certain issues. 

As writers, we know that words matter.  Words can evoke tears.  Prompt laughter.  Cause pain.  Whether face to face or behind a screen, words should be chosen with care.  Debate should be encouraged, but while debating we should hold ourselves to the standard that we would hold our children to.  Think of many of the posts that you see by your friends on Facebook, on blogs or on other social media sites today.  How many of those if posted by a teenager to their friends would be considered belittling or bullying?  How many could cause them trouble with parents or get them expelled?

So, I will say it again—words matter.  Please, choose the words you use with care.  By doing so, you will encourage others to do the same.  Once we have taken the anger and intent to damage out of our discourse, debate is possible.  And debate—a true exchange of ideas—is a wonderful thing.
Jul 292012
 
by: Joelle Charbonneau


Cozies are dead.
Chick-lit is dead.
Romantic suspense is dead.
Science fiction is dead.
Dystopian is dead.
Private eye novels are dead.

I just finished attending a conference this weekend.  There were workshops, pitch appointments, award ceremonies, publisher parties and lots of chat amongst friends.  There was also lots and lots of discussion about the state of publishing. 

It never fails that at every writers conference I attend, I hear that a certain genre that was once incredibly popular is now completely tanked.  Dead.  No longer will anyone buy that genre.  If you write in that genre you’d better switch genres or choose to go a non-traditional publishing route.  I watch writers’ eyes widen in fear as they realize the months or years they’ve spent working on their vampire novel or their Georgian-set Historical has all been wasted.  They shrug as if they don’t care, but I see their muscles clench and the sadness lurking behind the smile.

OY!

Perhaps I shouldn’t say this, but no genre is ever dead.  No time has ever been wasted.  Whether you are pursuing traditional or self-publishing, readers are out there waiting to discover new stories in the genre that has been declared null and void.

Industry professionals who speak confidently about a genre being dead don’t really mean that it is not a viable option any longer.  (Although that is typically what many, maybe even most authors take away from the conversation.  What they are saying is that a genre which in recent years had seen a huge upswing in demand has now contracted a bit.  It’s not that people aren’t buying books in that genre, but they bought so many books in that genre over a set number of years that the market has become oversaturated. 

Take vampires.  After Twilight, publishers were buying vampire books in droves.  They were HOT, HOT, HOT.  Publishers wanted more vampires.  Cooler vampires.  Sparkly vampires. 

And then they didn’t.

Suddenly, vampires were overdone.  Now they wanted the next cool paranormal creature.  Zombies.  Werewolves.  Dragons.  Faeries.  Angels.  Demons.  One year’s cool creature is next year’s “Don’t send it.  We’ve already got enough of it.” critter.

And yet…while vampires “died” five years ago for publishers, there are still books being published with vampire characters.  So, clearly, the reports of their demise have been greatly exaggerated.  Right?

When a genre “dies” it doesn’t mean that no one is buying that genre anymore.  It doesn’t mean that your book can’t sell or that readers don’t want to read you.  It just means that what once was an easy sell two years ago becomes a tougher sell now.  But it CAN sell. 

Take my young adult novel, THE TESTING.  Dystopian died about a year ago.  Not because readers weren’t reading it or because there weren’t books still coming out in that genre.  It was because it was the genre every publisher bought dozens and dozens of projects in a short period of time.  Both my agent and I knew the book would be harder to sell now that it would have been had I thought to write the sucker two years before.

Even knowing it would be a tough sell, I wrote the book.  I wanted to write the book.  My agent loved the book and pitched it.  Several publishers turned us down without even reading the book because the dystopian YA genre was dead.  But most editors read the book.  I’m guessing many of them did so with an eye-roll because….drum roll please….the genre was dead.  But they read it.  A lot of them really liked it.  Several loved it.  The book and the rest of the trilogy sold.

Just because a genre is dead doesn’t mean you should abandon it.  It just means it might be harder to sell to a traditional publisher or to attract notice if you self-publish the book.  But good stories are always being looked for.  And no genres ever really die.

