Christopher Mills

May 072013
 
Ray Harryhausen, the undisputed master of stop-motion animation, has passed away at age 92. As others have noted, he didn't create the special effects technique of animating small models one frame at a time, but he perfected it in a series of imaginative motion pictures that, regardless of their other merits (or lack thereof), will endure forever because Ray somehow managed to breath convincing life into his menagerie of mythological and fantastical creations, working in solitude for months at a time. There have been other talented stop-motion animators (including Harryhausen's own mentor, Willis O'Brien), but few managed to imbue their characters with quite as much personality and "soul."

The movies he made will always be remembered, but it is all of the artists and animators, filmmakers and authors that he inspired that will be his true and greatest legacy... and I count myself among them.

R.I.P. Ray. There's considerably less magic in the world today.

May 072013
 
Well, it's a bit over four months into the year and I only have one convention appearance scheduled for 2013. Actually, that's one more than I usually have, so that's not too bad.

I’m currently planning to attend the Coast City Comic Con, in South Portland, Maine, the weekend of November 9th and 10th. I’ll have a table in the artists alley; I don’t know if they’ll be advertising me as a guest or not (I’m guessing not). I’ll have copies of my comics, graphic novels and prose anthologies on hand for purchase. I’ll probably have some Gravedigger and Perils On Planet X stuff there, too.

If there’s a BangPop show in Bangor this year (it’s been cancelled two years in a  row, so I’m not optimistic), I’ll probably be there, too.
May 062013
 
As you all probably know, my Gravedigger collaborator/co-creator/artist extraordinaire Rick Burchett is also one of the creative forces behind another prominent webcomic, Lady Sabre And The Pirates Of the Ineffable Aether, which is written by best-selling novelist and famed comic scribe, Greg Rucka.

Well, they’ve been producing their bi-weekly, swashbuckling steampunk aerial adventures for a year and a half or so, and are now planning the first hardcover trade collection. In order to put together the best possible print edition, they’ve just launched a Kickstarter campaign. If you click on that link, you’ll see exactly what they have planned, and what they’re asking, along with the rewards they’re offering to contributors.

If you love action-adventure comics, you owe it to yourself to check out Lady Sabre. You already know what an accomplished artist and storyteller Rick is, and in Lady Sabre he’s really cutting loose with some of the finest work of his career. I’ll be kicking in to the campaign, and suggest you consider doing so, as well.

It’s a great comic… and you can never have too many of those.
May 022013
 
I received the new Bomba The Jungle Boy manufactured-on-demand DVD collection from Warner Archives yesterday. I've watched the first four of the six films in the set, and while I'll be posting a real review over on my DVD Late Show site early next week, I wanted to mention here how much I'm enjoying these Monogram B-movies.

While clearly shot on a shoestring budget, and a bit too leisurely-paced for their brief running times, I think these compare rather favorably to the Tarzan films that Sol Lesser was producing at the same time; they're clearly cheaper, but not much cheaper than the Lex Barker Tarzan entries. Johnny Sheffield, while still decidedly boy-ish of face, has a remarkably impressive adult physique worthy of a jungle man, and appears to be doing a surprising number of his own stunts.

In these first four films - Bomba The Jungle Boy, Bomba On Panther Island, Lost Volcano, and The Hidden City - there's a reasonable variety to the storylines, even if they do manage to include almost every convention (or cliché) of the jungle adventure film - and we wouldn't want it any other way. (Haven't seen anyone trapped in quicksand yet, though.)

I'm definitely looking forward to spinning the last couple films in Volume One, and hope that Volume Two will be coming soon.
Apr 292013
 
Phil Corrigan, alias Secret Agent X-9, was a popular comic strip character of the 30's and 40's (though the feature ran well into the 90's) created by the acclaimed mystery writer Dashiell Hammett and artist Alex Raymond (who would later go on to create Flash Gordon, and then Rip Kirby for the same newspaper syndicate). Universal Studios produced two movie serials based on the character, both simply titled, Secret Agent X-9; the first in 1937 and the second in 1945.

The 1937 serial has Agent X-9 functioning pretty much as a standard movie G-Man, chasing after a ring of international jewel thieves. It’s a very decent serial; Scott Kolk makes an adequate X-9, and Jean Rogers (Dale Arden in Flash Gordon) is a lovely leading lady. Unfortunately, it’s not really a spy story. Instead, it’s pure, Depression-era, cops and robbers melodrama.