So, if you are going to a conference and you hear your genre is dead…don’t shake your head with disappointment.  Take it as a challenge.  Make your writing and your story so strong and people have to take notice.  And remember…the genres that fade today are the ones that rise from the ashes and take the world by storm in the future.  No genre ever stays dead for long.
Jul 222012
 

By: Joelle Charbonneau

I’m sad.  My heart aches as I’m certain yours does.  Here at Do Some Damage we are fans of fictional crime.  Fans of heroes and villains.  We write stories that often have violence at the core.  But when fiction becomes reality, it is time to step back, pause and reflect.

As I’m sure you are away, this weekend was the opening of the new Batman movie.  I’m a huge comic book movie fan and while I doubt my crowded personal life will allow me time to see it in the theaters, I still anticipated the release of the movie.  I smiled as I watch Twitter and Facebooks posts leading up to the big day.  I was curious if opinions I respected would believe the movie to be as strong as its predecessors and watched for the commentary.

Instead, I found tragedy.

A man wearing a gas mask threw tear gas into a packed theater then opened fire.  12 dead.  11 critically wounded.  Dozens physically injured.  The shooter has been apprehended, although I doubt anyone will ever understand why he made the choice to kill.  The police that went to his home found trip wires and explosive devices.  Handmade grenades.  Accelerants designed to kill whoever entered and potentially destroy the entire building and its residents.  This sounds like the plot to a book or a movie.

But it’s all too terribly real.

This is not a book where I root for the bad guy to be brought low.  It isn’t a movie where the audience cheers when the hero triumphs. 

Instead, there is only sadness, confusion and heartbreak.

I don’t know if the people that survived the shooting will ever recover from the terror they must have felt.  No matter how many psychiatrists weigh in, we will never know the reasons for this unthinkable act that stole the lives of so many.  All we can do is pray for the families of those who were lost, show our support to those that survived and in the sadness cling to the hope that this senseless taking of lives will never happen again.

To the people of Aurora, Colorado—my thoughts and prayers are with you all.  My you find peace in the days and months ahead.

Hard habit to break

 habits  Comments Off
Jul 152012
 

By: Joelle Charbonneau

I’m a writer.  Which means…drum roll please….I write.  No big surprise.  Right? I admit I haven’t been at this writing thing as long as some.  I wasn’t an English or journalism major in college.  I didn’t dream of a career that involved sitting behind a computer making stuff up.  Heck, even had I dreamed of it, I would never have thought anyone would pay me to do it. 

A little under 10 years ago I decided to try my hand at writing.  For whatever reason, when I started writing, I did the bulk of my work in the afternoon or in the late parts of the evening.  I freely admit that I am not a morning person.  Or, perhaps more important, while I am able to make beds, get breakfast on the table and fish clothes that match out of my closet, I find my brain doesn’t appreciate being asked to be creative in the A.M. 

As most of you probably know, I have a toddler in the house and I consider myself lucky that at 4 years of age, the tot still enjoys taking an afternoon nap.  This has allowed me to continue the writing pattern that began long ago.  Write in the afternoon (when the tot is napping) and continue writing in the evening (when the tot is asleep). 

Yippee!  Right?

Right!  Well…sort of.  Kind of…

See, while this writing pattern has been successful for me thus far, I didn’t have the amount of work e-mails to answer nor several books a year to copy edit, proof, tweak jacket copy and the myriad of other details that go along with a book’s production.  I also didn’t need to write several manuscripts in any given year.  I do now.  And though having this work is thrilling, I am finding that my current writing habits don’t allow enough time for me to get as much done as needs to be done in any given day. 

So, I’m working on changing my habits.  Every morning the tot has swim lessons.  When we started the summer, I brought a book to the pool and read for the 40 minutes the kid splashed and kicked.  In the last week, I have packed up the laptop and fired it up poolside.  I’ve also brought the laptop to the park and sat on the porch with it while the kid does the kiddie pool routine.

The results of this experiment have been mixed.  While I am more than willing to be productive, part of my brain is determined that the routine I have used for so many years is the way I write best.  That I can’t be as sharp or funny or…whatever…during different times of day in places where there are so many distractions.

But I am determined to persevere.  Which is where you come in.  Have you ever had to change a habit and found yourself doubting whether or not it will work for you?  Do you NEED to exercise at a certain time or day?  Do you only write well when you first wake up?  Am I the only one who feels this pull to keep doing what has been successful in the past?  And if you have changed a personal habit – how long did it take before it felt natural or before you stopped doubting it was a good choice?  Trust me – with 3 more manuscripts to write by summer of next year, I really need to know!
Jul 082012
 

by: Joelle Charbonneau

No.  This isn’t a trick question.  Yes.  When you buy a book, you read it.  (Although if you are fighting schedule crunches like me, you buy a book and it sits on the nightstand for quite a while before I finally eek out the time to read it.)  Sometimes you’ll love the book.  Other times you’ll wonder what the heck all the hype was about.  Then you sit the book to the side and…

What?

What do you do with your books that you have read?

For me, I admit I keep LOTS and LOTS of books in my house.  My shelves and drawers are a testament to the number of books that I purchase.  And as many of you know, I am a fan of printed books.  We own an e-reader, but I seem to be a traitor to my generation and can’t seem to relax when I read off a screen.  I’m odd that way.

While my dream is to have a house big enough to convert a room into my own personal library with one of those ladders you push around the walls….the house I live in now can’t hold all the books that I buy.  Which means if I don’t plan on rereading a book, I have to find it a new home.

So, what do I do with my books?  A few I give to friends who I think will enjoy the.  The rest I box up and take to my local library.

Ok, to some of you that might sound funny.  I mean, the library is already full of books.  They probably don’t need mine to keep the shelves full.  And while that is often true, they do need my books.  And they need yours.  Most library districts are fighting huge budget crunches.  Not a surprise, right?  Which means they need funds from other sources.  One of the biggest sources of extra income is book sales.  My local library has a great room where all paperbacks are $.50 and hardcovers are $1.00.  (Except for some of the newer hardcovers that they charge a bit more for.)  While those prices don’t seem like a lot, the money adds up.  In fact, some libraries earn over $50,000 a year in book sales.  Which means more story times for our kids, more books and DVDs for us to check out and more services for the community.

A win-win.

So, if you have books sitting around the house that you never plan on reading again…please consider supporting your local library and making a donation.  They’ll even give you a great form that allows you to write the donation off you’re your taxes next year.  You’ll get the deduction and the benefit of thriving libraries which are so very necessary to us all.
Jul 012012
 
by: Joelle Charbonneau

Happy July.  I’m not sure how it is already July.  I mean, I understand the passage of time.  Seconds turn into minutes.  Minutes turn into hours.  Hours into days.  Etc… Etc… Etc…  But despite knowing how it happened, I am still protesting the fact we are halfway through this year.  My to-do list for the year hasn’t gotten shorter, which is the reason I’m totally freaked about the turn of the calendar and this new month staring me in the face.

The month of July also makes me feel nervous for another reason.  MURDER FOR CHOIR launches in 2 days.  I’m excited and panicked and thrilled and about ready to throw up.  (Don’t I make publishing sound totally awesome?)  These are all emotions I’m used to feeling on the opening of a new show and thus far every book that I have published has come with its own set of butterflies. 

Launching this series is particularly nerve wracking because it has so much of me in between the jacket covers.  My heroine, Paige Marshall, is a classically trained singer hoping to land her big break.  To make ends meet, she takes a job as a high school show choir coach and finds a rival choir director strangled with a microphone cord—dead. 

Ok—I’ve never tripped over a dead body, but I know what it is like to go to audition after audition and not land that break you have worked so hard for.  I’ve also taught voice to lots of high school students.  So, while Paige is in no way me, I know her.  I know what kind of drive it takes to face those auditions.  To keep hoping and dreaming.  And how frustrating and rewarding it can be to work with the next generation that are looking to take that same career path.

So, while everything I write has bits and pieces of me in it, this one has a great deal of my soul.  (Probably an odd thing to say about a book with a large standard poodle intent on making the heroine go hungry!)  I hope readers pick up the book.  I hope they enjoy the story enough to read the next one. 

I hope.
Jun 242012
 

By: Joelle Charbonneau

This week our very own Steve Weddle started a discussion about the trend in publishing where authors are being asked to produce more than one work in a year.  Sometimes they are asked to create a short story to help promote a book.  Often they are requested to up their production to two books or more.  Steve did a great job of laying out the possible reasons for this in his post – here– even if he did tweak me a bit by saying I have 17 books hitting shelves in the next 2 years.  (6 is more than enough!)