The 1945 serial, on the other hand, is a genuine espionage adventure. This one stars a young, up and coming Lloyd Bridges as Phil Corrigan, Secret Agent X-9. The charismatic and talented Bridges was a far better actor than most other serial heroes, and his nascent star quality really infuses the 13-chapter serial with energy. Unlike some other chapterplays of the era, you don’t get bored between fistfights and car chases.

The story is set in 1943 on the aptly-named Shadow Island, a small isle of intrigue somewhere off the coast of China, which the Japanese have allowed to remain neutral. Of course, secret agents from all over the world descend upon the island, which is portrayed as a sort of South Pacific Casbalanca. Shadow Island is run by a saloon owner named Lucky Kamber (Cy Kendall), but he’s only allowed to operate at the sufferance of a sly and slinky Japanese agent called Nabura (Victoria Horne in faux Asian make-up).

The plot revolves around the accidental discovery by a Japanese scientist (Benson Fong, Charlie Chan’s #3 son) that aviation fuel can be manufactured cheaply by mixing an artificial chemical called 722 with water. Seeing the obvious benefits for Japan’s war plans, Nabura devises an intricate plan to steal the formula for 722 from an American scientist in the States. Fortunately, Australian spy Lynn Moore (Jan Wiley) learns of the plan and, in response to her report, American Intelligence sends Phil Corrigan to Shadow Island to foil the plot. Soon after X-9’s arrival, he finds himself not only teamed with the pretty Aussie agent, but partnered with a very competent Chinese operative named Ah Fong (the great Keye Luke, Charlie Chan’s #1 son). It’s a good thing, too, because X-9’s got his hands full.

Shadow Island swarms with suspicious characters. Among the various factions maneuvering on Shadow Island are a mysterious French couple – Hotel owners Papa and Mama Pierre – whose motives and loyalties are unknown, and an enigmatic gentleman known only as Solo (Samuel S. Hinds) who sits for endless hours at Kamber’s bar playing tiddley winks. Additionally, there’s a Japanese submarine (and its crew) standing by to facilitate Nabura’s scheme, and a "civilian" German freighter commanded by Herr Kapitan Graf, in port.

Needless to say, double (and triple) crosses, gunfights, brawls and shadow skulking are the order of the day on this island of spies, and X-9 has to keep on his toes if he’s going to foil Nabura’s machinations. The serial is briskly-paced (unusually so, for a Universal serial, which tended to be more leisurely than those produced by studios like Republic and Columbia) by directors Lewis Collins and Ray Taylor, and has fairly high production values. The pre-WWII setting is fascinating, and the cliffhangers are all pretty exciting. The final chapter is satisfying, too – not always the case with these Saturday matinee chapterplays.

VCI Entertainment offers both Secret Agent X-9 serials on DVD. Both look good, but the 1945 serial looks particularly fine for its age. There’s some occasional, minor print damage here and there, but the transfer is very solid for the most part. The VCI disc also includes a commentary over the first chapter by mystery writer and comic strip historian Max Allan Collins, an interview with Bridges’ son, Beau Bridges, a still gallery, and trailers for other VCI serial discs.

I'm a big fan of old serials, and the 1945 Secret Agent X-9 is one of my very favorites. Not only is it a great serial, but a fun spy movie, too.
Apr 242013
 
Robert Moore Williams' dinosaur-riding jungle man, Jongor of Lost Land, battles a centaur on this Fantastic Adventures cover. The cover art illustrates a scene from The Return of Jongor, the middle installment of Williams' pulp trilogy. I've got these adventures in paperback (with Frazetta covers), but it was cool to stumble upon this scan during one of my recent Google safaris...
Apr 232013
 
This week, Warner Archive released the first volume of Bomba, The Jungle Boy films on DVD. The films, based on a children's book series published in the 1920s, were produced by the Poverty Row studio Monogram Pictures starting in 1949 as a vehicle for youthful actor Johnny Sheffield, who had just completed his tenure as "Boy" in the Tarzan films produced by MGM and RKO. As Bomba, Sheffield was able to remain in the jungle spotlight for a few more years (until 1955!), in much the same manner as his on-screen father figure, Johnny Weismuller, who moved on to make a series of low-budget Jungle Jim B-movies for Columbia, post-Tarzan.

I've never seen any of the Bomba films, but I love old Hollywood backlot jungle adventures, and look forward to checking these out. This first volume contains six features: Bomba The Jungle Boy, Bomba on Panther Island, The Lost Volcano, The Hidden City, The Lion Hunters, and Elephant Stampede. With luck, I'll be reviewing these for my DVD Late Show site.

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