During the ensuing discussion, I saw more than on person comment that creating more than one book a year lowers the quality of an authors work.  I have to admit that the certainty in which those comments were made gave me pause for a minute.  I mean, I have 4 novels due to my publishers in the next year.  The comments on Steve’s blog post made it sound as if I am selling out by writing that much or that my writing will suffer mightily from the commitment.  Um…yikes. 

Then I thought about the arguments and I went from feeling scared to being annoyed – not just at those comments, but the discussion on this issue I have seen across the internet.  People say that writing fast means lowering the quality of the writing. 

Screw that.  

Just because something is created quickly doesn’t lower the value of the work.  You know how I know this?  Because some of the greatest art in history was created quickly and has not only lasted throughout the generations, but with each passing year is more revered. 

Let’s look at music. 

Wolfgang Amadeus Mozart is considered to be one of the greatest composers that ever put pen to paper.  He was 35 when he died.  During his time on this earth he wrote over 600 works that are still being preformed today.  In 1791 alone – the last year of his life – Mozart created over 60 works which included 2 operas, one of which was Die Zauberflote (The Magic Flute), symphonies, choral music, concertos etc.  I don’t think that anyone would claim his work suffered from speed. 

And if you think Mozart was prolific, take a look at another luminary composer - J.S. Bach who lived to be 65.  Part of his job as a church composer was to write a new cantata every week.  He wrote 1126 works during his lifetime – that we know of.  Who knows what works were lost to the passage of time and poor documentation.  I guarantee you won’t hear people say they wish he’d written less.

The visual arts also have their share of prolific artists.  Raphael Sanzio – who was better known by just his first name of Raphael – was only 37 years old when he died.  During his short life, he completed at least 100 works that we know of.  And as impressive as that sounds, Pablo Picasso has him beat by a mile.  The total number of artworks created by Picasso is estimated to be around 50,000. 

Am I saying that all writers should be prolific?  NO!  Am I saying that all the artwork that was created by Picasso or the music produced by Bach are at the very highest standard?  Probably not. 

But blanket statements saying that “all writing done quickly is crap” and that “those who take years to craft a book are geniuses” really tick me off.  Each of us as writers—as readers—as people move at our own pace.  Associating the time it takes to create something to its value is just plain wrong. 

Read the book. 

Look at the painting. 

Listen to the opera or concerto and determine based on the work alone if it speaks to you.

If it does, why does the time frame it takes to create it matter? 
Jun 172012
 

I am delighted that Steve Ulfelder is back here on DSD.  Since his last appearance, Purgatory Chasm has garnered both a coveted Edgar and Anthony nomination for best first book.  His second book, The Whole Lie, is in stores now.  If you haven't read Steve - do it!  Now!  You'll thank me for it.  Now please give a wonderful welcome to the sensational Steve Ulfelder.

By Steve Ulfelder

Father’s Day.

My books tend to include, even center around, father-son relationships. If protagonist Conway Sax isn’t dealing with the sudden reappearance of his own father (who abandoned him), he’s trying to regain the trust of his own son (whom he abandoned). The stories are filled with sons who believe they’ve never measured up to their fathers, in spite of material evidence to the contrary.

In my writing, I focus on characters or story, letting themes emerge where they emerge. And it’s become indisputable: fathers and sons are a big theme for me.

I’m fascinated by the role of dad in the family. Hispower. His other-ness, especially in the increasingly rare households with stay-at-home moms.

And his occasional flares of temper.

Ah, yes. The father’s temper.

My dad had one.

Jump to Los Angeles, four-plus decades ago. And let’s begin with some context on my father’s situation at the time. At age 30 or so, he had three kids under the age of 6, a high-pressure job in the aerospace industry, a mortgage on a ranch house in Orange County, a pair of car payments, and a young wife who’d been uprooted and moved 3000 miles from home – with the aforementioned kids.

I can only imagine what pressures my dad felt back then. Small wonder that he sometimes found it necessary to vent in creative ways.

There was the time the lawnmower, one of those engineless jobs perfect for a small Orange County lawn, got hopelessly jammed. Dad responded by launching it over our tall fence into the swimming pool of the apartment complex next door.

No swimmers were injured. The lawnmower was never the same.

I want to be fair, so I’ll point out that his temper often worked on our behalf. One time, a hotrod went blasting down our dead-end street, spinning its tires, barely under control. My father roared at the hotrod’s driver and went running – running – after the car. He must have struck terror into the driver’s heart, because the kid actually stopped and waited for my dad to catch up and offer a piece of his mind.

Yes, my father’s temper had the power to halt speeding cars.

But the story that sticks in my mind occurred one Sunday morning when I was five. My mother had taken my siblings to church, leaving me and dad at home. I watched cartoons while he relaxed and read the LA Times.

My parents had recently begun giving us kids an allowance – a dime a week each. Sunday was allowance day, and though I tried to watch cartoons, all I could think of was that dime. Man, did I want that dime.

I crept into my parents’ room and meekly requested it.

“I’ll give it to you later, when I get up,” dad said.

Fair enough. Back to cartoons.

Time passed. A full three or four minutes – an eternity, in other words, to a 5-year-old with sweet silver on his mind.

I padded back to my folks’ room. “Can I have my dime yet?”

“I’ll give it to you later, when I get up,” my father said, not lifting his eyes from the sports page. There was likely a subtle shift in his tone, a sort of warning bell that I was pushing my luck.

But I was 5 years old, and a subtle shift in tone was no match for that dime.

You know where this story’s headed, don’t you?

Back down the hall for more cartoons. After a reasonable interlude – two or three minutes, say – pad down the hall again. Stand in my parents’ doorway. “Dad? Can I have my …”

And that’s when my father roared.

He roared. He became a force of nature. He let me have it in language and at a volume that would draw complaints at a convention of stevedores.

To say I was chastened is an understatement. I was cowed. I was terrified.

I retreated to my favorite spot – the floor of the linen closet, which was a perfect size for a 5-year-old – and waited for mom to come home.

Now fast-forward 30 years to the basement of the Massachusetts home in which my wife and I have raised our kids.

I need to confess I inherited my father’s temper. It doesn’t blow very often, but when it blows, it blows. My family will vouch for this, unfortunately.

I’d recently introduced my son, 11 at the time, and his two best friends to my own favorite boyhood hobby: building model cars. They had embraced it with fervor. One Saturday afternoon, I dropped in on the makeshift studio they’d created in our basement …

… where it looked like a bomb had gone off.

A paint bomb.

In the manner of all 11-year-old boys everywhere, somebody had accidentally spray-painted somebody else’s hand. Retaliation had ensued. Then escalation, then a full-blown conflagration.

Of spray-paint fighting, that is.

The battle hadn’t ended until the last can was empty. The basement walls and floors, along with everything in the vicinity, looked like a South Bronx graffiti competition.

I tracked down those boys, and I let them have it. Boy, did I let them have it, unleashing a healthy dose of the stevedore lingo my dad had so thoughtfully taught me. I gave them the works: the bugged-out eyes, the throbbing vein in the temple, the clenched fists.

And when I was finished, a funny thing happened.

Only it wasn’t funny. It was terrible.

And it was in that terrible moment that I gained a new kinship with my father. A loop was closed. A new point of view made the scene.

What happened, you ask?

I saw the boys’ eyes.

I saw hurt and confusion, caused purely by me, in the eyes of sweet 11-year-old boys, including my only son.

And I was overcome by shame and regret and the knowledge I had used my power in an awful way.

At that moment, I flashed back to the episode of the dime. And I came to understand what my father must have come to understand then: My loss of control had caused an ugly memory that, while it would recede, and would be counterbalanced by more positive recollections, would never go away.

And this is the part all dads can relate to.

Our power, which seems so great to our families, can be exercised with reluctance and gentleness … or with force and impatience and outbursts of temper.

I believe that because we’re all good at heart, gentleness and grace usually win out.

But because we’re human, they don’t always.

So what do you do? How do you react to a colossal screw-up like this?

Here’s what I did that day, after seeing the fear and hurt I’d put in the eyes of three 11-year-olds I very much loved: I forced myself to remember those looks.

Believe me, I would prefer to forget them. But I don’t let myself. I can recall those boys’ eyes even today.

I wish I could say nothing like that ugly moment has happened since. But I’m human. So it has.

But I’m human. So I keep trying.

I guess I will all my life.

I want to circle back to my dad, lest you think he’s gotten the short end of the stick.

He’s one of the finest men I know. Pushing 80, healthy as a horse, active in all sorts of charitable and intellectual endeavors.

But what’s truly beautiful about my dad is that he’s spent his entire life improving in all the important ways. As he ages, his heart gets bigger and bigger, his capacity for love and forgiveness greater. If I can become half the man my father is, I will have done well indeed.

One last thing. We left 5-year-old me curled up in the linen closet, waiting for my mother to get home from church.

When she did, and I emerged, guess what I found on the rug outside that closet door? That’s right: A perfect, shiny, carefully placed dime.

Happy Father’s Day.

BIO: Steve Ulfelder is an amateur race driver and co-owner of Flatout Motorsports Inc., a Massachusetts company that builds race cars. His first novel, Purgatory Chasm (Thomas Dunne Books/Minotaur), was nominated for Edgar and Anthony Awards and was named Best First Mystery of 2011 by RT Book Reviews. His second novel, The Whole Lie, is available everywhere, and a third book is set for May 2013 release.
Jun 102012
 

By: Joelle Charbonneau

This week I attended my very first BEA.  For those who aren’t familiar with the acronym, BEA stands for BookExpo America.  The expo is held at the Javits Center in New York City (a place all New Yorkers seem to have a love/hate relationship with) and is packed with over 20,000 publishers, agents, booksellers, librarians, authors and readers.  I thought I had mentally prepared myself for how huge the event was going to be.  I was wrong!  The event is massive.  So many people handing out ARCs, running to meetings or events and talking about their love of books. 

Love of books is the theme of BookExpo America.  So, if you love books and you can swing going to BEA, I totally recommend it.  Not because it will land you and agent or an editor.  It won’t.  Editors and agents don’t have time to talk about as yet unsigned projects.  They are too busy talking about their upcoming lists or pitching books to film people and foreign rights agents.  In fact, attending BEA will not make you “the author” feel important at all.  Because this isn’t a conference about writers and authors.  This is an expo about books.  If you are looking to stand out in the crowd, you probably need to wear stilts and even then you might not get noticed.  (Trust me.  The ten foot inflatable Captain Underpants doll barely got a second glance.)  But while you won’t stand out in the crowd, you will feel a sense of unity with everyone around you because everyone in attendance LOVES books.  They want to find better ways to connect readers with books and to keep the industry alive and thriving. 

BEA for me was fun and intimidating.  I got to sign copies of SKATING AROUND THE LAW, SKATING OVER THE LINE and early copies of MURDER FOR CHOIR.  Seeing MURDER FOR CHOIR for the first time was pretty awesome.  I also had meetings with my three editors and talked to my Houghton Mifflin Harcourt team for the first time.  Oh – and I got to see a bound copy of THE TESTING.  Not an ARC – since we are a few weeks/months away from that yet, but it was still exciting to see it getting so close.  I didn’t do much of the party scene, although I understand there were lots and lots of them.  There was a fun YA bash that I crashed with the fabulous DMLA agent, Amy Boggs, which was held at the top of a building near the Hudson River.  The view of the city was pretty amazing!  The bloggers who threw the party knew what they were doing when they picked the location. 

The one thing that I thought I was going to hear more buzz about during my BEA experience was the Amazon buyout of Avalon.  I mean, Amazon timed the announcement to coincide with BEA.  They wanted the acquisition to garner attention.  Only….it really didn’t.  I mean, people noticed the announcement.  It was kind of hard to miss.  But instead of talking about the move as proof that Amazon was doing good things or that they were evil and trying to take over the world, everyone just kind of shrugged.  I’m not sure what that means, but no one was surprised or compelled to talk about that particular announcement.  Maybe it was because it made sense that Amazon would buy genre books that had never been brought to the digital market.  While there are lots of things I don’t understand about the Amazon business model, I do understand that they understand e-books.  So, I guess I’m one of the masses on this and shrugging at the big announcement because this buyout totally makes sense.   

How about you?  Did you hear about the announcement and shrug?  Did you cheer when you heard the news or did the news not make it onto your radar?

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